Our Native Land. Or, Glances at American Scenery and Places, with Sketches of Life and Adventure PDF Download

Author: George Titus Ferris
Publisher: BoD – Books on Demand
ISBN: 3385481058
Category : Fiction
Languages : en
Pages : 634

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Book Description
Reprint of the original, first published in 1882.

Author: Nathaniel Parker Willis
Publisher: London : G. Virtue
ISBN:
Category : Middle Atlantic States
Languages : en
Pages : 302

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Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 566

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Book Description
A review and record of current literature.

Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 328

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Book Description
Consisting of literary gossip, criticisms of books and local historical matters connected with Rhode Island.

Author: Astor Library
Publisher: Cambridge [Mass.] : Riverside Press
ISBN:
Category :
Languages : en
Pages : 1140

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Author: Astor library (N.Y.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1132

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Author:
Publisher:
ISBN:
Category : Autographs
Languages : en
Pages : 576

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Book Description
A record of literary properties sold at auction in the United States.

Author: Judith H. O'Toole
Publisher: Columbia University Press
ISBN: 0231138202
Category : Art, American
Languages : en
Pages : 172

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Book Description
Hudson River School artists shared an awe of the magnificence of nature as well as a belief that the untamed American scenery reflected the national character. In this new work, color reproductions of more than 115 paintings capture the beauty and illuminate the aesthetic and philosophical principles of the Hudson River School painters. The pieces included in this volume reflect a period (1825-1875) when American landscape painting was most thoroughly explored and formalized with personal, artistic, cultural, and national identifications. Judith Hansen O'Toole reveals the subtleties and quiet majesty of the works and discusses their shared iconography, the ways in which artists responded to one another's paintings, and how the paintings reflected nineteenth-century American cultural, intellectual, and social milieus. Different Views is also the first major study to examine closely the Hudson River School artists' practice of creating thematically related pairs and series of paintings. O'Toole considers painters' use of this method to express different moods and philosophical concepts. She observes artists' representations of landscape and their nuanced depictions of weather, light, and season. By comparing and contrasting Hudson River School paintings, O'Toole reveals differences in meaning, emotion, and cultural connotation. Different Views in Hudson River School Painting contains reproductions of works from a range of prominent and lesser-known artists, including Jasper Francis Cropsey, Sanford Robinson Gifford, Asher B. Durand, Frederic Edwin Church, Albert Bierstadt, John Frederic Kensett, and John William Casilear. The works come from a leading private collection and were recently exhibited at the Westmoreland Museum of American Art.

Author: American Scenic and Historic Preservation Society
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 632

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Book Description

Author: John R. Stilgoe
Publisher: University of Virginia Press
ISBN: 081393754X
Category : Architecture
Languages : en
Pages : 493

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Book Description
John Stilgoe is just looking around. This is more difficult than it sounds, particularly in our mediated age, when advances in both theory and technology too often seek to replace the visual evidence before our own eyes rather than complement it. We are surrounded by landscapes charged with our past, and yet from our earliest schooldays we are instructed not to stare out the window. Someone who stops to look isn’t only a rarity; he or she is suspect. Landscape and Images records a lifetime spent observing America’s constructed landscapes. Stilgoe’s essays follow the eclectic trains of thought that have resulted from his observation, from the postcard preference for sunsets over sunrises to the concept of "teen geography" to the unwillingness of Americans to walk up and down stairs. In Stilgoe's hands, the subject of jack o’ lanterns becomes an occasion to explore centuries-old concepts of boundaries and trespassing, and to examine why this originally pagan symbol has persisted into our own age. Even something as mundane as putting the cat out before going to bed is traced back to fears of unwatched animals and an untended frontier fireplace. Stilgoe ponders the forgotten connections between politics and painted landscapes and asks why a country whose vast majority lives less than a hundred miles from a coast nonetheless looks to the rural Midwest for the classic image of itself. At times breathtaking in their erudition, the essays collected here are as meticulously researched as they are elegantly written. Stilgoe’s observations speak to specialists—whether they be artists, historians, or environmental designers—as well as to the common reader. Our landscapes constitute a fascinating history of accident and intent. The proof, says Stilgoe, is all around us.