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Author: Sarah Kate Gillespie Publisher: MIT Press ISBN: 0262334100 Category : Photography Languages : en Pages : 227
Book Description
The American daguerreotype as something completely new: a mechanical invention that produced an image, a hybrid of fine art and science and technology. The daguerreotype, invented in France, came to America in 1839. By 1851, this early photographic method had been improved by American daguerreotypists to such a degree that it was often referred to as “the American process.” The daguerreotype—now perhaps mostly associated with stiffly posed portraits of serious-visaged nineteenth-century personages—was an extremely detailed photographic image, produced though a complicated process involving a copper plate, light-sensitive chemicals, and mercury fumes. It was, as Sarah Kate Gillespie shows in this generously illustrated history, something wholly and remarkably new: a product of science and innovative technology that resulted in a visual object. It was a hybrid, with roots in both fine art and science, and it interacted in reciprocally formative ways with fine art, science, and technology. Gillespie maps the evolution of the daguerreotype, as medium and as profession, from its introduction to the ascendancy of the “American process,” tracing its relationship to other fields and the professionalization of those fields. She does so by recounting the activities of a series of American daguerreotypists, including fine artists, scientists, and mechanical tinkerers. She describes, for example, experiments undertaken by Samuel F. B. Morse as he made the transition from artist to inventor; how artists made use of the daguerreotype, both borrowing conventions from fine art and establishing new ones for a new medium; the use of the daguerreotype in various sciences, particularly astronomy; and technological innovators who drew on their work in the mechanical arts. By the 1860s, the daguerreotype had been supplanted by newer technologies. Its rise (and fall) represents an early instance of the ever-constant stream of emerging visual technologies.
Author: Sarah Kate Gillespie Publisher: MIT Press ISBN: 0262334100 Category : Photography Languages : en Pages : 227
Book Description
The American daguerreotype as something completely new: a mechanical invention that produced an image, a hybrid of fine art and science and technology. The daguerreotype, invented in France, came to America in 1839. By 1851, this early photographic method had been improved by American daguerreotypists to such a degree that it was often referred to as “the American process.” The daguerreotype—now perhaps mostly associated with stiffly posed portraits of serious-visaged nineteenth-century personages—was an extremely detailed photographic image, produced though a complicated process involving a copper plate, light-sensitive chemicals, and mercury fumes. It was, as Sarah Kate Gillespie shows in this generously illustrated history, something wholly and remarkably new: a product of science and innovative technology that resulted in a visual object. It was a hybrid, with roots in both fine art and science, and it interacted in reciprocally formative ways with fine art, science, and technology. Gillespie maps the evolution of the daguerreotype, as medium and as profession, from its introduction to the ascendancy of the “American process,” tracing its relationship to other fields and the professionalization of those fields. She does so by recounting the activities of a series of American daguerreotypists, including fine artists, scientists, and mechanical tinkerers. She describes, for example, experiments undertaken by Samuel F. B. Morse as he made the transition from artist to inventor; how artists made use of the daguerreotype, both borrowing conventions from fine art and establishing new ones for a new medium; the use of the daguerreotype in various sciences, particularly astronomy; and technological innovators who drew on their work in the mechanical arts. By the 1860s, the daguerreotype had been supplanted by newer technologies. Its rise (and fall) represents an early instance of the ever-constant stream of emerging visual technologies.
Author: Beaumont Newhall Publisher: New York] : Duell, Sloan & Pearce ISBN: Category : Daguerreotype Languages : en Pages : 266
Book Description
Newhall discusses the initial introduction of the daguerreotype in America in 1839, the beginnings of the daguerreotype industry, the entrepreneurs and innovators, the incredible Broadway daguerreotype galleries, the explorers, the quest for a color process, and more. In America, Daguerre's initial technique became greatly modified; the new process that evolved is described in detail in a special chapter. Originally published in 1961, this third edition contains all of the original text and illustrations plus sixteen additional pages of plates, corrections, and minor text revisions.
