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Author: Valentina Gosetti Publisher: Routledge ISBN: 1317198611 Category : Foreign Language Study Languages : en Pages : 183
Book Description
Aloysius Bertrand’s Gaspard de la Nuit (1842) is a familiar title to music lovers, thanks to Ravel’s piano work of the same name, and to specialists of French literature, especially those interested in Baudelaire’s prose poetry. Yet until very recently the collection and its author have generally been viewed almost exclusively through the prism of their pioneering role in the development of the prose poem. By placing Bertrand back in his original context, adopting a comparative approach and engaging with recent critical work on the collection, Valentina Gosetti proposes a substantial reassessment of Gaspard de la Nuit and promotes a new understanding of Bertrand in his own terms, rather than those of his successors. Through his playful and ironic reinterpretation of Romantic clichés, and his overt defiance of the boundaries of poetry and beauty, Bertrand emerges as a fascinating figure in his own right. This book is one of the first full-length studies of Bertrand’s work, and it will be of particular interest to specialists of the nineteenth century and of provincial literature, and to students of nineteenth-century poetry or the fantastic.
Author: Valentina Gosetti Publisher: Routledge ISBN: 1317198611 Category : Foreign Language Study Languages : en Pages : 183
Book Description
Aloysius Bertrand’s Gaspard de la Nuit (1842) is a familiar title to music lovers, thanks to Ravel’s piano work of the same name, and to specialists of French literature, especially those interested in Baudelaire’s prose poetry. Yet until very recently the collection and its author have generally been viewed almost exclusively through the prism of their pioneering role in the development of the prose poem. By placing Bertrand back in his original context, adopting a comparative approach and engaging with recent critical work on the collection, Valentina Gosetti proposes a substantial reassessment of Gaspard de la Nuit and promotes a new understanding of Bertrand in his own terms, rather than those of his successors. Through his playful and ironic reinterpretation of Romantic clichés, and his overt defiance of the boundaries of poetry and beauty, Bertrand emerges as a fascinating figure in his own right. This book is one of the first full-length studies of Bertrand’s work, and it will be of particular interest to specialists of the nineteenth century and of provincial literature, and to students of nineteenth-century poetry or the fantastic.
Author: Valentina Gosetti Publisher: Routledge ISBN: 9781909662834 Category : French poetry Languages : en Pages : 0
Book Description
Cover -- Half Title -- Title -- Copyright -- CONTENTS -- Dedication -- Acknowledgements -- List of Illustrations -- List of Abbreviations -- Introduction -- 1 Louis Bertrand between Dijon and Paris -- 2 Mysterious Geographies -- 3 Gaspard de la Nuit: A Fantastic Text? -- 4 Intertextuality and Cultural Exchange in Gaspard de la Nuit -- 5 Gaspard de la Nuit and the Hermeneutics of Form -- Conclusion -- Appendix -- Bibliography -- Index
Author: Mary Ann Caws Publisher: Columbia University Press ISBN: 9780231054348 Category : Literary Criticism Languages : en Pages : 268
Book Description
Although deconstruction has become a popular catchword, as an intellectual movement it has never entirely caught on within the university. For some in the academy, deconstruction, and Jacques Derrida in particular, are responsible for the demise of accountability in the study of literature. Countering these facile dismissals of Derrida and deconstruction, Herman Rapaport explores the incoherence that has plagued critical theory since the 1960s and the resulting legitimacy crisis in the humanities. Against the backdrop of a rich, informed discussion of Derrida's writings -- and how they have been misconstrued by critics and admirers alike -- The Theory Mess investigates the vicissitudes of Anglo-American criticism over the past thirty years and proposes some possibilities for reform.
