Author: Mitchell E. Shapiro
Publisher: McFarland
ISBN: 1476623406
Category : Performing Arts
Languages : en
Pages : 293
Book Description
A number of books and articles have been written ranking the best situation comedies of all time. These have all had something in common--subjective criteria based on the authors' opinions. This book attempts an objective ranking of the best 100 American sitcoms, based on a mathematical formula taking into account four factors: ratings, longevity, peer acceptance and spawning of other programs (spin-offs). The authors considered a field of 377 series which met at least one of four criteria: aired for at least three seasons; rated among top 30 series in at least one season; received at least one major Emmy nomination; or spawned at least one other series. A critical essay is provided for each series, along with air dates and cast listings.
The Top 100 American Situation Comedies
Author: Mitchell E. Shapiro
Publisher: McFarland
ISBN: 1476623406
Category : Performing Arts
Languages : en
Pages : 293
Book Description
A number of books and articles have been written ranking the best situation comedies of all time. These have all had something in common--subjective criteria based on the authors' opinions. This book attempts an objective ranking of the best 100 American sitcoms, based on a mathematical formula taking into account four factors: ratings, longevity, peer acceptance and spawning of other programs (spin-offs). The authors considered a field of 377 series which met at least one of four criteria: aired for at least three seasons; rated among top 30 series in at least one season; received at least one major Emmy nomination; or spawned at least one other series. A critical essay is provided for each series, along with air dates and cast listings.
Publisher: McFarland
ISBN: 1476623406
Category : Performing Arts
Languages : en
Pages : 293
Book Description
A number of books and articles have been written ranking the best situation comedies of all time. These have all had something in common--subjective criteria based on the authors' opinions. This book attempts an objective ranking of the best 100 American sitcoms, based on a mathematical formula taking into account four factors: ratings, longevity, peer acceptance and spawning of other programs (spin-offs). The authors considered a field of 377 series which met at least one of four criteria: aired for at least three seasons; rated among top 30 series in at least one season; received at least one major Emmy nomination; or spawned at least one other series. A critical essay is provided for each series, along with air dates and cast listings.
Another Fine Mess
Author: Saul Austerlitz
Publisher: Chicago Review Press
ISBN: 1569767637
Category : Performing Arts
Languages : en
Pages : 529
Book Description
Charlie Chaplin. Buster Keaton. The Marx Brothers. Billy Wilder. Woody Allen. The Coen brothers. Where would the American film be without them? Yet the cinematic genre these artists represent--comedy--has perennially received short shrift from critics, film buffs, and the Academy Awards. Saul Austerlitz’s Another Fine Mess is an attempt to right that wrong. Running the gamut of film history from City Lights to Knocked Up, Another Fine Mess retells the story of American film from the perspective of its unwanted stepbrother--the comedy. In 30 long chapters and 100 shorter entries, each devoted primarily to a single performer or director, Another Fine Mess retraces the steps of the American comedy film, filling in the gaps and following the connections that link Mae West to Doris Day, or W. C. Fields to Will Ferrell. The first book of its kind in more than a generation, Another Fine Mess is an eye-opening, entertaining, and enlightening tour of the American comedy, encompassing the masterpieces, the box-office smashes, and all the little-known gems in between.
Publisher: Chicago Review Press
ISBN: 1569767637
Category : Performing Arts
Languages : en
Pages : 529
Book Description
Charlie Chaplin. Buster Keaton. The Marx Brothers. Billy Wilder. Woody Allen. The Coen brothers. Where would the American film be without them? Yet the cinematic genre these artists represent--comedy--has perennially received short shrift from critics, film buffs, and the Academy Awards. Saul Austerlitz’s Another Fine Mess is an attempt to right that wrong. Running the gamut of film history from City Lights to Knocked Up, Another Fine Mess retells the story of American film from the perspective of its unwanted stepbrother--the comedy. In 30 long chapters and 100 shorter entries, each devoted primarily to a single performer or director, Another Fine Mess retraces the steps of the American comedy film, filling in the gaps and following the connections that link Mae West to Doris Day, or W. C. Fields to Will Ferrell. The first book of its kind in more than a generation, Another Fine Mess is an eye-opening, entertaining, and enlightening tour of the American comedy, encompassing the masterpieces, the box-office smashes, and all the little-known gems in between.
High Comedy in American Movies
Author: Steve Vineberg
Publisher: Rowman & Littlefield
ISBN: 9780742526341
Category : Performing Arts
Languages : en
Pages : 230
Book Description
High Comedy in American Movies explores the 'comedy of manners' film throughout the twentieth century, from the advent of movie sound to recent films, and shows how class comedy's inside view of the aristocratic lifestyle has been influenced by the culture and times in which the movies are produced. Outlining the conventions of class comedy, Steve Vineberg discusses its British roots and analyzes how many American filmmakers have modified the genre, creating a distinctly American approach to class. Easily accessible, High Comedy in American Movies makes an engaging supplement to courses in American film, film genre, and film studies.
Publisher: Rowman & Littlefield
ISBN: 9780742526341
Category : Performing Arts
Languages : en
Pages : 230
Book Description
High Comedy in American Movies explores the 'comedy of manners' film throughout the twentieth century, from the advent of movie sound to recent films, and shows how class comedy's inside view of the aristocratic lifestyle has been influenced by the culture and times in which the movies are produced. Outlining the conventions of class comedy, Steve Vineberg discusses its British roots and analyzes how many American filmmakers have modified the genre, creating a distinctly American approach to class. Easily accessible, High Comedy in American Movies makes an engaging supplement to courses in American film, film genre, and film studies.
American Comedies
Author: James Kirke Paulding
Publisher:
ISBN:
Category : Comedy
Languages : en
Pages : 302
Book Description
Publisher:
ISBN:
Category : Comedy
Languages : en
Pages : 302
Book Description
Class, Language, and American Film Comedy
Author: Christopher Beach
Publisher:
ISBN: 9780511044472
Category : Comedy films
Languages : en
Pages : 241
Book Description
"Counter This book examines the evolution of American film comedy through the lens of language and the portrayal of social class. Christopher Beach argues that class has been an important element in the development of sound comedy as a cinematic form. With the advent of sound in the late 1920s and early 1930s, filmmakers recognized that sound and narrative enlarged the semiotic and ideological potential of film. Analyzing the use of language in the films of the Marx Brothers, Frank Capra, Woody Allen and the Coen brothers, among others, Class, Language, and American Film Comedy traces the history of Hollywood from the 1930s to the present, while offering a new approach to the study of class and social relationships through linguistic analysis. "http://www.loc.gov/catdir/description/cam021/2001025935.html.
Publisher:
ISBN: 9780511044472
Category : Comedy films
Languages : en
Pages : 241
Book Description
"Counter This book examines the evolution of American film comedy through the lens of language and the portrayal of social class. Christopher Beach argues that class has been an important element in the development of sound comedy as a cinematic form. With the advent of sound in the late 1920s and early 1930s, filmmakers recognized that sound and narrative enlarged the semiotic and ideological potential of film. Analyzing the use of language in the films of the Marx Brothers, Frank Capra, Woody Allen and the Coen brothers, among others, Class, Language, and American Film Comedy traces the history of Hollywood from the 1930s to the present, while offering a new approach to the study of class and social relationships through linguistic analysis. "http://www.loc.gov/catdir/description/cam021/2001025935.html.
African American Viewers and the Black Situation Comedy
Author: Robin R. Means Coleman
Publisher: Taylor & Francis
ISBN: 9780815331254
Category : Biography & Autobiography
Languages : en
Pages : 384
Book Description
Providing new insight into key debates over race and representation in the media, this ethnographic study explores the ways in which African Americans have been depicted in Black situation comedies-from 1950's Beulah to contemporary series like Martin and Living Single.
Publisher: Taylor & Francis
ISBN: 9780815331254
Category : Biography & Autobiography
Languages : en
Pages : 384
Book Description
Providing new insight into key debates over race and representation in the media, this ethnographic study explores the ways in which African Americans have been depicted in Black situation comedies-from 1950's Beulah to contemporary series like Martin and Living Single.
Reeling with Laughter
Author: Michael V. Tueth
Publisher: Scarecrow Press
ISBN: 0810883686
Category : Performing Arts
Languages : en
Pages : 230
Book Description
Film comedy has been around as long as cinema itself. Over the years, particular forms of the genre have emerged, evolved, and spawned other branches of comedy. While these subgenres may vary in their approach to humor, all of them have the same goal: amusing audiences. In Reeling with Laughter: American Film Comedies—From Anarchy to Mockumentary, Michael V. Tueth examines some of the most enjoyable comic movies of all time. Beginning with the anarchic romp Duck Soup (1933), each chapter explores a specific subgenre through a representative film. Along with the Marx Brothers’ classic, other subgenres discussed in this volume include romantic comedy (It Happened One Night), screwball comedy (Bringing Up Baby and What’s Up, Doc?), musical comedy (Singin’ in the Rain), sex farce (Some Like It Hot), satire (Dr. Strangelove), parody (Young Frankenstein), neurotic comedy (Annie Hall), Dionysian comedy (Animal House), mockumentary (Waiting for Guffman), and animated comedy (South Park: Bigger, Longer & Uncut). In this volume, Tueth provides the background of each film’s production and discusses their audience reception, critical appraisal, and the qualities that have characterized these enduring works. Reeling with Laughter will appeal to film students, as well as the general public eager to revisit these great American films.