Author: Alan Trachtenberg Publisher: Macmillan ISBN: 9780374522490 Category : History Languages : en Pages : 356
Book Description
Considers five documentary sequences or narratives: the antebellum portraits of Mathew Brady and others; the Civil War albums of Alexander Gardner, George Barnard and A.J. Russell; the Western survey and landscape photographs of Timothy O'Sullivan, A.J. Russell, and Carleton Watkins; and social photographs and texts by Alfred Stieglitz and Lewis Hine; as well as documentaries inspired by the Depression, esp. Walker Evans's American Photographs.
Author: Publisher: ISBN: Category : Languages : en Pages : 36
Book Description
Ancestry magazine focuses on genealogy for today’s family historian, with tips for using Ancestry.com, advice from family history experts, and success stories from genealogists across the globe. Regular features include “Found!” by Megan Smolenyak, reader-submitted heritage recipes, Howard Wolinsky’s tech-driven “NextGen,” feature articles, a timeline, how-to tips for Family Tree Maker, and insider insight to new tools and records at Ancestry.com. Ancestry magazine is published 6 times yearly by Ancestry Inc., parent company of Ancestry.com.
Author: Frances Osborn Robb Publisher: University of Alabama Press ISBN: 081731878X Category : Biography & Autobiography Languages : en Pages : 593
Book Description
A sumptuously illustrated history of photography as practiced in the state from 1839 to 1941 offering a unique account of the birth and development of a significant documentary and artistic medium
Author: Maureen A. Taylor Publisher: Penguin ISBN: 1440325022 Category : Reference Languages : en Pages : 293
Book Description
Unlock the Secrets of Your Old Family Photos! Historical family photos are cherished heirlooms that offer a glimpse into the lives of our ancestors. But the images, and the stories behind them, often fade away as decades pass - the who, when, where and why behind the photos are lost. In this book, photo identification expert and genealogist Maureen A. Taylor shows you how to study the clues in your old family photos to put names to faces and recapture their lost stories. Inside, you'll learn how to: • Determine the type of image you have - from common paper prints to stereographs to historical daguerreotypes, ambrotypes, and tintypes • Use clothing, accessories, and hairstyles to date the image in the correct decade • Research photographer's imprints to narrow down when and where the photo was taken • Compare facial features in multiple photos to confirm identity and family resemblance • Interview family members to gather more information about the image • Identify props in the photo to create context for the image Each chapter includes dozens of historical photos to illustrate key points and provide clear examples. Charts, timelines and resource lists make it easy to find the exact information you need. Dozens of case studies show you how to apply the techniques in the book to real-life photo research projects. The answers to your family photo questions are closer than you think. Let this book help you start finding them today.
Author: Mazie M. Harris Publisher: Getty Publications ISBN: 1606065491 Category : Photography Languages : en Pages : 226
Book Description
Scholarship on photography’s earliest years has tended to focus on daguerreotypes on metal or on the European development of paper photographs made from glass or paper negatives. But Americans also experimented with negative-positive processes to produce photographic images on a variety of paper formats in the early decades of the medium. Paper Promises: Early American Photography presents this rarely studied topic within photographic history. The well-researched and richly detailed texts in this book delve into the complexities of early paper photography in the United States from the 1840s to 1860s, bringing to light a little-known era of American photographic appropriation and adaptation. Exploring the economic, political, intellectual, and social factors that impacted its unique evolution, both the essays and the carefully selected images illustrate the importance of photographic reproduction in shaping and circulating perceptions of America and its people during a critical period of political tension and territorial expansion. Due to the fragility of paper photography from this period, the works in this catalogue are rarely displayed, making the volume an essential tool for any scholar in the field and a very rare peek into the mid-nineteenth century.
Author: Sarah Kate Gillespie
Author: John Wood
Author: Beaumont Newhall
Author: Sarah Kate Gillespie
Author: Beaumont Newhall
Author: Alan Trachtenberg
Author: 
Author: Frances Osborn Robb
Author: Maureen A. Taylor
Author: Mazie M. Harris