Author: Marvin Richards Publisher: Bucknell University Press ISBN: 9780838753583 Category : Literary Criticism Languages : en Pages : 172
Book Description
On 29 April 1841, a week after his thirty-fourth birthday, Louis (Aloysius) Bertrand died of tuberculosis. This malady, his destitute poverty, and his errant existence qualify him as a quintessential poete maudit, whose one great work, Gaspard de la Nuit: Fantasies a la maniere de Rembrandt et de Callot, was not published until 1842. Now widely considered as the first collection of prose poems to appear in France, Gaspard inspired writers like Baudelaire, Mallarme, Huysmans, and Andre Breton. This study offers a rereading of Bertrand's book grounded in modern critical theory, including the work of Derrida, Bakhtin, Barbara Johnson, Genette, Lacoue-Labarthe, and Nancy. It elaborates a new perspective on a work that contains all the paradoxes of the genre, with which theorists still struggle.
Author: Ulla Britta Lagerroth Publisher: Rodopi ISBN: 9789042002029 Category : Art Languages : en Pages : 360
Book Description
An anthology containing 28 essays devoted to the interrelations between the arts and media. Contributions promote interdisciplinary strategies in the study of such traditional arts as dance, literature, music, and theater, as well as more modern media such as film, television, and computer-generated art. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Christina Karageorgou-Bastea Publisher: McGill-Queen's Press - MQUP ISBN: 0228016452 Category : Literary Criticism Languages : en Pages : 199
Book Description
The ethos of poetry and its social efficacy cannot be underestimated in the quest for a fair society. The works of three contemporary Mexican poets – Abigael Bohórquez, Myriam Moscona, and Gloria Gervitz – offer models for examining important philosophical and literary questions that explore the relationship between art and the enactment of justice. Beyond Intimacy returns lyric poetry to the centre of struggles for justice within concrete historical frameworks, highlighting gender, ethnic, and cultural tensions. Through an analysis of works by these three poets, Christina Karageorgou-Bastea reveals the far-reaching social transcendence of poetry; she shows that lyric poetry invites a public dialogue where queer pariahs model citizenship, a dying language guards and transmits tradition, and the end of motherhood is the cusp in the struggle for woman’s freedom. The radicalization of intimacy, the relationship par excellence between self and other on which poetic interaction is based, has the power to dismantle deeply rooted hierarchies within art and society. Karageorgou-Bastea explores poetry’s potential for justice through different modes of intimacy including desire, filiation, and mourning. Meeting on the grounds of their aspiration to harmony, lyricism, and justice-making lead the way to social equity and fairness in Beyond Intimacy.
Author: Siglind Bruhn Publisher: Rodopi ISBN: 9789042008007 Category : Art Languages : en Pages : 240
Book Description
In 1923, the twenty-seven-year-old Paul Hindemith published a composition for voice and piano, entitled Das Marienleben, based on Rainer Maria Rilke's poetic cycle of 1912. Twenty-five years later, the composer presented a thoroughly revised, partially rewritten version. The outcome of this revision has been highly controversial. Ever since its first publication, musicologists have argued for or against the value of such a decisive rewriting. They do so both by comparing the two compositions on purely musical grounds, and by attempting to assess whether the more strictly organized tonal layout and dynamic structuring of Marienleben II is more or less appropriate for the topic of a poetic cycle on the Life of Mary. This study is the first to analyze the messages conveyed in the two versions with an emphasis on their implicit aesthetic, philosophical, and spiritual significance. Acknowledging the compositions as examples of musical ekphrasis ("a representation in one artistic medium of a message originally composed in another medium"), the author argues in exhaustive detail that the young Hindemith of 1922-23 and the mature composer of 1941-48 can be seen as setting two somewhat different poetic cycles. This volume is of interest for musicologists and music lovers, scholars of German literature and lovers of Rilke's poetry, as well as for readers interested in the interartistic relationships of music and literature.
Author: Valentina Gosetti
Author: Valentina Gosetti
Author: Valentina Gosetti
Author: Mary Ann Caws
Author: Marvin Richards
Author: Ulla Britta Lagerroth
Author: William Leonard Schwartz
Author: Christina Karageorgou-Bastea
Author: St. Louis Symphony Orchestra
Author: Siglind Bruhn
Author: