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Allegories of the Virtues and Vices in Medieval Art

Allegories of the Virtues and Vices in Medieval Art PDF Author: Adolf Katzenellenbogen
Publisher:
ISBN:
Category : Art, Medieval
Languages : en
Pages : 0

Book Description

Allegories of the Virtues and Vices in Medieval Art

Allegories of the Virtues and Vices in Medieval Art PDF Author: Adolf Katzenellenbogen
Publisher:
ISBN:
Category : Art, Medieval
Languages : en
Pages : 0

Book Description

Allegories of the Virtures and Vices in Medieval Art

Allegories of the Virtures and Vices in Medieval Art PDF Author: Adolf Katzenellenbogen
Publisher:
ISBN:
Category :
Languages : en
Pages : 102

Book Description

Allegories of the Virtures [sic] and Vices in Medieval Art

Allegories of the Virtures [sic] and Vices in Medieval Art PDF Author: Adolf Katzenellenbogen
Publisher:
ISBN:
Category : Art, Medieval
Languages : en
Pages : 102

Book Description

Allegories of the Virtues and Vices in Mediaeval Art

Allegories of the Virtues and Vices in Mediaeval Art PDF Author: Adolf Katzenellenbogen
Publisher:
ISBN:
Category : Art, Medieval
Languages : en
Pages : 102

Book Description

Allegories of the Virtues and Vices in Mediaeval Art from Early Christian Times to the Thirteenth Century

Allegories of the Virtues and Vices in Mediaeval Art from Early Christian Times to the Thirteenth Century PDF Author: Adolf Katzenellenbogen
Publisher:
ISBN:
Category : Art, Medieval
Languages : en
Pages : 170

Book Description
One of the enduring themes of western art has been the portrayal of the unseen conflict between the forces of good and evil within men's souls. Dr. Katzenellenbogen's book explores the mediaeval practice of representing virtues and vices in a personified form which sprang from classical tradition and rose to a peak of expression in the thirteenth century. He distinguishes two great branches in this theme and treats them separately. Part One deals with dynamic representations in which the opposing moral forces take on human for and speak, act, and struggle with one another in traditional battle scenes. Part Two discuses the form of representation in which the personified virtues and vices no longer wield weapons against each other but appear as static images of complex intellectual scheme designed to reveal the nature of interrelationship of moral forces.

Allegories of the Virtues and Vices in Mediaeval Art from Early Christian Times to the Thirteenth Century [by] Adolf Katzenellenbogen

Allegories of the Virtues and Vices in Mediaeval Art from Early Christian Times to the Thirteenth Century [by] Adolf Katzenellenbogen PDF Author: Adolf Katzenellenbogen
Publisher:
ISBN:
Category :
Languages : en
Pages : 102

Book Description

Allegories of the Virtues and Vices in Mediaeval Art from Early Christian Times to the Thirteenth Century

Allegories of the Virtues and Vices in Mediaeval Art from Early Christian Times to the Thirteenth Century PDF Author: Adolf Katzenellenbogen
Publisher:
ISBN:
Category : Art, Medieval
Languages : en
Pages : 102

Book Description

Allegories of the Virtues and Vices in Mediaeval Art from Early Christian Times to the Thirteenth Century. London, The Warburg Institute, 1939

Allegories of the Virtues and Vices in Mediaeval Art from Early Christian Times to the Thirteenth Century. London, The Warburg Institute, 1939 PDF Author: Adolf Katzenellenbogen
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 102

Book Description

Allegories of the virtues and vices in medieval art from early Christian times to the thirteenth century

Allegories of the virtues and vices in medieval art from early Christian times to the thirteenth century PDF Author: Adolf Katzenellenbogen
Publisher:
ISBN:
Category :
Languages : en
Pages :

Book Description

Allegories of the Virtues and Vices in Mediaeval Art from Early Christian Times to the Thirteenth Century

Allegories of the Virtues and Vices in Mediaeval Art from Early Christian Times to the Thirteenth Century PDF Author: Adolf Katzenellenbogen
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 172

Book Description

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