Author: Lisa Maria Strong
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 246
Book Description
Alfred Jacob Miller (1810-1874) was the first artist to journey into the heart of the Rocky Mountains. He did so as the commissioned expedition artist for William Drummond Stewart (1795-1871), a Scottish nobleman and veteran of a five-year hunting tour in America. Their destination would be the annual fur traders' rendezvous at Horse Creek, near the present-day border of Colorado and Wyoming. Miller, Stewart, and the rest of their party departed from Independence, Missouri, in mid-May 1837. They arrived at the rendezvous two months later and, after a week among the trappers and traders, headed into the Wind River Mountains to the source of the Green River. There, they spent the waning summer hunting moose and elk before returning to St. Louis in early October. Miller executed some one hundred watercolor and pen-and-ink sketches during the expedition, and he later reworked them into finished watercolors and oils for a variety of patrons. Over the past two decades, much valuable scholarship has emerged on how western American art has reflected American nationalist or expansionist ideologies. In Sentimental Journey: The Art of Alfred Jacob Miller, Lisa Strong takes a new approach, however, by examining how Miller tailored his western scenes to suit the specific needs and interests of local American audiences. She also crosses national boundaries to explore how Miller's paintings helped promote a vision of Scottish aristocratic identity.
Sentimental Journey
Author: Lisa Maria Strong
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 246
Book Description
Alfred Jacob Miller (1810-1874) was the first artist to journey into the heart of the Rocky Mountains. He did so as the commissioned expedition artist for William Drummond Stewart (1795-1871), a Scottish nobleman and veteran of a five-year hunting tour in America. Their destination would be the annual fur traders' rendezvous at Horse Creek, near the present-day border of Colorado and Wyoming. Miller, Stewart, and the rest of their party departed from Independence, Missouri, in mid-May 1837. They arrived at the rendezvous two months later and, after a week among the trappers and traders, headed into the Wind River Mountains to the source of the Green River. There, they spent the waning summer hunting moose and elk before returning to St. Louis in early October. Miller executed some one hundred watercolor and pen-and-ink sketches during the expedition, and he later reworked them into finished watercolors and oils for a variety of patrons. Over the past two decades, much valuable scholarship has emerged on how western American art has reflected American nationalist or expansionist ideologies. In Sentimental Journey: The Art of Alfred Jacob Miller, Lisa Strong takes a new approach, however, by examining how Miller tailored his western scenes to suit the specific needs and interests of local American audiences. She also crosses national boundaries to explore how Miller's paintings helped promote a vision of Scottish aristocratic identity.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 246
Book Description
Alfred Jacob Miller (1810-1874) was the first artist to journey into the heart of the Rocky Mountains. He did so as the commissioned expedition artist for William Drummond Stewart (1795-1871), a Scottish nobleman and veteran of a five-year hunting tour in America. Their destination would be the annual fur traders' rendezvous at Horse Creek, near the present-day border of Colorado and Wyoming. Miller, Stewart, and the rest of their party departed from Independence, Missouri, in mid-May 1837. They arrived at the rendezvous two months later and, after a week among the trappers and traders, headed into the Wind River Mountains to the source of the Green River. There, they spent the waning summer hunting moose and elk before returning to St. Louis in early October. Miller executed some one hundred watercolor and pen-and-ink sketches during the expedition, and he later reworked them into finished watercolors and oils for a variety of patrons. Over the past two decades, much valuable scholarship has emerged on how western American art has reflected American nationalist or expansionist ideologies. In Sentimental Journey: The Art of Alfred Jacob Miller, Lisa Strong takes a new approach, however, by examining how Miller tailored his western scenes to suit the specific needs and interests of local American audiences. She also crosses national boundaries to explore how Miller's paintings helped promote a vision of Scottish aristocratic identity.
Romancing the West
Author: Alfred Jacob Miller
Publisher: Nelson Gallery Foundation
ISBN: 9780615351711
Category : Art
Languages : en
Pages : 0
Book Description
Published on the occasion of an exhibition held at the Nelson-Atkins Museum of Art, Sept. 25-Jan. 9, 2011, the Museum of Fine Arts, Houston, Feb. 5-May 8, 2011, and the Philadelphia Museum of Art, June 4-Sept. 18, 2011.
