Albert Bierstadt PDF Download

Author: Nancy K. Anderson
Publisher:
ISBN: 9781555950590
Category : Art
Languages : en
Pages : 327

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Book Description
Bierstadt was the great recorder of the American western landscape. He was the first artist with both the technique and the talent to convey the powerful visual impact of western space and to capture the scale of America's mountains. This magnificent volume provides a full appreciation of his talent as an artist.

Author: Peter H. Hassrick
Publisher:
ISBN: 9780806160047
Category : Bison in art
Languages : en
Pages : 0

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Book Description
As one of America's most prominent nineteenth-century painters, Albert Bierstadt (1830-1902) is justly renowned for his majestic paintings of the western landscape. Yet Bierstadt was also a painter of history, and his figural works, replete with images of Plains Indians and the American bison, are an important part of his legacy as well. This splendid full-color volume highlights his achievements in chronicling a rapidly changing American West. Born in Germany, Bierstadt rose to prominence as an American artist in the late 1850s and enjoyed nearly two decades of critical success. His paintings propelled him to the forefront of the American art scene, but they also met with reproach from his peers and critics in the press who viewed his painting style as outmoded. Bierstadt's star has both risen and fallen as modern art historians have reconsidered his complex oeuvre. This volume takes a major step in reappraising Bierstadt's contributions by reexamining the artist through a new lens. It shows how Bierstadt conveyed moral messages through his paintings, often to preserve the dignity of Native peoples and call attention to the tragic slaughter of the American bison. More broadly, the book reconsiders the artist's engagement with contemporary political and social debates surrounding wildlife conservation in America, the creation and perpetuation of national parks, and the prospects for the West's indigenous peoples. Bierstadt's final history paintings, including his dual masterworks titled The Last of the Buffalo--a special focus of this volume--stand out as elegiac odes to an earlier era, giving voice to concerns about the intertwined fates of Native peoples and endangered wildlife, especially bison. Along with its rich sampling of Bierstadt's diverse artwork, Albert Bierstadt: Witness to a Changing West features informative essays by noted curators, scholars of art history, and historians of the American West.

Author: Matthew Baigell
Publisher: Watson-Guptill Publications
ISBN:
Category : Architecture
Languages : en
Pages : 92

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Book Description
Each of these handsome volumes contains 32 large color plates reproduced with superb fidelity on special paper. The informative text and detailed captions will provide inspiration and fresh insight for all who admire great painting. Using huge canvases befitting his subjects, Bierstadt was the first artist to capture the monumentality of the American wilderness. These beautiful paintings represent a distinct part of America's heritage.

Author: Amy Ellis
Publisher: Yale University Press
ISBN: 0300101163
Category : Art
Languages : en
Pages : 202

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Book Description
A breathtaking selection of works from the largest and finest collection of Hudson River paintings in the world Hudson River School paintings are among America's most admired and well-loved artworks. Such artists as Thomas Cole, Frederic Church, and Albert Bierstadt left a powerful legacy to American art, embodying in their epic works the reverence for nature and the national idealism that prevailed during the middle of the nineteenth century. This book features fifty-seven major Hudson River School paintings from the collection of the Wadsworth Atheneum Museum of Art, recognized as the most extensive and finest in the world. Gorgeously and amply illustrated, the book includes paintings by all the major figures of the Hudson River School. Each work is beautifully reproduced in full color and is accompanied by a concise description of its significance and historical background. The book also includes artists' biographies and a brief introduction to American nineteenth-century landscape painting and the Wadsworth Atheneum's unique role in collecting Hudson River pictures.