Publisher: Scarecrow Press
ISBN: 0810883686
Category : Performing Arts
Languages : en
Pages : 230
Book Description
Film comedy has been around as long as cinema itself. Over the years, particular forms of the genre have emerged, evolved, and spawned other branches of comedy. While these subgenres may vary in their approach to humor, all of them have the same goal: amusing audiences. In Reeling with Laughter: American Film Comedies—From Anarchy to Mockumentary, Michael V. Tueth examines some of the most enjoyable comic movies of all time. Beginning with the anarchic romp Duck Soup (1933), each chapter explores a specific subgenre through a representative film. Along with the Marx Brothers’ classic, other subgenres discussed in this volume include romantic comedy (It Happened One Night), screwball comedy (Bringing Up Baby and What’s Up, Doc?), musical comedy (Singin’ in the Rain), sex farce (Some Like It Hot), satire (Dr. Strangelove), parody (Young Frankenstein), neurotic comedy (Annie Hall), Dionysian comedy (Animal House), mockumentary (Waiting for Guffman), and animated comedy (South Park: Bigger, Longer & Uncut). In this volume, Tueth provides the background of each film’s production and discusses their audience reception, critical appraisal, and the qualities that have characterized these enduring works. Reeling with Laughter will appeal to film students, as well as the general public eager to revisit these great American films.
American Film Comedy
Author: Scott Siegel
Publisher: Prentice Hall
ISBN:
Category : Performing Arts
Languages : en
Pages : 342
Book Description
An A to Z guide to film comedies. Illus.
Publisher: Prentice Hall
ISBN:
Category : Performing Arts
Languages : en
Pages : 342
Book Description
An A to Z guide to film comedies. Illus.
Film Comedy and the American Dream
Author: Zach Sands
Publisher: Routledge
ISBN: 135160029X
Category : Performing Arts
Languages : en
Pages : 290
Book Description
Film Comedy and the American Dream is an examination of national identity in the era of the American superpower as projected in popular comedic films that center on issues of upward mobility. It is the story of what made audiences laugh and why, and what this says about the changing shape of the American Dream from the end of the Second World War through the first part of the twenty-first century. Through a combination of narrative and thematic analyses of popular comedic films, contextualized within a dynamic historical framework, the book traces the increasing disillusionment with this central ideology in the face of multiple forms of systemic exclusion. It argues that film comedy is a major component of the discourse surrounding the American Dream because these movies often evoke humor by highlighting the incongruities that exist between the ideals that define this nation versus the actual lived experiences of its citizens.
Publisher: Routledge
ISBN: 135160029X
Category : Performing Arts
Languages : en
Pages : 290
Book Description
Film Comedy and the American Dream is an examination of national identity in the era of the American superpower as projected in popular comedic films that center on issues of upward mobility. It is the story of what made audiences laugh and why, and what this says about the changing shape of the American Dream from the end of the Second World War through the first part of the twenty-first century. Through a combination of narrative and thematic analyses of popular comedic films, contextualized within a dynamic historical framework, the book traces the increasing disillusionment with this central ideology in the face of multiple forms of systemic exclusion. It argues that film comedy is a major component of the discourse surrounding the American Dream because these movies often evoke humor by highlighting the incongruities that exist between the ideals that define this nation versus the actual lived experiences of its citizens.
Comedy and Cultural Critique in American Film
Author: Ryan Bishop
Publisher: Edinburgh University Press
ISBN: 0748677828
Category : Performing Arts
Languages : en
Pages : 267
Book Description
This book uses large scale social and cultural trends and major world events to analyse the American comedy film.
Publisher: Edinburgh University Press
ISBN: 0748677828
Category : Performing Arts
Languages : en
Pages : 267
Book Description
This book uses large scale social and cultural trends and major world events to analyse the American comedy film.