Author: Felice Feliciano
Publisher:
ISBN:
Category : Alphabet
Languages : en
Pages : 0
Book Description
Alphabetum Romanum [Codex Vaticanus 6852]
Author: Felice Feliciano
Publisher:
ISBN:
Category : Alphabet
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Alphabet
Languages : en
Pages : 0
Book Description
The Alphabetum Romanum of Felice Feliciano of Verona: Facsimile: alphabet (leaves 1-13), recipes for colored inks (13-16), Latin epigram by Paolo Ramusio (17)
Author: Felice Feliciano
Publisher:
ISBN:
Category : Alphabet
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category : Alphabet
Languages : en
Pages : 32
Book Description
Italian Literature before 1900 in English Translation
Author: Robin Healey
Publisher: University of Toronto Press
ISBN: 1442658479
Category : Literary Criticism
Languages : en
Pages : 1185
Book Description
Italian Literature before 1900 in English Translation provides the most complete record possible of texts from the early periods that have been translated into English, and published between 1929 and 2008. It lists works from all genres and subjects, and includes translations wherever they have appeared across the globe. In this annotated bibliography, Robin Healey covers over 5,200 distinct editions of pre-1900 Italian writings. Most entries are accompanied by useful notes providing information on authors, works, translators, and how the translations were received. Among the works by over 1,500 authors represented in this volume are hundreds of editions by Italy's most translated authors – Dante Alighieri, Machiavelli, and Boccaccio – and other hundreds which represent the author's only English translation. A significant number of entries describe works originally published in Latin. Together with Healey's Twentieth-Century Italian Literature in English Translation, this volume makes comprehensive information on translations accessible for schools, libraries, and those interested in comparative literature.
Publisher: University of Toronto Press
ISBN: 1442658479
Category : Literary Criticism
Languages : en
Pages : 1185
Book Description
Italian Literature before 1900 in English Translation provides the most complete record possible of texts from the early periods that have been translated into English, and published between 1929 and 2008. It lists works from all genres and subjects, and includes translations wherever they have appeared across the globe. In this annotated bibliography, Robin Healey covers over 5,200 distinct editions of pre-1900 Italian writings. Most entries are accompanied by useful notes providing information on authors, works, translators, and how the translations were received. Among the works by over 1,500 authors represented in this volume are hundreds of editions by Italy's most translated authors – Dante Alighieri, Machiavelli, and Boccaccio – and other hundreds which represent the author's only English translation. A significant number of entries describe works originally published in Latin. Together with Healey's Twentieth-Century Italian Literature in English Translation, this volume makes comprehensive information on translations accessible for schools, libraries, and those interested in comparative literature.
National Union Catalog
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 648
Book Description
Includes entries for maps and atlases.
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 648
Book Description
Includes entries for maps and atlases.
The National union catalog, 1968-1972
Imprimatur
Library Bulletin - Dartmouth College
Author: Dartmouth College. Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 214
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 214
Book Description
The National Union Catalogs, 1963-
Accessions List
Author: University of London. Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 474
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 474
Book Description
Drawing After Architecture
Author: Carolyn Yerkes
Publisher: Marsilio Editori
ISBN:
Category : Architecture
Languages : en
Pages : 292
Book Description
Why did early modern architects continue copying drawings long after the invention of print should have made such copying obsolete? Carolyn Yerkes answers that question in a fresh investigation into the status of architectural drawing in the 16th and 17th centuries. Drawing after Architecture: Renaissance Drawings and their Reception investigates the status of architectural drawing after the invention of print, and explores a vast group of 16th and 17th century manuscripts and collections of drawings that are each part of a larger network of copies. Made by French and Italian draftsmen who studied Roman monuments, the drawings contain information about the buildings - buildings that include the most important ancient and modern works, the Pantheon and Saint Peter's - that is not known from any other sources. But the information that the drawings preserve is only part of their value: the drawings also show how that information was recorded, transferred, and analysed by other draftsmen. In the 16th century, survey drawing was the key mechanism through which the material past was understood, and many 16th and 17th century drawings after ancient architecture are extant. Ultimately, this book pursues the nature of architectural evidence, in that it asks how Renaissance architects used images to explore structures, to create biographies, and to write history.
Publisher: Marsilio Editori
ISBN:
Category : Architecture
Languages : en
Pages : 292
Book Description
Why did early modern architects continue copying drawings long after the invention of print should have made such copying obsolete? Carolyn Yerkes answers that question in a fresh investigation into the status of architectural drawing in the 16th and 17th centuries. Drawing after Architecture: Renaissance Drawings and their Reception investigates the status of architectural drawing after the invention of print, and explores a vast group of 16th and 17th century manuscripts and collections of drawings that are each part of a larger network of copies. Made by French and Italian draftsmen who studied Roman monuments, the drawings contain information about the buildings - buildings that include the most important ancient and modern works, the Pantheon and Saint Peter's - that is not known from any other sources. But the information that the drawings preserve is only part of their value: the drawings also show how that information was recorded, transferred, and analysed by other draftsmen. In the 16th century, survey drawing was the key mechanism through which the material past was understood, and many 16th and 17th century drawings after ancient architecture are extant. Ultimately, this book pursues the nature of architectural evidence, in that it asks how Renaissance architects used images to explore structures, to create biographies, and to write history.