Publisher: Nelson Gallery Foundation
ISBN: 9780615351711
Category : Art
Languages : en
Pages : 0
Book Description
Published on the occasion of an exhibition held at the Nelson-Atkins Museum of Art, Sept. 25-Jan. 9, 2011, the Museum of Fine Arts, Houston, Feb. 5-May 8, 2011, and the Philadelphia Museum of Art, June 4-Sept. 18, 2011.
The West of Alfred Jacob Miller (1837) from the Notes and Water Colors in the Walters Art Gallery
Author: Alfred Jacob Miller
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 464
Book Description
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 464
Book Description
Artists of the Old West
Author: John Canfield Ewers
Publisher: Doubleday Books
ISBN:
Category : Art
Languages : en
Pages : 258
Book Description
Publisher: Doubleday Books
ISBN:
Category : Art
Languages : en
Pages : 258
Book Description
AMERICAN FRONTIER LIFE
Men in Eden
Author: William Benemann
Publisher: U of Nebraska Press
ISBN: 080324469X
Category : Biography & Autobiography
Languages : en
Pages : 382
Book Description
The American West of the nineteenth century was a world of freedom and adventure for men of every stripe—not least also those who admired and desired other men. Among these sojourners was William Drummond Stewart, a flamboyant Scottish nobleman who found in American culture of the 1830s and 1840s a cultural milieu of openness in which men could pursue same-sex relationships. This book traces Stewart’s travels from his arrival in America in 1832 to his return to Murthly Castle in Perthshire, Scotland, with his French Canadian–Cree Indian companion, Antoine Clement, one of the most skilled hunters in the Rockies. Benemann chronicles Stewart’s friendships with such notables as Kit Carson, William Sublette, Marcus Whitman, and Jim Bridger. He describes the wild Renaissance-costume party held by Stewart and Clement upon their return to America—a journey that ended in scandal. Through Stewart’s letters and novels, Benemann shows that Stewart was one of many men drawn to the sexual freedom offered by the West. His book provides a tantalizing new perspective on the Rocky Mountain fur trade and the role of homosexuality in shaping the American West.
Publisher: U of Nebraska Press
ISBN: 080324469X
Category : Biography & Autobiography
Languages : en
Pages : 382
Book Description
The American West of the nineteenth century was a world of freedom and adventure for men of every stripe—not least also those who admired and desired other men. Among these sojourners was William Drummond Stewart, a flamboyant Scottish nobleman who found in American culture of the 1830s and 1840s a cultural milieu of openness in which men could pursue same-sex relationships. This book traces Stewart’s travels from his arrival in America in 1832 to his return to Murthly Castle in Perthshire, Scotland, with his French Canadian–Cree Indian companion, Antoine Clement, one of the most skilled hunters in the Rockies. Benemann chronicles Stewart’s friendships with such notables as Kit Carson, William Sublette, Marcus Whitman, and Jim Bridger. He describes the wild Renaissance-costume party held by Stewart and Clement upon their return to America—a journey that ended in scandal. Through Stewart’s letters and novels, Benemann shows that Stewart was one of many men drawn to the sexual freedom offered by the West. His book provides a tantalizing new perspective on the Rocky Mountain fur trade and the role of homosexuality in shaping the American West.
The West of Alfred Jacob Miller (1837).
Author: Alfred Jacob Miller
Publisher:
ISBN:
Category : West (U.S.)
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : West (U.S.)
Languages : en
Pages : 0
Book Description
The West as Romantic Horizon
Author: William H. Goetzmann
Publisher: Joslyn Art Museum
ISBN:
Category : Art
Languages : en
Pages : 132
Book Description
Publisher: Joslyn Art Museum
ISBN:
Category : Art
Languages : en
Pages : 132
Book Description
Forging a Nation
Author: Thomas Gilcrease Institute of American History and Art
Publisher:
ISBN: 9780972565783
Category : Art
Languages : en
Pages : 0
Book Description
When the Second Continental Congress adopted the Declaration of Independence and created a new nation - the United States of America - few colonists-turned-citizens could foresee the great struggles that lay before it in the centuries to come. Forging a Nation explores those struggles--the history of the US--as told through art, artifacts, and archival materials that illuminate some three hundred years of a shared cultural experience.
