Author: English Institute
Publisher: Baltimore : Johns Hopkins University Press
ISBN:
Category : Art
Languages : en
Pages : 216

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Book Description

Author: Thomas H. Luxon
Publisher: University of Chicago Press
ISBN: 9780226497853
Category : History
Languages : en
Pages : 284

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Book Description
Literal Figures is the most important work on John Bunyan to appear in many years, and a significant contribution to the history and theory of representation. Beginning with mainstream Puritan responses to a challenge to orthodoxy—a man who claims he has been literally transformed into Christ and his companion who claims to be the "Spouse of Christ"—and concluding with an analysis of The Pilgrim's Progress, which John Bunyan described as a "fall into Allegory," Thomas Luxon presents detailed analyses of key moments in the Reformation crisis of representation. Why did Puritan Christianity repeatedly turn to allegorical forms of representation in spite of its own intolerance of "Allegorical fancies?" Luxon demonstrates that Protestant doctrine itself was a kind of allegory in hiding, one that enabled Puritans to forge a figural view of reality while championing the "literal" and the "historical". He argues that for Puritanism to survive its own literalistic, anti-symbolic, and millenarian challenges, a "fall" back into allegory was inevitable. Representative of this "fall," The Pilgrim's Progress marks the culminating moment at which the Reformation's war against allegory turns upon itself. An essential work for understanding both the history and theory of representation and the work of John Bunyan, Literal Figures skillfully blends historical and critical methods to describe the most important features of early modern Protestant and Puritan culture.

Author: Stephen Jay Greenblatt
Publisher:
ISBN:
Category : Allegories
Languages : en
Pages : 193

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Book Description

Author: Fredric Jameson
Publisher: Verso Books
ISBN: 1788730453
Category : Literary Criticism
Languages : en
Pages : 433

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Book Description
Fredric Jameson takes on the allegorical form Works do not have meanings, they soak up meanings: a work is a machine for libidinal investments (including the political kind). It is a process that sorts incommensurabilities and registers contradictions (which is not the same as solving them!) The inevitable and welcome conflict of interpretations - a discursive, ideological struggle - therefore needs to be supplemented by an account of this simultaneous processing of multiple meanings, rather than an abandonment to liberal pluralisms and tolerant (or intolerant) relativisms. This is not a book about "method", but it does propose a dialectic capable of holding together in one breath the heterogeneities that reflect our biological individualities, our submersion in collective history and class struggle, and our alienation to a disembodied new world of information and abstraction. Eschewing the arid secularities of philosophy, Walter Benjamin once recommended the alternative of the rich figurality of an older theology; in that spirit we here return to the antiquated Ptolemaic systems of ancient allegory and its multiple levels (a proposal first sketched out in The Political Unconscious); it is tested against the epic complexities of the overtly allegorical works of Dante, Spenser and the Goethe of Faust II, as well as symphonic form in music, and the structure of the novel, postmodern as well as Third-World: about which a notorious essay on National Allegory is here reprinted with a theoretical commentary; and an allegorical history of emotion is meanwhile rehearsed from its contemporary, geopolitical context.

Author: Brenda Machosky
Publisher: Fordham Univ Press
ISBN: 0823242846
Category : Literary Criticism
Languages : en
Pages : 273

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Book Description
Structures of Appearing: Allegory and the Work of Literature is an interdisciplinary study that revises the history of allegory through a phenomenological approach. The book also takes on the history of aesthetics as an ideology that has long subjugated literature (and art generally) to criteria of judgment that are philosophical rather than literary.

Author: Eve Bunting
Publisher: U of Nebraska Press
ISBN: 0827611749
Category : Juvenile Nonfiction
Languages : en
Pages : 32

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Book Description
The animals in the clearing were content until the Terrible Things came, capturing all creatures with feathers. Little Rabbit wondered what was wrong with feathers, but his fellow animals silenced him. "Just mind your own business, Little Rabbit. We don't want them to get mad at us." A recommended text in Holocaust education programs across the United States, this unique introduction to the Holocaust encourages young children to stand up for what they think is right, without waiting for others to join them. Ages 6 and up

Author: Lisa Rosenthal
Publisher: Cambridge University Press
ISBN: 9780521842440
Category : Art
Languages : en
Pages : 356

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Book Description
Gender, Politics, and Allegory in the Art of Peter Paul Rubens examines the intertwined relationship between paintings of family and marriage, and of war, peace, and statehood by the Flemish master. Drawing extensively upon recent critical and gender theory, Lisa Rosenthal reshapes our view of Rubens' works and of the interpretive practices through which we engage them. Close readings offer new interpretations of canonical images, while bringing into view other powerful works which are less familiar. The focus on gender serves as a catalyst that enables an original way of reading visual allegory, giving it a dynamic multivalence undiscovered by traditional iconographic methods.

Author: Edmund Spenser
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 390

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Book Description

Author: Cristelle Baskins
Publisher: Routledge
ISBN: 1351568957
Category : Art
Languages : en
Pages : 364

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Book Description
The first book in over twenty-five years devoted solely to allegory and personification in art history, this anthology complements current literary and cultural studies of allegory. The volume re-examines early modern allegorical imagery in light of crucial material, contextual and methodological questions: how are allegories conceived; for whom; and for what purposes? Contributors consider a wide range of allegorical representations in the visual arts and material culture, of both early modern Europe and the colonial "New World" 1400-1800. Essays included here examine paintings, sculpture, prints, architecture and the spaces of public ritual while discussing the process and theory of interpretation, formation of audiences, reception history, appropriation and censorship. A special focus on the medium of the body in visual allegory unites the volume's diverse materials and methods.

Author: Maureen Quilligan
Publisher: Cornell University Press
ISBN: 9780801480515
Category : Literary Criticism
Languages : en
Pages : 316

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Book Description
"The Language of Allegory examines a body of literature not often treated as a unified genre. Reading a number of texts that are traditionally characterized as allegories and that cover a wide time span, Maureen Quilligan identifies the distinctive generic elements they share. Originally published in 1979, this highly regarded work by a well-known feminist critic and theorist is now available in paperback."--Back book cover