American and European Paintings, Watercolors, Drawings, Prints and Sculpture; Modern and Contemporary Paintings, Watercolors and Sculpture Being Deaccessioned by The Chrysler Museum, Norfolk, Virginia, to Benefit the Museum's Acquisition Fund PDF Download

Author: James R. Bakker Antiques, Inc
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Kevin J. Avery
Publisher: Metropolitan Museum of Art
ISBN: 1588390608
Category : Drawing
Languages : en
Pages : 426

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"The Metropolitan Museum began acquiring American drawings and watercolors in 1880, just ten years after its founding. Since then it has amassed more than 1,500 works executed by American artists during the eighteenth and nineteenth centuries in watercolor, pastel, chalk, ink, graphite, gouache, and charcoal. This volume documents the draftsmanship of more than 150 known artists before 1835 and that of about 60 unidentified artists of the period. It includes drawings and watercolors by such American masters as John Singleton Copley, John Trumbull, John Vanderlyn, Thomas Cole, Asher Brown Durand, George Inness, and James Abbott McNeill Whistler. Because the 504 works illustrate such a wide range of media, techniques, and styles, this publication is a veritable history of American drawing from the eighteenth through most of the nineteenth century."--Metropolitan Museum of Art website.

Author: Kathleen A. Foster
Publisher: Yale University Press
ISBN: 030022589X
Category : Art
Languages : en
Pages : 497

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The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture.

Author: Donelson F. Hoopes
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 216

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Author: Mary Whyte
Publisher: Watson-Guptill
ISBN: 0823026736
Category : Art
Languages : en
Pages : 162

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Using clear and concise language and in-depth, step-by-step demonstrations, author and renowned artist Mary Whyte guides beginning and intermediate watercolorists through the entire painting process, from selecting materials to fundamental techniques to working with models. Going beyond the practical application of techniques, Whyte helps new artists capture not just the model's physical likeness, but their unique personality and spirit. Richly illustrated, the book features Mary Whyte's vibrant empathetic watercolors and works by such masters of watercolor as Mary Cassatt, Thomas Eakins, Winslow Homer, John Singer Sargent, and Georgia O'Keeffe.

Author: Kate F. Jennings
Publisher: Gramercy
ISBN: 9780517120811
Category : Art
Languages : en
Pages : 118

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Introduces the history and types of watercolor paintings, and presents many works by American watercolor artists.

Author: Martha R. Severens
Publisher: Univ of South Carolina Press
ISBN: 1611173248
Category : Art
Languages : en
Pages : 379

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More Than a Likeness: The Enduring Art of Mary Whyte is the first comprehensive book on the life and work of one of today's most renowned watercolorists. From Whyte's earliest paintings in rural Ohio and Pennsylvania, to the riveting portraits of her southern neighbors, historian Martha R. Severens provides us with an intimate look into the artist's private world. With more than two hundred full-color images of Whyte's paintings and sketches, as well as comparison works by masters such as Winslow Homer, Andrew Wyeth, and John Singer Sargent, Severens clearly illustrates how Whyte's art has been shaped and how the artist forged her own place in the world today. Though Whyte's academic training in Philadelphia was in oil painting, she learned the art of watercolor on her own—by studying masterworks in museums. Today Whyte's style of watercolor painting is a unique blend of classical realism and contemporary vision, as seen in her intimate portraits of Southern blue-collar workers and elderly African American women in the South Carolina lowcountry. "For me ideas are more plentiful than the hours to paint them, and I worry that I cannot get to all of my thoughts before they are forgotten or are pushed aside by more pressing concerns," explains Whyte. "Some works take time to evolve. Like small seeds the paintings might not come to fruition until several years later, after there has been ample time for germination." Using broad sweeping washes as well as miniscule brushstrokes, Whyte directs the viewer's attention to the areas in her paintings she deems most important. Murky passages of neutral colors often give way to areas of intense detail and color, giving the works a variety of edges and poetic focus. Several paintings included in the book are accompanied by enlarged areas of detail, showcasing Whyte's technical mastery. More Than a Likeness is replete with engaging artwork and inspiring text that mark the mid-point in Whyte's artistry. Of what she will paint in the future, the artist says, "I have always believed that as artists we don't choose our vocation, style, or subject matter. Art chooses us."

Author: Donelson F. Hoopes
Publisher:
ISBN:
Category : African Americans in art
Languages : en
Pages : 96

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"The most popular of all American watercolorists--and the artist who has had the most profound influence on watercolor painting in America--has always been Winslow Homer. This beautiful volume is the first study devoted exclusively to Homer's work in this medium. Published in cooperation with the Brooklyn Museum and The Metropoitan Museum of Art, the book includes virtually the entire Winslow Homer watercolor collection of both museums. The artist began in the English watercolor tradition--subdued color applied in delicate washes with discreet brushwork--but his vigorous, individual talent turned to the vibrant color, free brushwork, and bold, spontaneous washes that have since dominated American watercolor painting. The full range of Homer's work is encompassed in this volume: the subtle, controlled coastal scenes painted during his residence in an English fishing village; the powerful, deep-toned hunting and fishing pictures painted in the Maine woods; and the explosion of tropical color in his late watercolors of the Caribbean, the most famous and influential of all his work. Printed abroad, the color reproductions are unique in their fidelity to the paintings, which were photographed especially for this book under the supervision of the cooperating museums."--from Back cover

Author: Carol Clark
Publisher: Metropolitan Museum of Art
ISBN: 0870996398
Category : Drawing
Languages : en
Pages : 271

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This volume in a series of sixteen that features the more than two thousand works of art in the Robert Lehman Collection at The Metropolitan Museum of Art focuses on American drawings and watercolors. -- Metropolitan Museum of Art website.

Author: Linda S. Ferber
Publisher: Smithsonian Books (DC)
ISBN:
Category : Furniture design
Languages : en
Pages : 248

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Book Description
"In the 1870s and 1880s, artists' societies promoted watercolors as attractive, decorative, inexpensive alternatives to oils, successfully elevating them to the mainstream of American art. Based in New York City, this American watercolor movement paved the way for larger, more seriously received exhibition watercolors, and for a broad turn-of-the-century effort by public institutions - among them the Brooklyn Museum of Art - to acquire American works in the medium." "Highlighting 150 paintings that span nearly two centuries, this richly illustrated volume documents the origin and development of one of the nation's finest collections by investigating for the first time aspects of American watercolor's patronage and critical reception." "Less often displayed than oils because of their sensitivity to light, watercolors nevertheless have enjoyed a lively, complex history. Illuminating well-known works as well as many that have never before been reproduced, Masters of Color and Light showcases an array of paintings that range far beyond watercolor's early reputation as the "lighter and daintier" medium."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved