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Author: Amon Carter Museum of Western Art Publisher: Museum ISBN: Category : Art Languages : en Pages : 66
Book Description
Conceptually, the William Marshall Fuller collection is bounded by a series of artistic "revolts". The Soceity of American Artists was formed in 1877; artists known as "The Ten" began to exhibit as a group in 1898; those who came to be called "The Eight" banded together in 1908 for a seminal independent exhibition at William Macbeth's gallery; and 1913 saw the accomplishment of the International Exhibition of Modern Art (the Armory Show).
Author: David Park Curry Publisher: Virginia Museum of Fine Arts ISBN: Category : Art Languages : en Pages : 92
Book Description
Eugenia Errazuriz, one of the beauties of the late ninteenth century, attests to the collectors' own love of the beautiful in American art.
Author: Marnin Young Publisher: Yale University Press ISBN: 0300208324 Category : Art Languages : en Pages : 273
Book Description
The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be perceived in an instant, capturing the sensations of rapidly transforming modern life. Yet a generation of artists pushed back against these changes, spearheading a short-lived revival of the Realist practices that had dominated at mid-century and advocating slowness in practice, subject matter, and beholding. In this illuminating book, Marnin Young looks closely at five works by Jules Bastien-Lepage, Gustave Caillebotte, Alfred-Philippe Roll, Jean-Franocois Raffaeelli, and James Ensor, artists who shared a concern with painting and temporality that is all but forgotten today, having been eclipsed by the ideals of Impressionism. Young's highly original study situates later Realism for the first time within the larger social, political, and economic framework and argues for its centrality in understanding the development of modern art.
Author: Helene Barbara Weinberg Publisher: Metropolitan Museum of Art ISBN: 1588391191 Category : Impressionism Languages : en Pages : 441
Book Description
"This illustrated publication accompanies a major exhibition at the Metropolitan Museum, the first retrospective presentation of Hassam's work in a museum since 1972. Unique to this volume are an account of Hassam's lifelong campaign to market his art, a study of the frames he selected and designed for his paintings, and an unprecedented lifetime exhibition record. Included in addition are a checklist of works in the exhibition and a chronology of Hassam's life. All works in the exhibition as well as comparative materials are reproduced."--BOOK JACKET.
Author: Laura Anne Kalba Publisher: Penn State Press ISBN: 0271079789 Category : Art Languages : en Pages : 713
Book Description
This study analyzes the impact of color-making technologies on the visual culture of nineteenth-century France, from the early commercialization of synthetic dyes to the Lumière brothers’ perfection of the autochrome color photography process. Focusing on Impressionist art, Laura Anne Kalba examines the importance of dyes produced in the second half of the nineteenth century to the vision of artists such as Edgar Degas, Pierre-Auguste Renoir, and Claude Monet. The proliferation of vibrant new colors in France during this time challenged popular understandings of realism, abstraction, and fantasy in the realms of fine art and popular culture. More than simply adding a touch of spectacle to everyday life, Kalba shows, these bright, varied colors came to define the development of a consumer culture increasingly based on the sensual appeal of color. Impressionism—emerging at a time when inexpensively produced color functioned as one of the principal means by and through which people understood modes of visual perception and signification—mirrored and mediated this change, shaping the ways in which people made sense of both modern life and modern art. Demonstrating the central importance of color history and technologies to the study of visuality, Color in the Age of Impressionism adds a dynamic new layer to our understanding of visual and material culture.
Author: Helene Barbara Weinberg
Author: Dianne H. Pilgrim
Author: Dianne H.. Pilgrim
Author: Helene Barbara Weinberg
Author: Amon Carter Museum of Western Art
Author: David Park Curry
Author: J. Howat
Author: Marnin Young
Author: Helene Barbara Weinberg
Author: Helene Barbara Weinberg
Author: Laura Anne Kalba