Allan Kaprow, Robert Smithson, and the Limits to Art PDF Download

Author: Philip Ursprung
Publisher: Univ of California Press
ISBN: 0520245415
Category : Art
Languages : en
Pages : 344

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Book Description
This innovative study of two of the most important artists of the twentieth century links the art practices of Allan Kaprow and Robert Smithson in their attempts to test the limits of art--both what it is and where it is. Ursprung provides a sophisticated yet accessible analysis, placing the two artists firmly in the art world of the 1960s as well as in the art historical discourse of the following decades. Although their practices were quite different, they both extended the studio and gallery into desert landscapes, abandoned warehouses, industrial sites, train stations, and other spaces. Ursprung bolsters his argument with substantial archival research and sociological and economic models of expansion and limits.

Author: Jeff Kelley
Publisher: Univ of California Press
ISBN: 0520236718
Category : Art
Languages : en
Pages : 272

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Book Description
'Childsplay' offers a description of Kaprow's 'Happenings' and other art activities, clarifying their materiality, duration and setting, as well as the ways that people participated in them, and shows that Kaprow's art forms were physically present, socially engaged, and intellectually resonant in the moment of enactment.

Author: Allan Kaprow
Publisher: Univ of California Press
ISBN: 0520930843
Category : Art
Languages : en
Pages : 300

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Book Description
Allan Kaprow's "happenings" and "environments" were the precursors to contemporary performance art, and his essays are some of the most thoughtful, provocative, and influential of his generation. His sustained inquiry into the paradoxical relationship of art to life and into the nature of meaning itself is brought into focus in this newly expanded collection of his most significant writings. A new preface and two new additional essays published in the 1990s bring this valuable collection up to date.

Author: Robert E. Haywood
Publisher:
ISBN: 9780300222609
Category : Art and society
Languages : en
Pages : 0

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Book Description
This new interpretation of the structure and meaning of the Happenings produced by Allan Kaprow (1927-2006) and Claes Oldenburg (b. 1929) in the late 1950s and 1960s sheds light on the context, theoretical framework, and working practice unique to this groundbreaking artistic form. Drawing on extensive archival research and including never-before-published drawings by Oldenburg, Robert E. Haywood describes the dialogue - at times contentious - between these two artists about the direction of the Happenings and modern art in general. Through a comprehensive analysis of these often overlooked works, it becomes clear that the Happenings--born in the midst of Cold War tensions and an increased uneasiness with the direction society was taking--challenged the traditional definitions of art in innovative new ways and were a critical component in the development of the art of the 20th century.

Author: Judith F. Rodenbeck
Publisher: Mit Press
ISBN: 9780262016209
Category : Art
Languages : en
Pages : 0

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Book Description
In this work, Rodenbeck recovers the critical force of happenings, addressing them both as theoretical objects and as artworks, investigating broader epistemological and formal concerns as well as their material and performative aspects.

Author: Allan Kaprow
Publisher: Mousse Publishing
ISBN: 9788896501795
Category : Art
Languages : en
Pages : 0

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Book Description
This publication catalogues and illustrates, with a wide selection of images, Allan Kaprow's entire body of published work: from his first artist book in 1962, to his last anthological projects in the '90s. This lesser-known side of his œuvre unfolds through 35 books, published over a 40-year span.Kaprow's work moved along two parallel tracks: happenings - a field in which he was an unchallenged pioneer, starting in the '50s - and activity booklets, a tool meant to help people understand and experience these performances. But the graphic layout of his books, the originality of their structure, the literary stature of their texts, and their aesthetic quality as objects shifted his exploration of print into a higher realm, where the book became a fully-fledged work of art.'Booklets are somewhat like music scores: they aren't the actual event but as notations which one or more persons can carry out. So they shouldn't be considered documents of what actually happened.' (Allan Kaprow)

Author: Allan Kaprow
Publisher: Getty Publications
ISBN: 9780892368907
Category : Art objects
Languages : en
Pages : 380

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Book Description
Documents artist Allan Keprow's life and work through an extensive chronology that visually portrays his evolution from painter to environmental artist to inventor of the Happening and the Activity.

Author: B. H. D. Buchloh
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 186

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Book Description
In pairing Allan Kaprow and Robert Watts, this book offers a critical examination of a key sequence in the development of contemporary art practices. The shift from form to process embraced by these artists made a lasting contribution to advanced art practices in the latter half of the century.

Author: Allan Kaprow
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 18

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Book Description
"Four characteristic scenarios by the inventor of the Happening concept."--Back cover

Author: Alexander Alberro
Publisher: MIT Press
ISBN: 0262516640
Category : Art
Languages : en
Pages : 511

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Book Description
An anthology of writings and projects by artists who developed and extended the genre of institutional critique. "Institutional critique” is an artistic practice that reflects critically on its own housing in galleries and museums and on the concept and social function of art itself. Such concerns have always been a part of modern art but took on new urgency at the end of the 1960s, when—driven by the social upheaval of the time and enabled by the tools and techniques of conceptual art—institutional critique emerged as a genre. This anthology traces the development of institutional critique as an artistic concern from the 1960s to the present by gathering writings and representative art projects of artists from across Europe and throughout the Americas who developed and extended the genre. The texts and artworks included are notable for the range of perspectives and positions they reflect and for their influence in pushing the boundaries of what is meant by institutional critique. Like Alberro and Stimson's Conceptual Art: A Critical Anthology this volume will shed new light on its subject through its critical and historical framing. Even readers already familiar with institutional critique will come away from this book with a greater and often redirected understanding of its significance. Artists represented include Wieslaw Borowski, Daniel Buren, Marcel Broodthaers, Groupe de Recherche d'Art Visuel, Hans Haacke, Robert Smithson, John Knight, Graciela Carnevale, Osvaldo Mateo Boglione, Guerilla Art Action Group, Art Workers' Coalition, Mierle Laderman Ukeles, Michael Asher, Mel Ramsden, Adrian Piper, The Guerrilla Girls, Laibach, Silvia Kolbowski, Andrea Fraser, Fred Wilson, Mark Dion, Maria Eichhorn, Critical Art Ensemble, Bureau d'Études, WochenKlausur, The Yes Men, Hito Steyerl, Andreas Siekmann.