The amateur's musical library PDF Download

Author: Charles Jarvis
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 208

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Author: Library of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 32

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Author: Richard Edgcumbe Earl of Mount Edgcumbe
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 320

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Author: James P. Cassaro
Publisher: A-R Editions, Inc.
ISBN: 0895796120
Category : Music
Languages : en
Pages : 279

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Book Description
This collection of articles dedicated to the memory of Lenore Coral divides into three sections that focus on her scholarly interests: music of the eighteenth century, music libraries and collections, and new approaches to the musical canon. Many of the seventeen contributions included in the volume are the result of the individual author's connection with Lenore, or were projects that she had been directly involved with, either as dissertation advisor, committee member, or interested observer. The senior scholars and music librarians represented here are testament to the impact of her intellect and influence.

Author: Crest Trading Company, New York
Publisher:
ISBN:
Category : Amusements
Languages : en
Pages : 250

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Author: Glenda Goodman
Publisher: Oxford University Press
ISBN: 0190884924
Category : Music
Languages : en
Pages : 277

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Book Description
Scattered in archives and historical societies across the United States are hundreds of volumes of manuscript music, copied by hand by eighteenth-century amateurs. Often overlooked, amateur music making played a key role in the construction of gender, class, race, and nation in the post-revolution years of the United States. These early Americans, seeking ways to present themselves as genteel, erudite, and pious, saw copying music by hand and performing it in intimate social groups as a way to make themselves--and their new nation-appear culturally sophisticated. Following a select group of amateur musicians, Cultivated by Hand makes the case that amateur music making was both consequential to American culture of the eighteenth century and aligned with other forms of self-fashioning. This interdisciplinary study explores the social and material practices of amateur music making, analyzing the materiality of manuscripts, tracing the lives of individual musicians, and uncovering their musical tastes and sensibilities. Author Glenda Goodman explores highly personal yet often denigrated experiences of musically "accomplished" female amateurs in particular, who grappled with finding a meaningful place in their lives for music. Revealing the presence of these unacknowledged subjects in music history, Cultivated by Hand reclaims the importance of such work and presents a class of musicians whose labors should be taken into account.

Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 458

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Author:
Publisher:
ISBN:
Category : Bowed stringed instruments
Languages : en
Pages : 624

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Author: W. J. Thorold
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 440

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Book Description

Author: Karen E. McAulay
Publisher: Taylor & Francis
ISBN: 1040216536
Category : History
Languages : en
Pages : 243

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Book Description
Late Victorian Scotland had a flourishing music publishing trade, evidenced by the survival of a plethora of vocal scores and dance tune books; and whether informing us what people actually sang and played at home, danced to, or enjoyed in choirs, or reminding us of the impact of emigration from Britain for both emigrants and their families left behind, examining this neglected repertoire provides an insight into Scottish musical culture and is a valuable addition to the broader social history of Scotland. The decline of the music trade by the mid-twentieth century is attributable to various factors, some external, but others due to the conservative and perhaps somewhat parochial nature of the publishers’ output. What survives bears witness to the importance of domestic and amateur music-making in ordinary lives between 1880 and 1950. Much of the music is now little more than a historical artefact. Nonetheless, Karen E. McAulay shows that the nature of the music, the song and fiddle tune books’ contents, the paratext around the collections, its packaging, marketing and dissemination all document the social history of an era whose everyday music has often been dismissed as not significant or, indeed, properly ‘old’ enough to merit consideration. The book will be valuable for academics as well as folk musicians and those interested in the social and musical history of Scotland and the British Isles.