Author: Kate Mikoley Publisher: Enslow Publishing, LLC ISBN: 1978513704 Category : Juvenile Nonfiction Languages : en Pages : 48
Book Description
For years, zombies have been a staple in horror movies. More recently, they've become a popular topic in many television shows as well. Throughout American history, people have told tales of those who have died but not quite left their bodies behind. The undead come in many forms depending on the specific legend. Through engaging text, accompanied by captivatingly creepy images and informative sidebars, readers will learn how the stories told about zombies have changed over the years, along with people's beliefs about them. This intriguing volume is a must-have for those interested in the paranormal.
Author: Kyle William Bishop Publisher: McFarland ISBN: 0786448067 Category : Performing Arts Languages : en Pages : 249
Book Description
Zombie stories are peculiarly American, as the creature was born in the New World and functions as a reminder of the atrocities of colonialism and slavery. The voodoo-based zombie films of the 1930s and '40s reveal deep-seated racist attitudes and imperialist paranoia, but the contagious, cannibalistic zombie horde invasion narrative established by George A. Romero has even greater singularity. This book provides a cultural and critical analysis of the cinematic zombie tradition, starting with its origins in Haitian folklore and tracking the development of the subgenre into the twenty-first century. Closely examining such influential works as Victor Halperin's White Zombie, Jacques Tourneur's I Walked with a Zombie, Lucio Fulci's Zombi 2, Dan O'Bannon's The Return of the Living Dead, Danny Boyle's 28 Days Later, and, of course, Romero's entire "Dead" series, it establishes the place of zombies in the Gothic tradition. Instructors considering this book for use in a course may request an examination copy here.
Author: Christopher M. Moreman Publisher: McFarland ISBN: 0786488085 Category : Performing Arts Languages : en Pages : 230
Book Description
On the surface, the zombie seems the polar opposite of the human--they are the living dead; we, in essence, are the dying alive. But the zombie is also "us." Although decaying, it looks like us, dresses like us, and sometimes (if rarely) acts like us. In this volume, essays by scholars from a range of disciplines examine the zombie as a thematic presence in literature, film, video games, legal language, and philosophy, exploring topics including zombies and the environment, litigation, the afterlife, capitalism, and the erotic. Through this wide-ranging examination of the zombie phenomenon, the authors seek to discover what the zombie can teach us about being human. Instructors considering this book for use in a course may request an examination copy here.
Author: John Vervaeke Publisher: Open Book Publishers ISBN: 178374331X Category : Social Science Languages : en Pages : 96
Book Description
Why has the zombie become such a pervasive figure in twenty-first-century popular culture? John Vervaeke, Christopher Mastropietro and Filip Miscevic seek to answer this question by arguing that particular aspects of the zombie, common to a variety of media forms, reflect a crisis in modern Western culture. The authors examine the essential features of the zombie, including mindlessness, ugliness and homelessness, and argue that these reflect the outlook of the contemporary West and its attendant zeitgeists of anxiety, alienation, disconnection and disenfranchisement. They trace the relationship between zombies and the theme of secular apocalypse, demonstrating that the zombie draws its power from being a perversion of the Christian mythos of death and resurrection. Symbolic of a lost Christian worldview, the zombie represents a world that can no longer explain itself, nor provide us with instructions for how to live within it. The concept of 'domicide' or the destruction of home is developed to describe the modern crisis of meaning that the zombie both represents and reflects. This is illustrated using case studies including the relocation of the Anishinaabe of the Grassy Narrows First Nation, and the upheaval of population displacement in the Hellenistic period. Finally, the authors invoke and reformulate symbols of the four horseman of the apocalypse as rhetorical analogues to frame those aspects of contemporary collapse that elucidate the horror of the zombie. Zombies in Western Culture: A Twenty-First Century Crisis is required reading for anyone interested in the phenomenon of zombies in contemporary culture. It will also be of interest to an interdisciplinary audience including students and scholars of culture studies, semiotics, philosophy, religious studies, eschatology, anthropology, Jungian studies, and sociology.
