Author: Caridad Svich
Publisher: Lulu.com
ISBN: 1105943372
Category : Fiction
Languages : en
Pages : 83
Book Description
Award-winning play with songs by Caridad Svich that examines grief, loss and the power of love. A young woman loses her husband in a recent war. A community rallies round to save her.
Alchemy of Desire/Dead-Man's Blues
Author: Caridad Svich
Publisher: Lulu.com
ISBN: 1105943372
Category : Fiction
Languages : en
Pages : 83
Book Description
Award-winning play with songs by Caridad Svich that examines grief, loss and the power of love. A young woman loses her husband in a recent war. A community rallies round to save her.
Publisher: Lulu.com
ISBN: 1105943372
Category : Fiction
Languages : en
Pages : 83
Book Description
Award-winning play with songs by Caridad Svich that examines grief, loss and the power of love. A young woman loses her husband in a recent war. A community rallies round to save her.
Scenes and Monologues for Young Actors
Author: Kent R. Brown
Publisher: Dramatic Publishing
ISBN: 9780871299581
Category : Acting
Languages : en
Pages : 284
Book Description
Publisher: Dramatic Publishing
ISBN: 9780871299581
Category : Acting
Languages : en
Pages : 284
Book Description
The Best Plays of 1993-1994
Author: Otis L. Guernsey
Publisher: Hal Leonard Corporation
ISBN: 9780879101831
Category : Drama
Languages : en
Pages : 690
Book Description
"Featuring scenes from the ten best plays"--Jacket.
Publisher: Hal Leonard Corporation
ISBN: 9780879101831
Category : Drama
Languages : en
Pages : 690
Book Description
"Featuring scenes from the ten best plays"--Jacket.
Fearless Femininity by Women in American Theatre, 1910s to 2010s - Student Edition
Author: Greeley, Lynne
Publisher: Cambria Press
ISBN:
Category : Performing Arts
Languages : en
Pages :
Book Description
Note: this is an abridged version of the book with references removed. The complete edition is also available. In this unprecedented, fascinating book which covers women in theatre from the 1910s to the 2010s, author Lynne Greeley notes that, for the purposes of this study, "feminism" is defined as the political impulse toward economic and social empowerment for females or the female-identified, a position perceived by many feminists as oppositional to ideas of femininity that they see as personally and politically constraining and that "femininity" comprises social behaviors and practices that mean as "many different things as there are women," some of which are empowering and others of which are not. This book illuminates how throughout the twentieth century and into the twenty-first, playwrights and artists in American theatre both embodied and disrupted the feminine of their times. Through approaches as wide ranging as performing their own recipes, energizing silences, raging against war and rape, and inviting the public to inscribe their naked bodies, theatre artists have used performance as a site to insert themselves between the physicality of their female presence and the liminality of their disrupting the role of the feminine. Capturing that place of liminality, a neither-here-nor-there place that is often unsafe, where the established order is overturned by acts as banal as raising a plant, women have written and performed and disrupted their way through one hundred years of theatre history, even within the constraints of a variably rigid and usually unsympathetic social order. Creating a feminist femininity, they have reinscribed their place in the culture and provided models for their audiences to do the same. This comprehensive tome, part of the Cambria Contemporary Global Performing Arts headed by John Clum (Duke University) is an essential addition for theater studies and women's studies.
