Author: Tianshu WangPublisher:
ISBN:
Category : Music
Languages : en
Pages : 280
Book Description
Alexander Tcherepnin's Five Concert Studies
Author: Tianshu WangAlexander Tcherepnin's Five Concert Studies: an Homage to Chinese Musical Styles, Instruments, and Traditions (AMUSD).
Author: Tianshu WangAlexander Tcherepnin
Author: Jiren ZhangThe Voice of New Music
Author: Tom JohnsonPublisher:
ISBN:
Category : Music
Languages : en
Pages : 556
Book Description
An anthology of articles on the evolution of minimal music in New York in 1972-1982, which originally appeared in the Village Voice (New York).
Introduction to Contemporary Music
Author: Joseph MachlisPublisher: New York : Norton
ISBN: 9780393090260
Category : Music
Languages : en
Pages : 694
Book Description
Biographical and historical data and clear technical explanations are featured in a guide to the appreciation of twentieth-century music that includes a full discussion of trends since 1961, a dictionary of composers, and a concentrated review of musical concepts.
Analog Synthesizers
Author: Mark JenkinsPublisher: Taylor & Francis
ISBN: 113612277X
Category : Technology & Engineering
Languages : en
Pages : 338
Book Description
In this book, the technical explanation of the nature of analog sound creation is followed by the story of its birth and its subsequent development by various designers, manufacturers and performers. The individual components of analog sound creation are then examined in detail, with step by step examples of sound creation techniques. Then the modern imitative analog instruments are examined, again with detailed instructions for programming and using them, and the book is completed with appendices listing the major instrument lines available, hints on values and purchasing, other sources of information, and a discography of readily available recordings which give good examples of analog sound synthesis. The CD which accompanies the book gives many examples of analog sound creation basics as well as more advanced techniques, and of the abilities of the individual instruments associated with classical and with imitative analog sound synthesis.
An Introduction to His Piano Works
Author: Béla BartókPublisher: Alfred Music
ISBN: 9781457412189
Category : Music
Languages : en
Pages : 68
Book Description
This volume contains 31 pieces from The First Term at the Piano, For Children, 10 Easy Pieces and 7 Sketches. The informative foreword includes Bartók's specific instructions on wrist and finer action, articulations and syncopation. Each piece is prefaced by a brief introduction.
The Russian Opera
Author: Rosa NewmarchPublisher: BoD – Books on Demand
ISBN: 373404894X
Category : Fiction
Languages : en
Pages : 230
Book Description
Reproduction of the original: The Russian Opera by Rosa Newmarch
The Music Division
Author: Library of CongressGeorge Gershwin
Author: Howard PollackPublisher: Univ of California Press
ISBN: 0520933141
Category : Music
Languages : en
Pages : 938
Book Description
This comprehensive biography of George Gershwin (1898-1937) unravels the myths surrounding one of America's most celebrated composers and establishes the enduring value of his music. Gershwin created some of the most beloved music of the twentieth century and, along with Jerome Kern, Irving Berlin, and Cole Porter, helped make the golden age of Broadway golden. Howard Pollack draws from a wealth of sketches, manuscripts, letters, interviews, books, articles, recordings, films, and other materials—including a large cache of Gershwin scores discovered in a Warner Brothers warehouse in 1982—to create an expansive chronicle of Gershwin’s meteoric rise to fame. He also traces Gershwin’s powerful presence that, even today, extends from Broadway, jazz clubs, and film scores to symphony halls and opera houses. Pollack’s lively narrative describes Gershwin’s family, childhood, and education; his early career as a pianist; his friendships and romantic life; his relation to various musical trends; his writings on music; his working methods; and his tragic death at the age of 38. Unlike Kern, Berlin, and Porter, who mostly worked within the confines of Broadway and Hollywood, Gershwin actively sought to cross the boundaries between high and low, and wrote works that crossed over into a realm where art music, jazz, and Broadway met and merged. The author surveys Gershwin’s entire oeuvre, from his first surviving compositions to the melodies that his brother and principal collaborator, Ira Gershwin, lyricized after his death. Pollack concludes with an exploration of the performances and critical reception of Gershwin's music over the years, from his time to ours.