Publisher:
ISBN: 9780972565783
Category : Art
Languages : en
Pages : 0
Book Description
When the Second Continental Congress adopted the Declaration of Independence and created a new nation - the United States of America - few colonists-turned-citizens could foresee the great struggles that lay before it in the centuries to come. Forging a Nation explores those struggles--the history of the US--as told through art, artifacts, and archival materials that illuminate some three hundred years of a shared cultural experience.
Bierstadt's West
Author: Gerald L. Carr
Publisher:
ISBN: 9780935037906
Category : Hudson River school of landscape painting
Languages : en
Pages : 0
Book Description
Albert Bierstadt (1830-1902) took his first trip West early in 1859 with Frederic Lander. He was chosen to be a civilian artist on a government expedition which set out to improve the wagon roads of the South Pass from Fort Kearny to the eastern border of California. By the middle of the year, Bierstadt was following the same steps taken by Alfred Jacob Miller twenty-two years earlier, on the Oregon Trail. Along the way he met and sketched thousands of discouraged gold seekers and immigrants. In late summer he returned east and began turning his sketches into huge canvases. Included among some of these earlier scenes were Chimney Rock, Fort Laramie and Laramie Park .Bierstadt's second trip, this time to the far West, took place in 1863. He traveled with his friend Fitz Ludlow. They spent several weeks in Yosemite Valley beyond the Sierra Nevada, eventually traveling up into Oregon. By 1864, scarcely five years after painting his first Rocky Mountain picture, Bierstadt was the most highly acclaimed American painter, rivaling even Frederick Church. As an artist, Bierstadt was concerned more with communicating his image of the West to the American public than with following changing styles in the art world. For him, the immensity of the Rocky Mountains could find appropriate expression only on large canvases. Despite their size, and the immensity of terrain represented, he also managed to include a lavish amount of detail, particularly in his foregrounds. As a consequence, he was often criticized in later years for overstatement, for combining several paintings into one canvas, sometimes from different perspectives. When he did not lose sight of the whole in his efforts to combine large vistas and accurate amounts of detail, the impact of his work could be universalizing.
Publisher:
ISBN: 9780935037906
Category : Hudson River school of landscape painting
Languages : en
Pages : 0
Book Description
Albert Bierstadt (1830-1902) took his first trip West early in 1859 with Frederic Lander. He was chosen to be a civilian artist on a government expedition which set out to improve the wagon roads of the South Pass from Fort Kearny to the eastern border of California. By the middle of the year, Bierstadt was following the same steps taken by Alfred Jacob Miller twenty-two years earlier, on the Oregon Trail. Along the way he met and sketched thousands of discouraged gold seekers and immigrants. In late summer he returned east and began turning his sketches into huge canvases. Included among some of these earlier scenes were Chimney Rock, Fort Laramie and Laramie Park .Bierstadt's second trip, this time to the far West, took place in 1863. He traveled with his friend Fitz Ludlow. They spent several weeks in Yosemite Valley beyond the Sierra Nevada, eventually traveling up into Oregon. By 1864, scarcely five years after painting his first Rocky Mountain picture, Bierstadt was the most highly acclaimed American painter, rivaling even Frederick Church. As an artist, Bierstadt was concerned more with communicating his image of the West to the American public than with following changing styles in the art world. For him, the immensity of the Rocky Mountains could find appropriate expression only on large canvases. Despite their size, and the immensity of terrain represented, he also managed to include a lavish amount of detail, particularly in his foregrounds. As a consequence, he was often criticized in later years for overstatement, for combining several paintings into one canvas, sometimes from different perspectives. When he did not lose sight of the whole in his efforts to combine large vistas and accurate amounts of detail, the impact of his work could be universalizing.