The Kinsey Collection PDF Download

Author: Khalil B. Kinsey ($e writer of added commentary)
Publisher:
ISBN: 9780982622537
Category : African American art
Languages : en
Pages : 198

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Book Description

Author: Edward J. Sullivan
Publisher: Penn State University Press
ISBN: 9780271079523
Category : Art, Latin American
Languages : en
Pages : 0

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Book Description
Explores the formation of public and private collections of Spanish Colonial and modern Latin American art throughout the United States, and the impact of the ever-changing political landscape of Latin American countries.

Author: Tim Gruenewald
Publisher:
ISBN: 9781947602144
Category : History
Languages : en
Pages : 288

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Book Description
While visitors to art and history museums may be there to simply enjoy the curated objects, the question of what is included (and excluded) in these collections and who has the power over this process echoes the struggle for inclusion that is so central to the African American experience. Since its inception, the Kinsey African American Art and History Collection® has played an important role in this struggle, seeking out objects that give voice to previously excluded experiences, and providing an alternative to the limits of institutional collections. Among the first scholarly books dedicated to a private African American collection, Rethinking America's Past: Voices from the Kinsey African American Art and History Collection both chronicles the reach of this important cultural collection and contributes to its project by sharing selected objects and stories with a broader audience. Essays range in subject from iconic African American artists, such as Loïs Mailou Jones and Beauford Delaney, to important historical figures such as Frederick Douglas and Martin Luther King, to individuals whose experiences might be lost to history but for the found objects that preserve their stories. Rethinking America's Past demonstrates how the African American story, from slavery through the present, is represented and can be actively remembered through the act of collecting. Rethinking America's Past will appeal to audiences interested in African American history as well as art history, but its real power is in linking the two, showing how important collections are in constructing and repairing historical narratives, and how in the words of editor Tim Gruenewald, "Collecting overlooked aspects of our past and sharing such collections enables a deeper understanding of the present moment, and facilitates a more inclusive and just future."

Author: Amalia K. Amaki
Publisher: Rutgers University Press
ISBN: 9780813534572
Category : Art
Languages : en
Pages : 259

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Book Description
Ten essays that examine four key issues in American art--portraiture and realism in relation to abstract expressionism, the implications of color, the role of narrative, and the concept of multiple originals--come together in this resource on the works of African-American art included in the Paul R. Jones collection. Simultaneous.

Author: Eleanor Jones Harvey
Publisher: Yale University Press
ISBN: 0300187335
Category : Art
Languages : en
Pages : 353

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Book Description
Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.

Author: James Biddle
Publisher:
ISBN:
Category :
Languages : en
Pages : 115

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Book Description

Author: Fine Arts Museums of San Francisco
Publisher: Museums
ISBN:
Category : Architecture
Languages : en
Pages : 334

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Book Description
"The American art collection assembled by Mr. and Mrs. John D. Rockefeller 3rd during the 1960s and 1970s constitutes one of the great private collections of historic American painting. This book examines the collection in depth, focusing on 140 works donated to The Fine Arts Museums of San Francisco in the years since 1979." "The works reproduced include examples from America's foremost realist masters. Among them are portraits by John Singleton Copley and Charles Willson Peale; landscapes by Thomas Cole, Frederic E. Church, and Martin Johnson Heade; George Caleb Bingham's extraordinary Boatmen on the Missouri; one of Edward Hick's most ambitious treatments of The Peaceable Kingdom; watercolors, drawings, and an early Civil War oil by Winslow Homer; and works by Eastman Johnson, Thomas Anshutz, John Frederick Peto, Grant Wood, Charles Sheeler, and Andrew Wyeth." "Each work is reproduced here in full color. The accompanying texts, comprised of extracts from contemporary accounts by artists, critics, patrons, and sitters, are lively and illuminating guides to understanding each work's history and significance. A detailed history of ownership and public exhibition and a selected bibliography are also provided for each painting. In many cases, this is the first time these important materials have appeared in print." "The fascinating introductory essay examines the context of the Rockefellers' collecting, the directions they considered in forming the collection, their increasing sense of responsibility toward it, and factors they considered in its disposition."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Author: Kathleen Curran
Publisher: Getty Publications
ISBN: 1606064789
Category : Art
Languages : en
Pages : 260

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Book Description
American art museums share a mission and format that differ from those of their European counterparts, which often have origins in aristocratic collections. This groundbreaking work recounts the fascinating story of the invention of the modern American art museum, starting with its roots in the 1870s in the craft museum type, which was based on London’s South Kensington (now the Victoria and Albert) Museum. At the turn of the twentieth century, American planners grew enthusiastic about a new type of museum and presentation that was developed in Northern Europe, particularly in Germany, Switzerland, and Scandinavia. Called Kulturgeschichte (cultural history) museums, they were evocative displays of regional history. American trustees, museum directors, and curators found that the Kulturgeschichte approach offered a variety of transformational options in planning museums, classifying and displaying objects, and broadening collecting categories, including American art and the decorative arts. Leading institutions, including the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art in New York, adopted and developed crucial aspects of the Kulturgeschichte model. By the 1930s, such museum plans and exhibition techniques had become standard practice at museums across the country.

Author: Metropolitan Museum of Art (New York, N.Y.). American Wing
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 128

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Book Description

Author: Sheldon Memorial Art Gallery
Publisher: University of Nebraska Press
ISBN:
Category : Architecture
Languages : en
Pages : 386

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Book Description
The Sheldon Memorial Art Gallery houses one of the most highly regarded collections of twentieth-century American art anywhere, including paintings by Edward Hopper, Georgia O'Keeffe, Mark Rothko, Willem de Kooning, Marsden Hartley, Robert Motherwell, Robert Henri, Grant Wood, Frank Stella, and many more internationally renowned artists. Calling the Sheldon collection "exemplary," the art historian and critic Barbara Rose notes: "Because the collection does not reflect fashion, the misguided inspiration of much art collecting today, but is rather an effort of connoisseurship, and informed by an art historical viewpoint, it is certain to remain as durable and exciting tomorrow as it is today." The American Painting Collection of the Sheldon Memorial Art Gallery offers for the first time a full description of the collection, now numbering more than one thousand works, that has been nearly a century in the making. The first part of the book presents full-color reproductions of 101 of the most noteworthy paintings in the collection, each accompanied by a brief discussion of the artist and his or her work. The second part, or catalog, consists of a complete inventory of the collection, including for each painting its physical description, provenance, exhibition history, and publication history, as well as a black and white reproduction. Publication of the book coincides with a year-long celebration of the centennial of the Nebraska Art Association, the Sheldon Gallery's support group and one of the oldest continuous arts organizations in the country.