Author: Diane Bailey Publisher: The Rosen Publishing Group, Inc ISBN: 1448855926 Category : Juvenile Nonfiction Languages : en Pages : 50
Book Description
The very real origins of zombies and the very unreal legends that have developed since are explored in this exciting volume. Among the legends, the earliest New Orleans voodoo priestess and the Night of the Living Dead are brought forth. Readers and zombie enthusiasts alike can explore some of the most exciting legends that the living dead have to offer.
Author: William Seabrook Publisher: Courier Dover Publications ISBN: 048679962X Category : Social Science Languages : en Pages : 433
Book Description
This 1929 volume offers firsthand accounts of Haitian voodoo and witchcraft rituals. Author William Seabrook introduced the concept of the walking dead to the West with this illustrated travelogue.
Author: Sarah J. Lauro Publisher: Rutgers University Press ISBN: 0813568854 Category : Art Languages : en Pages : 284
Book Description
Our most modern monster and perhaps our most American, the zombie that is so prevalent in popular culture today has its roots in African soul capture mythologies. The Transatlantic Zombie provides a more complete history of the zombie than has ever been told, explaining how the myth’s migration to the New World was facilitated by the transatlantic slave trade, and reveals the real-world import of storytelling, reminding us of the power of myths and mythmaking, and the high stakes of appropriation and homage. Beginning with an account of a probable ancestor of the zombie found in the Kongolese and Angolan regions of seventeenth-century Africa and ending with a description of the way, in contemporary culture, new media are used to facilitate zombie-themed events, Sarah Juliet Lauro plots the zombie’s cultural significance through Caribbean literature, Haitian folklore, and American literature, film, and the visual arts. The zombie entered US consciousness through the American occupation of Haiti, the site of an eighteenth-century slave rebellion that became a war for independence, thus making the figuration of living death inseparable from its resonances with both slavery and rebellion. Lauro bridges African mythology and US mainstream culture by articulating the ethical complications of the zombie as a cultural conquest that was rebranded for the American cinema. As The Transatlantic Zombie shows, the zombie is not merely a bogeyman representing the ills of modern society, but a battleground over which a cultural war has been fought between the imperial urge to absorb exotic, threatening elements, and the originary, Afro-diasporic culture’s preservation through a strategy of mythic combat.
Author: Scientific American Editors Publisher: Scientific American ISBN: 1250121558 Category : Science Languages : en Pages : 146
Book Description
The zombie has had a bit of a renaissance over the last decade. It seems like zombies are everywhere. From recent films like World War Z to popular TV shows like The Walking Dead, we’ve reached peak zombie saturation in American culture. Communities throughout the country hold zombie runs and races. In 2016 the first zombie-proof house was built, complete with concrete walls that move over the structure so that it’s completely sealed. Even the Centers for Disease Control and Prevention compiled a preparedness guide “in case” of a zombie apocalypse. So what’s driving the zombie obsession in American culture? Where did the fear of this creature originate? In this eBook, The Real Zombies of Nature, we look at the myth of the zombie versus real instances of zombification in the natural world and engage in some scientific speculation about what would happen if myth ever became reality.
Author: Kyle William Bishop Publisher: McFarland ISBN: 0786455543 Category : Performing Arts Languages : en Pages : 249
Book Description
Zombie stories are peculiarly American, as the creature was born in the New World and functions as a reminder of the atrocities of colonialism and slavery. The voodoo-based zombie films of the 1930s and '40s reveal deep-seated racist attitudes and imperialist paranoia, but the contagious, cannibalistic zombie horde invasion narrative established by George A. Romero has even greater singularity. This book provides a cultural and critical analysis of the cinematic zombie tradition, starting with its origins in Haitian folklore and tracking the development of the subgenre into the twenty-first century. Closely examining such influential works as Victor Halperin's White Zombie, Jacques Tourneur's I Walked with a Zombie, Lucio Fulci's Zombi 2, Dan O'Bannon's The Return of the Living Dead, Danny Boyle's 28 Days Later, and, of course, Romero's entire "Dead" series, it establishes the place of zombies in the Gothic tradition. Instructors considering this book for use in a course may request an examination copy here.
Author: Kate Mikoley
Author: Kyle William Bishop
Author: Christopher M. Moreman
Author: Kelly Baker
Author: John Vervaeke
Author: Diane Bailey
Author: William Seabrook
Author: Sarah J. Lauro
Author: Scientific American Editors
Author: Kyle William Bishop