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Author: Jim Ferguson Publisher: Mel Bay Publications ISBN: 9780786642854 Category : Music Languages : en Pages : 96
Book Description
The most complete guide to jazz/blues soloing ever written! This comprehensive book details the sounds, elements, and approaches that make the blues such an integral part of the jazz vocabulary. Moving from blues progressions to fingerboard organization to phrasing, essential blues scales, riffs, lick development, and an array of advanced concepts and devices, including substitute scales & extended super arpeggios are covered. Throughout this process 38 solos, over 100 music examples, and hundreds of licks are featured. Written in notation and tablature.
Author: Jim Ferguson Publisher: Mel Bay Publications ISBN: 9780786642854 Category : Music Languages : en Pages : 96
Book Description
The most complete guide to jazz/blues soloing ever written! This comprehensive book details the sounds, elements, and approaches that make the blues such an integral part of the jazz vocabulary. Moving from blues progressions to fingerboard organization to phrasing, essential blues scales, riffs, lick development, and an array of advanced concepts and devices, including substitute scales & extended super arpeggios are covered. Throughout this process 38 solos, over 100 music examples, and hundreds of licks are featured. Written in notation and tablature.
Author: Jim Ferguson Publisher: Mel Bay Publications ISBN: 9780786652136 Category : Music Languages : en Pages : 32
Book Description
The only book to exclusively focus on the blues scales as it applies to jazz guitar. This book features a wealth of information, including many scale patterns, six complete solos, and diverse accompanying grooves that use a wide array of chords, tempos, and rhythmic feels.
Author: Joseph Alexander Publisher: ISBN: 9781789330588 Category : Music Languages : en Pages : 124
Book Description
Quickly learn how to solo over the 13 most essential chord progressions in jazz guitar using arpeggios, substitutions and chromatic approaches.
Author: David Baker Publisher: Alfred Music ISBN: 9781457426049 Category : Music Languages : en Pages : 56
Book Description
A three volume series that includes the scales, chords and modes necessary to play bebop music. A great introduction to a style that is most influential in today's music. The first volume includes scales, chords and modes most commonly used in bebop and other musical styles. The second volume covers the bebop language, patterns, formulas and other linking exercises necessary to play bebop music. A great introduction to a style that is most influential in today's music.
Author: Vincent Bredice Publisher: Mel Bay Publications ISBN: 1619119714 Category : Music Languages : en Pages : 145
Book Description
An interval is the distance between two notes measured in whole and half steps. When we stack intervals one on top of another, we produce chords. If we play the intervals in the chord one after another, we produce an arpeggio. But since all intervals, chords, and arpeggios are generated by scales, it follows that scales are the basis of all music from these scales we will find our JAZZ LINES, which is what this book is about. The following is a list of most of the jazz scales the student will encounter as he becomes involved in the study of improvising. When we improvise, we use as our weapons the scale, harmony and melody. The two dimensions in music are the harmony (vertical) and melody (horizontal). It is highly recommended that every student of improvising, know his scales in all positions and a variety of chords that the scales generate. All scales should be played in at least four positions especially the 1st position forces one to learn the theory. All other position pattern scales must be transposed throughout the guitar. The author has written a few pages in the beginning of the book serving as a prerequisite for the jazz lines to follow. It is essential that the student know the scales, key signatures, intervals, and chord constructions that will be used throughout the book. In order to benefit fully from this approach to jazz, the student must understand the full meaning of the words practice and analysis. Most students confuse practice with playing or reading through the exercise. To really improve and absorb the material, every phase must be practiced. This means the fingering must be committed to memory, slowly at first and then as fast as technique allows. The idea must be so ingrained in the mind that it flows from any part of the fingerboard that the performer desires. This is the way great players approach an idea – from any fret, string or position! If there is no harmonic or melodic analysis of the material being studied, then the learning skill becomes superfluous and there is no comprehension and absorption, and without this proper digestion the performer cannot use it as his taste dictates. All of the great players, have had a great technique and this is the first goal of the young student – “great chops.” As the student matures, musicianship will grow but technique is at the grasp of all who seek it. Start today to acquire it!
Author: John Ganapes Publisher: Hal Leonard Corporation ISBN: 1476857385 Category : Music Languages : en Pages : 136
Book Description
(Guitar Educational). A comprehensive source designed to help guitarists develop both lead and rhythm playing. Covers: Texas, Delta, R&B, early rock and roll, gospel, blues/rock and more. Includes 21 complete solos; chord progressions and riffs; turnarounds; moveable scales and more. The audio features leads and full band backing.
Author: Doug Munro Publisher: Alfred Music Publishing ISBN: 9780757937279 Category : Music Languages : en Pages : 124
Book Description
The most complete method for any guitarist seeking a better understanding of the blues roots of jazz guitar. Based on the styles of the classic organ-trio guitarists of the '60s, such as Wes Montgomery, Grant Green, Kenny Burrell, and George Benson, this book explores all the concepts and techniques required to play in this foundational style. The book includes riffs and patterns, music theory, scales, modes, chord voicings, arpeggios, and soloing. Over 120 music examples and six complete solos in the styles of many jazz greats are used to place all concepts into a practical musical context. A CD with music examples is included!
Author: Jim Ferguson
Author: Jim Ferguson
Author: Jim Ferguson
Author: Jim Ferguson
Author: Joseph Alexander
Author: David Baker
Author: Joseph Weidlich
Author: JENS. LARSEN
Author: Vincent Bredice
Author: John Ganapes
Author: Doug Munro