Publisher: Cambria Press
ISBN:
Category : Performing Arts
Languages : en
Pages :
Book Description
Note: this is an abridged version of the book with references removed. The complete edition is also available. In this unprecedented, fascinating book which covers women in theatre from the 1910s to the 2010s, author Lynne Greeley notes that, for the purposes of this study, "feminism" is defined as the political impulse toward economic and social empowerment for females or the female-identified, a position perceived by many feminists as oppositional to ideas of femininity that they see as personally and politically constraining and that "femininity" comprises social behaviors and practices that mean as "many different things as there are women," some of which are empowering and others of which are not. This book illuminates how throughout the twentieth century and into the twenty-first, playwrights and artists in American theatre both embodied and disrupted the feminine of their times. Through approaches as wide ranging as performing their own recipes, energizing silences, raging against war and rape, and inviting the public to inscribe their naked bodies, theatre artists have used performance as a site to insert themselves between the physicality of their female presence and the liminality of their disrupting the role of the feminine. Capturing that place of liminality, a neither-here-nor-there place that is often unsafe, where the established order is overturned by acts as banal as raising a plant, women have written and performed and disrupted their way through one hundred years of theatre history, even within the constraints of a variably rigid and usually unsympathetic social order. Creating a feminist femininity, they have reinscribed their place in the culture and provided models for their audiences to do the same. This comprehensive tome, part of the Cambria Contemporary Global Performing Arts headed by John Clum (Duke University) is an essential addition for theater studies and women's studies.
Fearless Femininity by Women in American Theatre, 1910s to 2010s
Author: Lynne Greeley
Publisher: Cambria Press
ISBN: 1621967425
Category : Performing Arts
Languages : en
Pages : 588
Book Description
In this unprecedented, fascinating book which covers women in theatre from the 1910s to the 2010s, author Lynne Greeley notes that, for the purposes of this study, "feminism" is defined as the political impulse toward economic and social empowerment for females or the female-identified, a position perceived by many feminists as oppositional to ideas of femininity that they see as personally and politically constraining and that "femininity" comprises social behaviors and practices that mean as "many different things as there are women," some of which are empowering and others of which are not. This book illuminates how throughout the twentieth century and into the twenty-first, playwrights and artists in American theatre both embodied and disrupted the feminine of their times. Through approaches as wide ranging as performing their own recipes, energizing silences, raging against war and rape, and inviting the public to inscribe their naked bodies, theatre artists have used performance as a site to insert themselves between the physicality of their female presence and the liminality of their disrupting the role of the feminine. Capturing that place of liminality, a neither-here-nor-there place that is often unsafe, where the established order is overturned by acts as banal as raising a plant, women have written and performed and disrupted their way through one hundred years of theatre history, even within the constraints of a variably rigid and usually unsympathetic social order. Creating a feminist femininity, they have reinscribed their place in the culture and provided models for their audiences to do the same. This comprehensive tome, part of the Cambria Contemporary Global Performing Arts headed by John Clum (Duke University) is an essential addition for theater studies and women's studies.
Publisher: Cambria Press
ISBN: 1621967425
Category : Performing Arts
Languages : en
Pages : 588
Book Description
In this unprecedented, fascinating book which covers women in theatre from the 1910s to the 2010s, author Lynne Greeley notes that, for the purposes of this study, "feminism" is defined as the political impulse toward economic and social empowerment for females or the female-identified, a position perceived by many feminists as oppositional to ideas of femininity that they see as personally and politically constraining and that "femininity" comprises social behaviors and practices that mean as "many different things as there are women," some of which are empowering and others of which are not. This book illuminates how throughout the twentieth century and into the twenty-first, playwrights and artists in American theatre both embodied and disrupted the feminine of their times. Through approaches as wide ranging as performing their own recipes, energizing silences, raging against war and rape, and inviting the public to inscribe their naked bodies, theatre artists have used performance as a site to insert themselves between the physicality of their female presence and the liminality of their disrupting the role of the feminine. Capturing that place of liminality, a neither-here-nor-there place that is often unsafe, where the established order is overturned by acts as banal as raising a plant, women have written and performed and disrupted their way through one hundred years of theatre history, even within the constraints of a variably rigid and usually unsympathetic social order. Creating a feminist femininity, they have reinscribed their place in the culture and provided models for their audiences to do the same. This comprehensive tome, part of the Cambria Contemporary Global Performing Arts headed by John Clum (Duke University) is an essential addition for theater studies and women's studies.
Twelve Ophelias (a Play with Broken Songs)
Author: Caridad Svich
Publisher: Lulu.com
ISBN: 0615212727
Category : Fiction
Languages : en
Pages : 95
Book Description
"Previously published in the anthology Performed the here and now: an introduction to contemporary theater and performance edited by Chris Danowski ... and also in the independent literary journal CallReview (issue #2, 2004)"--T.p. verso.
