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Author: Dwight McInvaill Publisher: Evening Post Books ISBN: 9781929647521 Category : Languages : en Pages : 198
Book Description
Alice Ravenel Huger Smith (1876-1958), a leader of the Charleston Renaissance, immortalized the beauty and history of the Carolina Lowcountry and helped propel the region into an important destination for cultural tourism. A lifelong Charleston resident, she helped spark the city's historic preservation movement, depicted the waning days of rice planting, and captured the mystical spirit of the Lowcountry in luminous watercolors. This beautifully-illustrated volume is a personal account of the artist's life and work that draws on unpublished papers, letters, and interviews. It includes over 200 paintings, prints, sketches, and photographs, many shared for the first time. The most comprehensive book ever made of Alice's work, it is both an important contribution to Southern art scholarship and a gorgeous addition to the bookshelves of art lovers.Published by Evening Post Books in collaboration with the Middleton Place Foundation.
Author: Angela D. Mack Publisher: Univ of South Carolina Press ISBN: 9781570037207 Category : Art Languages : en Pages : 188
Book Description
Through eighty-nine color plates and six thematic essays, this collection examines depictions of plantations, plantation views, and related slave imagery in the context of the history of landscape painting in America, while addressing the impact of these images on US race relations.
Author: Alice R. Huger Smith Publisher: Legare Street Press ISBN: 9781015511989 Category : Architecture Languages : en Pages : 0
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Jonathan Green Publisher: Univ of South Carolina Press ISBN: 1643362143 Category : Art Languages : en Pages : 209
Book Description
A celebration of the life and culture of the Gullah people of the South Carolina Lowcountry in 179 new paintings Jonathan Green is best known for his vibrant depictions of the Gullah life and culture established by descendants of enslaved Africans who settled between northern Florida and North Carolina during the nineteenth century. For decades, Green's vividly colored paintings and prints have captured and preserved the daily rituals and Gullah traditions of his childhood in the Lowcountry marshes of South Carolina. While Green's art continues to express the same energy, color, and deep respect for his ancestors, his techniques have evolved to feature bolder brush strokes and a use of depth and texture, all guided by his maturing artistic vision that is now more often about experiencing freedom and contentment through his art. This vision is reflected in the 179 new paintings featured in Gullah Spirit. His open and inviting images beckon the world to not only see this vanishing culture but also to embrace its truth and enduring spirit. Using both the aesthetics of his heritage and the abstraction of the human figure, Green creates an almost mythological narrative from his everyday observations of rural and urban environments. Expressed through his mastery of color, Green illuminates the challenges and beauty of work, love, belonging, and the richness of community. Angela D. Mack, executive director of the Gibbes Museum of Art in Charleston, South Carolina, provides a foreword. The book also includes short essays by historian Walter B. Edgar, educator Kim Cliett Long, and curator Kevin Grogan.
Author: Alfred Kubin Publisher: Courier Dover Publications ISBN: 0486815307 Category : Art Languages : en Pages : 147
Book Description
Symbolist artist Alfred Kubin reminisces about his extraordinary life, from his troubled youth and mental breakdown to his rebirth as an artist of world renown. Includes numerous drawings by the famed author/artist.
Author: Valinda W. Littlefield Publisher: Univ of South Carolina Press ISBN: 1643361600 Category : History Languages : en Pages : 190
Book Description
Prior to the twenty-first century, most historical writing about women in South Carolina focused on elite White women, even though working-class women of diverse backgrounds were actively engaged in the social, economic, and political battles of the state. Although often unrecognized publicly, they influenced cultural and political landscapes both within and outside of the state's borders through their careers, writing, art, music, and activism. Despite significant cultural, social, and political barriers, these brave and determined women affected sweeping change that advanced the position of women as well as their communities. The entries in 101 Women Who Shaped South Carolina, which include many from the landmark text The South Carolina Encyclopedia, offer a concise and approachable history of the state, while recognizing the sacrifice, persistence, and sheer grit of its heroines and history makers. A foreword is provided by Walter Edgar, Neuffer Professor of Southern Studies Emeritus and Distinguished Professor Emeritus of History at the University of South Carolina.
Author: Ted Phillips Publisher: ISBN: Category : Biography & Autobiography Languages : en Pages : 248
Book Description
A guide to more than two hundred of the most famous, infamous, and influential individuals now interred in the iconic Charleston landmark Charleston is a city of stories. As in any city of historical significance, some of its best stories now lie buried with its dead. Ted Ashton Phillips, Jr., was custodian of many of the stories of those Charlestonians interred in Magnolia Cemetery, the picturesque burial ground located along the Cooper River north of downtown. Phillips's fascination with Magnolia began at the age of sixteen, when he worked there as a groundskeeper and assistant gravedigger. He followed his passion into the research represented in this collective biography of more than two hundred representative Charlestonians from many eras, now buried among the thirty thousand permanent residents of Magnolia Cemetery. Taking its title from the poem that William Gilmore Simms delivered at the 1850 consecration of the cemetery, City of the Silent is a unique guide to some of the complex personalities who have contributed to the Holy City's rich culture. The book includes entries on writers, artists, statesmen, educators, religious leaders, scientists, war heroes, financiers, captains of industry, slave traders, socialites, criminals, victims, and others. Some of these men and women are as distinguished as author Josephine Pinckney, civil rights champion J. Waties Waring, and artist Alice Ravenel Huger Smith. Others are as notorious as bootlegger Frank "Rumpty Rattles" Hogan, adulterous killer Dr. Thomas McDow, and brothel-keeper Belle Percival. Most of Phillips's subjects achieved prominence while alive, but a few are better known for their manner of death. The members of the third and final crew of the Confederate submarine H. L. Hunley, interred with great ceremony in 2004 after the discovery of their vessel in Charleston harbor, are among the newest Magnolia residents depicted in the portrait gallery. Each authoritative profile offers a vivid depiction of a memorable individual rendered in conversational tone with refreshing wit and apt anecdotes. These artfully braided stories describe an intricate network of family ties, civic institutions, business enterprises, and local landmarks. Together the biographies provide an affectionate, insightful history of an influential society and establish Magnolia as a center of community traditions that extend from the mid-nineteenth century to the present. City of the Silent is a celebration of intertwining lives and an engrossing account of Charleston's past as witnessed by those no longer able to tell their own tales. In addition to the biographical sketches, City of the Silent includes a foreword by Josephine Humphreys, Charleston writer and longtime friend of the author, and an afterword by Phillips's daughter Alice McPherson Phillips. The volume also features an introductory essay by historian Thomas J. Brown examining how the cemetery became a leading site of historical memory in the aftermath of the Civil War, and sets of maps and thematic tours that invite visitors to locate the featured graves within Magnolia's evocative grounds.
Author: Lynne Blackman Publisher: Univ of South Carolina Press ISBN: 1611179556 Category : Art Languages : en Pages : 432
Book Description
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn
Author: Martha R. Severens
Author: Martha R. Severens
Author: Dwight McInvaill
Author: Elizabeth Waties Allston Pringle
Author: Angela D. Mack
Author: Alice R. Huger Smith
Author: Jonathan Green
Author: Alfred Kubin
Author: Valinda W. Littlefield
Author: Ted Phillips
Author: Lynne Blackman