Author: Judith H. O'Toole
Publisher: Columbia University Press
ISBN: 0231138202
Category : Art, American
Languages : en
Pages : 172

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Book Description
Hudson River School artists shared an awe of the magnificence of nature as well as a belief that the untamed American scenery reflected the national character. In this new work, color reproductions of more than 115 paintings capture the beauty and illuminate the aesthetic and philosophical principles of the Hudson River School painters. The pieces included in this volume reflect a period (1825-1875) when American landscape painting was most thoroughly explored and formalized with personal, artistic, cultural, and national identifications. Judith Hansen O'Toole reveals the subtleties and quiet majesty of the works and discusses their shared iconography, the ways in which artists responded to one another's paintings, and how the paintings reflected nineteenth-century American cultural, intellectual, and social milieus. Different Views is also the first major study to examine closely the Hudson River School artists' practice of creating thematically related pairs and series of paintings. O'Toole considers painters' use of this method to express different moods and philosophical concepts. She observes artists' representations of landscape and their nuanced depictions of weather, light, and season. By comparing and contrasting Hudson River School paintings, O'Toole reveals differences in meaning, emotion, and cultural connotation. Different Views in Hudson River School Painting contains reproductions of works from a range of prominent and lesser-known artists, including Jasper Francis Cropsey, Sanford Robinson Gifford, Asher B. Durand, Frederic Edwin Church, Albert Bierstadt, John Frederic Kensett, and John William Casilear. The works come from a leading private collection and were recently exhibited at the Westmoreland Museum of American Art.

Author: Eleanor Jones Harvey
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312

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Book Description
The Painted Sketch is the first volume to focus on the sketches of major American artists of the period. Eleanor Jones Harvey, author and consulting curator of American Art for the Dallas Museum of Art, follows the artists from field to studio, examining the changing perception and growing public appreciation for these small works. Her study is based on much new research as well as on her close analysis of existing resources.

Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870994972
Category : Hudson River school of landscape painting
Languages : en
Pages : 367

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Book Description
Traces the history of the Hudson River School of American painters, shows works by Church, Cole, and Inness, and describes the background of each painting.

Author: New-York Historical Society
Publisher: Rizzoli Electa
ISBN:
Category : Art
Languages : en
Pages : 224

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Book Description
Examines art from the Hudson River School, nineteenth-century artists whose work captured the American landscape, including selections from Albert Bierstadt, Frederic Church, Thomas Cole, and others; and featuring one hundred reproductions and fold-out pages.

Author: Gerald L. Carr
Publisher:
ISBN: 9780935037906
Category : Hudson River school of landscape painting
Languages : en
Pages : 0

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Book Description
Albert Bierstadt (1830-1902) took his first trip West early in 1859 with Frederic Lander. He was chosen to be a civilian artist on a government expedition which set out to improve the wagon roads of the South Pass from Fort Kearny to the eastern border of California. By the middle of the year, Bierstadt was following the same steps taken by Alfred Jacob Miller twenty-two years earlier, on the Oregon Trail. Along the way he met and sketched thousands of discouraged gold seekers and immigrants. In late summer he returned east and began turning his sketches into huge canvases. Included among some of these earlier scenes were Chimney Rock, Fort Laramie and Laramie Park .Bierstadt's second trip, this time to the far West, took place in 1863. He traveled with his friend Fitz Ludlow. They spent several weeks in Yosemite Valley beyond the Sierra Nevada, eventually traveling up into Oregon. By 1864, scarcely five years after painting his first Rocky Mountain picture, Bierstadt was the most highly acclaimed American painter, rivaling even Frederick Church. As an artist, Bierstadt was concerned more with communicating his image of the West to the American public than with following changing styles in the art world. For him, the immensity of the Rocky Mountains could find appropriate expression only on large canvases. Despite their size, and the immensity of terrain represented, he also managed to include a lavish amount of detail, particularly in his foregrounds. As a consequence, he was often criticized in later years for overstatement, for combining several paintings into one canvas, sometimes from different perspectives. When he did not lose sight of the whole in his efforts to combine large vistas and accurate amounts of detail, the impact of his work could be universalizing.

Author: William Kloss
Publisher:
ISBN: 9781931917018
Category : Art
Languages : en
Pages : 0

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Book Description
This book presents the White House collection of paintings, drawings, and sculptures. Works by Jacob Lawrence, George Bellows, Gilbert Stuart, Norman Rockwell, and Georgia O'Keeffe are among the nearly 50 recent acquisitions are included in this edition. The art selections are accompanied by an art historical essay.