American Scenery PDF Download

Author: Thomas Addison Richards
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 446

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Author: Nathaniel Parker Willis
Publisher: London ; New York : J.S. Virtue, [184-?]
ISBN:
Category : United States
Languages : en
Pages : 308

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Author: Nathaniel Parker Willis
Publisher: London : G. Virtue
ISBN:
Category : Middle Atlantic States
Languages : en
Pages : 302

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Author: United States. National Park Service
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: John Evelev
Publisher: Oxford University Press
ISBN: 0192647326
Category : Literary Criticism
Languages : en
Pages : 289

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Book Description
Picturesque Literature and the Transformation of the American Landcape, 1835-1874 recovers the central role that the picturesque, a popular mode of scenery appreciation that advocated for an improved and manipulated natural landscape, played in the social, spatial, and literary history of mid-nineteenth century America. It argues that the picturesque was not simply a landscape aesthetic, but also a discipline of seeing and imaginatively shaping the natural that was widely embraced by bourgeois Americans to transform the national landscape in their own image. Through the picturesque, mid-century bourgeois Americans remade rural spaces into tourist scenery, celebrated the city streets as spaces of cultural diversity, created new urban public parks, and made suburban domesticity a national ideal. This picturesque transformation was promoted in a variety of popular literary genres, all focused on landscape description and all of which trained readers into the protocols of picturesque visual discipline as social reform. Many of these genres have since been dubbed "minor" or have been forgotten by our literary history, but the ranks of the writers of this picturesque literature include everyone from the most canonical (Hawthorne, Melville, Thoreau, Emerson, and Poe), to major authors of the period now less familiar (such as Henry Wadsworth Longfellow, Lydia Maria Child, Nathaniel Parker Willis, and Margaret Fuller), to those now completely forgotten. Individual chapters of the book link picturesque literary genres to the spaces that the genres helped to transform and, in the process, create what is recognizably our modern American landscape.

Author: Barbara Novak Altschul Professor of Art History Barnard College and Columbia University (Emerita)
Publisher: Oxford University Press, USA
ISBN: 0195345665
Category : Art
Languages : en
Pages : 328

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In this richly illustrated volume, featuring more than fifty black-and-white illustrations and a beautiful eight-page color insert, Barbara Novak describes how for fifty extraordinary years, American society drew from the idea of Nature its most cherished ideals. Between 1825 and 1875, all kinds of Americans--artists, writers, scientists, as well as everyday citizens--believed that God in Nature could resolve human contradictions, and that nature itself confirmed the American destiny. Using diaries and letters of the artists as well as quotes from literary texts, journals, and periodicals, Novak illuminates the range of ideas projected onto the American landscape by painters such as Thomas Cole, Albert Bierstadt, Frederic Edwin Church, Asher B. Durand, Fitz H. Lane, and Martin J. Heade, and writers such as Ralph Waldo Emerson, Henry David Thoreau, and Frederich Wilhelm von Schelling. Now with a new preface, this spectacular volume captures a vast cultural panorama. It beautifully demonstrates how the idea of nature served, not only as a vehicle for artistic creation, but as its ideal form. "An impressive achievement." --Barbara Rose, The New York Times Book Review "An admirable blend of ambition, elan, and hard research. Not just an art book, it bears on some of the deepest fantasies of American culture as a whole." --Robert Hughes, Time Magazine

Author: Philip Homer Elwood
Publisher:
ISBN:
Category : Landscape architecture
Languages : en
Pages : 228

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Author: Nathaniel Parker Willis
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 414

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Book Description

Author: Gregory Clark
Publisher: Univ of South Carolina Press
ISBN: 1643363247
Category : Language Arts & Disciplines
Languages : en
Pages : 202

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Book Description
A panoramic explanation of "civic tourism" and the shaping of a national identity At the same time a reading of Kenneth Burke and of tourist landscapes in America, Gregory Clark's new study explores the rhetorical power connected with American tourism. Looking specifically at a time when citizens of the United States first took to rail and then highway to become sightseers in their own country, Clark traces the rhetorical function of a wide-ranging set of tourist experiences. He explores how the symbolic experiences Americans share as tourists have helped residents of a vast and diverse nation adopt a national identity. In doing so he suggests that the rhetorical power of a national culture is wielded not only by public discourse but also by public experiences. Clark examines places in the American landscape that have facilitated such experiences, including New York City, Shaker villages, Yellowstone National Park, the Lincoln Highway, San Francisco's 1915 Panama-Pacific International Exposition, and the Grand Canyon. He examines the rhetorical power of these sites to transform private individuals into public citizens, and he evaluates a national culture that teaches Americans to experience certain places as potent symbols of national community. Invoking Burke's concept of "identification" to explain such rhetorical encounters, Clark considers Burke's lifelong study of symbols—linguistic and otherwise—and their place in the construction and transformation of individual identity. Clark turns to Burke's work to expand our awareness of the rhetorical resources that lead individuals within a community to adopt a collective identity, and he considers the implications of nineteenth- and twentieth-century tourism for both visual rhetoric and the rhetoric of display.

Author: Sarah Burns
Publisher: Univ of California Press
ISBN: 0520943821
Category : Art
Languages : en
Pages : 1101

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Book Description
From the simple assertion that "words matter" in the study of visual art, this comprehensive but eminently readable volume gathers an extraordinary selection of words—painters and sculptors writing in their diaries, critics responding to a sensational exhibition, groups of artists issuing stylistic manifestos, and poets reflecting on particular works of art. Along with a broad array of canonical texts, Sarah Burns and John Davis have assembled an astonishing variety of unknown, little known, or undervalued documents to convey the story of American art through the many voices of its contemporary practitioners, consumers, and commentators. American Art to 1900 highlights such critically important themes as women artists, African American representation and expression, regional and itinerant artists, Native Americans and the frontier, popular culture and vernacular imagery, institutional history, and more. With its hundreds of explanatory headnotes providing essential context and guidance to readers, this book reveals the documentary riches of American art and its many intersecting histories in unprecedented breadth, depth, and detail.