Publisher: Lulu.com
ISBN: 0615212727
Category : Fiction
Languages : en
Pages : 95
Book Description
"Previously published in the anthology Performed the here and now: an introduction to contemporary theater and performance edited by Chris Danowski ... and also in the independent literary journal CallReview (issue #2, 2004)"--T.p. verso.
Prodigal Kiss and Perdita Gracia: Two Plays by Caridad Svich
Author: Caridad Svich
Publisher: Lulu.com
ISBN: 0578036711
Category : Fiction
Languages : en
Pages : 221
Book Description
Two 'horizon' plays by US Latina dramatist Caridad Svich: PRODIGAL KISS and PERDITA GRACIA, inspired by Federico Garcia Lorca's Poet in New York and Shakespeare's The Winter's Tale, respectively. Dynamic, lyrical dramas for a new audience.
Publisher: Lulu.com
ISBN: 0578036711
Category : Fiction
Languages : en
Pages : 221
Book Description
Two 'horizon' plays by US Latina dramatist Caridad Svich: PRODIGAL KISS and PERDITA GRACIA, inspired by Federico Garcia Lorca's Poet in New York and Shakespeare's The Winter's Tale, respectively. Dynamic, lyrical dramas for a new audience.
Velvet Barrios
Author: Alicia Gasper De Alba
Publisher: Springer
ISBN: 1137042699
Category : Social Science
Languages : en
Pages : 342
Book Description
In Chicana/o popular culture, nothing signifies the working class, highly-layered, textured, and metaphoric sensibility known as "rasquache aesthetic" more than black velvet art. The essays in this volume examine that aesthetic by looking at icons, heroes, cultural myths, popular rituals, and border issues as they are expressed in a variety of ways. The contributors dialectically engage methods of popular cultural studies with discourses of gender, sexuality, identity politics, representation, and cultural production. In addition to a hagiography of "locas santas," the book includes studies of the sexual politics of early Chicana activists in the Chicano youth movement, the representation of Latina bodies in popular magazines, the stereotypical renderings of recipe books and calendar art, the ritual performance of Mexican femaleness in the quinceañera, and mediums through which Chicano masculinity is measured.
Publisher: Springer
ISBN: 1137042699
Category : Social Science
Languages : en
Pages : 342
Book Description
In Chicana/o popular culture, nothing signifies the working class, highly-layered, textured, and metaphoric sensibility known as "rasquache aesthetic" more than black velvet art. The essays in this volume examine that aesthetic by looking at icons, heroes, cultural myths, popular rituals, and border issues as they are expressed in a variety of ways. The contributors dialectically engage methods of popular cultural studies with discourses of gender, sexuality, identity politics, representation, and cultural production. In addition to a hagiography of "locas santas," the book includes studies of the sexual politics of early Chicana activists in the Chicano youth movement, the representation of Latina bodies in popular magazines, the stereotypical renderings of recipe books and calendar art, the ritual performance of Mexican femaleness in the quinceañera, and mediums through which Chicano masculinity is measured.
Theatre World 1993-1994
Author: John Willis
Publisher: Hal Leonard Corporation
ISBN: 9781557832368
Category : Performing Arts
Languages : en
Pages : 292
Book Description
Scenes from the plays and portraits of leading actors accompany a statistical record of the current season
Publisher: Hal Leonard Corporation
ISBN: 9781557832368
Category : Performing Arts
Languages : en
Pages : 292
Book Description
Scenes from the plays and portraits of leading actors accompany a statistical record of the current season
The State of Latino Theater in the United States
Author: Luis Ramos-García
Publisher: Psychology Press
ISBN: 9780815338802
Category : Hispanic American drama
Languages : en
Pages : 260
Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Psychology Press
ISBN: 9780815338802
Category : Hispanic American drama
Languages : en
Pages : 260
Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.