Bert Geer Phillips and the Taos Art Colony PDF Download

Author: Julie Schimmel
Publisher: University of New Mexico Press
ISBN:
Category : Art
Languages : en
Pages : 388

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Book Description
The only book-length study of the initiator of the Taos art colony.

Author: Parke-Bernet Galleries
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 680

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Book Description

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 100

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Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Author: Los Angeles County Museum of Art
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 520

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Book Description

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 136

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Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Author: Dale T. Johnson
Publisher: Metropolitan Museum of Art
ISBN: 0870995979
Category : Portrait miniatures
Languages : en
Pages : 273

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Book Description

Author: Michael Gross
Publisher: Crown
ISBN: 0767931459
Category : Art
Languages : en
Pages : 562

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Book Description
“Behind almost every painting is a fortune and behind that a sin or a crime.” With these words as a starting point, Michael Gross, leading chronicler of the American rich, begins the first independent, unauthorized look at the saga of the nation’s greatest museum, the Metropolitan Museum of Art. In this endlessly entertaining follow-up to his bestselling social history 740 Park, Gross pulls back the shades of secrecy that have long shrouded the upper class’s cultural and philanthropic ambitions and maneuvers. And he paints a revealing portrait of a previously hidden face of American wealth and power. The Metropolitan, Gross writes, “is a huge alchemical experiment, turning the worst of man’s attributes—extravagance, lust, gluttony, acquisitiveness, envy, avarice, greed, egotism, and pride—into the very best, transmuting deadly sins into priceless treasure.” The book covers the entire 138-year history of the Met, focusing on the museum’s most colorful characters. Opening with the lame-duck director Philippe de Montebello, the museum’s longest-serving leader who finally stepped down in 2008, Rogues’ Gallery then goes back to the very beginning, highlighting, among many others: the first director, Luigi Palma di Cesnola, an Italian-born epic phony, whose legacy is a trove of plundered ancient relics, some of which remain on display today; John Pierpont Morgan, the greatest capitalist and art collector of his day, who turned the museum from the plaything of a handful of rich amateurs into a professional operation dedicated, sort of, to the public good; John D. Rockefeller Jr., who never served the Met in any official capacity but who, during the Great Depression, proved the only man willing and rich enough to be its benefactor, which made him its behind-the-scenes puppeteer; the controversial Thomas Hoving, whose tenure as director during the sixties and seventies revolutionized museums around the world but left the Met in chaos; and Jane Engelhard and Annette de la Renta, a mother-daughter trustee tag team whose stories will astonish you (think Casablanca rewritten by Edith Wharton). With a supporting cast that includes artists, forgers, and looters, financial geniuses and scoundrels, museum officers (like its chairman Arthur Amory Houghton, head of Corning Glass, who once ripped apart a priceless and ancient Islamic book in order to sell it off piecemeal), trustees (like Jayne Wrightsman, the Hollywood party girl turned society grand dame), curators (like the aging Dietrich von Bothmer, a refugee from Nazi Germany with a Bronze Star for heroism whose greatest acquisitions turned out to be looted), and donors (like Irwin Untermyer, whose collecting obsession drove his wife and children to suicide), and with cameo appearances by everyone from Vogue editors Anna Wintour and Diana Vreeland to Sex Pistols front man Johnny Rotten, Rogues’ Gallery is a rich, satisfying, alternately hilarious and horrifying look at America’s upper class, and what is perhaps its greatest creation.

Author: National Gallery of Art (U.S.)
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 552

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Book Description
"The National Gallery's collection of nineteenth-century European sculpture is dominated by 37 works by Auguste Rodin and more than 30 portrait busts by Honore Daumier. Works by Antoine-Louis Barye, Jean Baptiste Carpeaux, Paul Gaugin, Theodore Gericault, and others are examined. All works have been newly photographed, highlighting the masterly execution of the marbles and the rich patinas of bronzes"--Publisher description.

Author: Charles S. Moffett
Publisher:
ISBN:
Category : Empresyonizm (sanat)- Fransa- sergiler
Languages : en
Pages : 516

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Book Description
Donated: The Margaret A. Bailey Art Collection.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 108

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Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.