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Author: Diana Tuite Publisher: Prestel ISBN: 9783791354354 Category : ART Languages : en Pages : 0
Book Description
Coming of age as an artist in the 1950s, Alex Katz set out to reinvent representational painting in the wake of Abstract Expressionism. At first, Katz struggled to find an audience, destroying hundreds of canvases. This exhibition surveys the artwork that survived from this momentous decade, one in which he first painted outdoors, innovated with collages and met Ada del Moro, his wife and muse. The author's contextualise Katz's painting, consider how he and his peers looked at one another, mined 19th-century portraiture, and borrowed from television, advertising and cinema. The result is a fascinating study of a young artist laying the groundwork for an astonishingly successful career. Fans of Katz will be astonished by the radicalism of his early work, and those being introduced to the artist will be struck by its freshness and relevance. Published in association with the Colby Museum of Art, Waterville, ME. AUTHOR: Diana Tuite is the Katz Curator at the Colby Museum of Art, Waterville, ME. 150 colour illustrations
Author: Diana Tuite Publisher: Prestel ISBN: 9783791354354 Category : ART Languages : en Pages : 0
Book Description
Coming of age as an artist in the 1950s, Alex Katz set out to reinvent representational painting in the wake of Abstract Expressionism. At first, Katz struggled to find an audience, destroying hundreds of canvases. This exhibition surveys the artwork that survived from this momentous decade, one in which he first painted outdoors, innovated with collages and met Ada del Moro, his wife and muse. The author's contextualise Katz's painting, consider how he and his peers looked at one another, mined 19th-century portraiture, and borrowed from television, advertising and cinema. The result is a fascinating study of a young artist laying the groundwork for an astonishingly successful career. Fans of Katz will be astonished by the radicalism of his early work, and those being introduced to the artist will be struck by its freshness and relevance. Published in association with the Colby Museum of Art, Waterville, ME. AUTHOR: Diana Tuite is the Katz Curator at the Colby Museum of Art, Waterville, ME. 150 colour illustrations
Author: Donna M. Cassidy Publisher: Metropolitan Museum of Art ISBN: 1588396134 Category : Art Languages : en Pages : 186
Book Description
Marsden Hartley had a lifelong personal and aesthetic engagement with Maine, where he was born in 1877 and where he died at age sixty-six. As an important member of the artistic circle promoted by Alfred Stieglitz, Hartley began his career by painting the mountains of western Maine. He subsequently led a peripatetic life, traveling throughout Europe and North America and only occasionally visiting his native state. By midlife, however, his itinerant existence had taken an emotional toll, and he confided to Stieglitz that he wanted “so earnestly a ‘place’ to be.” Finally returning to the state in his later years, he transformed his identity from urbane sophisticate to “the painter from Maine.” But while Maine has played a clear and defining role in Hartley’s art, not until now has this relationship been studied with the breadth and richness it warrants. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Marsden Hartley’s Maine is the first in-depth discussion of Hartley’s complex and shifting relationship to his native state. Illustrated with works from throughout the painter’s career, it provides a nuanced understanding of Hartley’s artistic range, from the exhilarating Post-Impressionist landscapes of his early years to the late, roughly rendered paintings of Maine and its people. The absorbing essays examine Hartley’s view of Maine as a place of light and darkness whose spirit imbued his art, which encompassed buoyant coastal views, mournful mountain vistas, and portraits of Mainers. An illustrated chronology provides an overview of Hartley’s life, juxtaposing major personal incidents with concurrent events in Maine’s history. For Hartley, who was strongly influenced by such artists as Paul Cézanne, Winslow Homer, and Albert Pinkham Ryder, Maine was an enduring source of inspiration, one powerfully intertwined with his past, his cultural milieu, and his desire to create a regional expression of American modernism.
Author: Colby College. Museum of Art Publisher: Colby College Press ISBN: 9780982292259 Category : Art Languages : en Pages : 0
Book Description
Promised to Colby College in 2007, the Lunder Collection comprises more than 500 works of art, including paintings, sculptures, prints, and photographs. Special strengths of the collection include 19th- and 20th- century American art, as well as the Lunder-Colville Collection of Chinese Art and more than 300 works by James McNeill Whistler. The Lunder Collection: A Gift of Art to Colby College is a richly illustrated volume featuring more than 265 collection highlights. Conceived as the companion to the 2009 publication Art at Colby: Celebrating the Fiftieth Anniversary of the Colby College Museum of Art, the catalogue includes seven essays on the collection’s major areas, The Lunder Colville-Chinese Art Collection, Art through the American Centennial, the art of James McNeill Whistler, art of the Gilded Age, art of the American West, American Modernism, and art after 1945, as well as seventeen reflections on specific works or groups of work in the collection. Selected contributors include Elizabeth Broun, Barbara Haskell, Erica Hirshler, Virginia Mecklenburg, Kenneth Myers, Martha Tedeschi, Thayer Tolles, William Truettner, and Adam Weinberg.
Author: Alex Katz Publisher: Charta ISBN: 9788881588404 Category : Art Languages : en Pages : 0
Book Description
"Invented Symbols" is Alex Katz's memoir of his education in art. Katz's story begins with his parents, Russian emigrés involved in theater, and discusses everything from his finding a high school that offered the possibility of drawing from antique casts, to his acceptance at the Cooper Union, his decision to become a fine artist and beyond. Katz has always steeped himself in the literature of his time, having often painted and collaborated with poets, and it is no surprise that his take on autobiography should be particularly considered and original in its composition: the entire text of "Invented Symbols" is in fact a transcription of the artist recounting his memories aloud, typed up by his son, poet Vincent Katz. This book revises and expands upon the 1997 Hatje Cantz edition, long out of print.
Author: Diana Tuite
Author: Diana Tuite
Author: Alex Katz
Author: Sharon Corwin
Author: Alex Katz
Author: Colby College. Museum of Art
Author: Donna M. Cassidy
Author: Colby College. Museum of Art
Author: David Cohen
Author: 
Author: Alex Katz