Author: afterwards YOUNG POSTANS (Marianne)
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Aldershot, and all about it. ... With illustrations from original sketches
Author: afterwards YOUNG POSTANS (Marianne)
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The First Proofs of the Universal Catalogue of Books on Art
Author: John Hungerford Pollen
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1142
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1142
Book Description
Universal Catalogue of Books on Art: L to Z
Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1140
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1140
Book Description
The Sketch
The Book of British Topography
Author: John Parker Anderson
Publisher:
ISBN:
Category : British Isles
Languages : en
Pages : 496
Book Description
Publisher:
ISBN:
Category : British Isles
Languages : en
Pages : 496
Book Description
The Illustrated sporting & dramatic news
Birket Foster
Author: Jan Reynolds
Publisher: Batsford
ISBN:
Category : Artists
Languages : en
Pages : 238
Book Description
Publisher: Batsford
ISBN:
Category : Artists
Languages : en
Pages : 238
Book Description
Aldershot, and All about It
Author: Marianne Young
Publisher:
ISBN: 9781436936446
Category :
Languages : en
Pages : 244
Book Description
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Publisher:
ISBN: 9781436936446
Category :
Languages : en
Pages : 244
Book Description
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Nineteenth Century Short-title Catalogue: phase 1. 1816-1870
Old Women and Art in the Early Modern Italian Domestic Interior
Author: Erin J. Campbell
Publisher: Routledge
ISBN: 1317086058
Category : Art
Languages : en
Pages : 216
Book Description
Though portraits of old women mediate cultural preoccupations just as effectively as those of younger women, the scant published research on images of older women belies their significance within early modern Italy. This study examines the remarkable flowering, largely overlooked in portraiture scholarship to date, of portraits of old women in Northern Italy and especially Bologna during the second half of the sixteenth century, when, as a result of religious reform, the lives of women and the family came under increasing scrutiny. Old Women and Art in the Early Modern Italian Domestic Interior draws on a wide range of primary visual sources, including portraits, religious images, architectural views, prints and drawings, as well as extant palazzi and case, furnishings, and domestic objects created by the leading artists in Bologna, including Lavinia Fontana, Bartolomeo Passerotti, Denys Calvaert, and the Carracci. The study also draws on an array of historical sources - including sixteenth-century theories of portraiture, prescriptive writings on women and the family, philosophical and practical treatises on the home economy, sumptuary legislation, books of secrets, prescriptive writings on old age, and household inventories - to provide new historical perspectives on the domestic life of the propertied classes in Bologna during the period. Author Erin Campbell contends that these images of unidentified women are not only crucial to our understanding of the cultural operations of art within the early modern world, but also, by working from the margins to revise the center, provide an opportunity to present new conceptual frameworks and question our assumptions about old age, portraiture, and the domestic interior.
Publisher: Routledge
ISBN: 1317086058
Category : Art
Languages : en
Pages : 216
Book Description
Though portraits of old women mediate cultural preoccupations just as effectively as those of younger women, the scant published research on images of older women belies their significance within early modern Italy. This study examines the remarkable flowering, largely overlooked in portraiture scholarship to date, of portraits of old women in Northern Italy and especially Bologna during the second half of the sixteenth century, when, as a result of religious reform, the lives of women and the family came under increasing scrutiny. Old Women and Art in the Early Modern Italian Domestic Interior draws on a wide range of primary visual sources, including portraits, religious images, architectural views, prints and drawings, as well as extant palazzi and case, furnishings, and domestic objects created by the leading artists in Bologna, including Lavinia Fontana, Bartolomeo Passerotti, Denys Calvaert, and the Carracci. The study also draws on an array of historical sources - including sixteenth-century theories of portraiture, prescriptive writings on women and the family, philosophical and practical treatises on the home economy, sumptuary legislation, books of secrets, prescriptive writings on old age, and household inventories - to provide new historical perspectives on the domestic life of the propertied classes in Bologna during the period. Author Erin Campbell contends that these images of unidentified women are not only crucial to our understanding of the cultural operations of art within the early modern world, but also, by working from the margins to revise the center, provide an opportunity to present new conceptual frameworks and question our assumptions about old age, portraiture, and the domestic interior.