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Author: Tammis K. Groft Publisher: Albany Institute of History and Art ISBN: 1438429940 Category : Art Languages : en Pages : 336
Book Description
Founded in 1791, the Albany Institute of History and Art is one of the nation's oldest cultural institutions. Today, it boasts outstanding collections largely focused on New York State's Upper Hudson Valley. These include Hudson River School landscape paintings, portraits by Ezra Ames and Charles Loring Elliott, sculpture by Erastus Dow Palmer, landscape and interior paintings by Walter Launt Palmer, and Albany –made silver and other crafts. This comprehensive overview of the Albany Institute of History and Art's American art and decorative-arts collections, presents color plates and essays on about 130 objects (of a total exceeding 20,000). Dating from the beginning of the seventeenth century to the 1990s, each object in this volume was chosen for its national significance, artistic merit, and relevance to the Institute's mission: collecting and interpreting the art, history, and culture of New York State's Upper Hudson Valley through four centuries.
Author: Tammis K. Groft Publisher: Albany Institute of History and Art ISBN: 1438429940 Category : Art Languages : en Pages : 336
Book Description
Founded in 1791, the Albany Institute of History and Art is one of the nation's oldest cultural institutions. Today, it boasts outstanding collections largely focused on New York State's Upper Hudson Valley. These include Hudson River School landscape paintings, portraits by Ezra Ames and Charles Loring Elliott, sculpture by Erastus Dow Palmer, landscape and interior paintings by Walter Launt Palmer, and Albany –made silver and other crafts. This comprehensive overview of the Albany Institute of History and Art's American art and decorative-arts collections, presents color plates and essays on about 130 objects (of a total exceeding 20,000). Dating from the beginning of the seventeenth century to the 1990s, each object in this volume was chosen for its national significance, artistic merit, and relevance to the Institute's mission: collecting and interpreting the art, history, and culture of New York State's Upper Hudson Valley through four centuries.
Author: Albany Institute of History and Art Publisher: Albany Institute of History and Art ISBN: 1438430167 Category : Antiques & Collectibles Languages : en Pages : 148
Book Description
The life, time, and work of a renowned Albany potter comes vividly to life in these pages. Paul Cushman (1767-1833) is recognized today as one of the founders of a regional stoneware industry that stretched throughout the Upper Hudson Valley of New York State. When Cushman moved to Albany around 1800, local stoneware production was limited to a few potters. His decision to open a pottery works "half a mile west of the Albany Goal" at the beginning of the new century resulted in a long-lived and successful business. It also initiated a century of tremendous growth and expansion in regional stoneware manufacturing. The expert contributors to this volume reveal all that is currently known about the life and work of Paul Cushman, and place his business and pottery within broad and useful historical and aesthetic frameworks.
Author: Peter Lacovara Publisher: Albany Institute of History and Art ISBN: 1438469500 Category : History Languages : en Pages : 156
Book Description
In 1909, two mummies, one dating from the 21st Dynasty and the other from the Ptolemaic Period, arrived in Albany, New York. Purchased from the Egyptian Museum in Cairo by Albany businessman Samuel Brown for the Albany Institute of History & Art (AIHA), they have been on continuous exhibition since then and are the most popular, celebrated, and best remembered of the museum's collections. The story of their discovery in the tombs at Deir el-Bahri and their subsequent purchase by Brown, transport by steamship from Cairo to New York City, and steamboat travel to Albany was covered extensively by the Albany newspapers, and visitors from school-aged children to senior citizens often recount stories about their first encounter with the Albany mummies. The Mystery of the Albany Mummies tells the fascinating tale of these two mummies, from their initial mummification in ancient Egypt, to their acquisition by the AIHA in 1909, and finally to 2013, when the mystery of their identities was uncovered through the intersection of historical scholarship, science, and technology. In the book, which draws on the Institute's 2013–2014 exhibition "GE Presents: The Mystery of the Albany Mummies," scholars from around the world use new scholarship, scientific methods, and medical technology to determine the ages, sexes, occupations, and lifestyles of these two ancient denizens of the AIHA.
Author: Roderic H. Blackburn Publisher: Albany Institute of History and Art ISBN: 1438429908 Category : History Languages : en Pages : 323
Book Description
How much of the Dutch world in America survived after the English? One hundred years after the English took control of New Netherland in 1664, New York retained many Dutch characteristics. The cultural milieu shifted abruptly, however, with population growth and increased affluence following the termination of the French and Indian Wars in 1760. British customs and tastes that were stylishly attractive to a new generation of moneyed colonists soon put Dutch culture in retreat in all but the most isolated areas. Some elements of the past persisted in ways never dreamed of by the Dutch West India Company officials, who oversaw their nation's colonization in America. These include caucus politics, separation of church and state, neighborly evening visits on the stoop, and Santa Claus. Even more striking is the similarity between principles and practices that emerged in the Dutch Republic four centuries ago and some of the precepts on which the American republic was founded. Much of the Dutch cultural and social history may be interpreted and understood through objects they brought with them and from those objects and structures they created in the New World. This landmark volume, originating in a major exhibit commemorating the tricentennial of the city of Albany, uncovers the range of Dutch colonial experience in America through some 350 objects: paintings, furniture, silver, gold, ceramics, textiles, prints, drawings, and architecture. The result is a rare and remarkable glimpse of New Netherland, a long-ago world that continues to resonate today. Roderic H. Blackburn is an ethnologist and architectural historian who has held positions as Director of Research at Historic Cherry Hill, Assistant Director of the Albany Institute of History and Art, and Senior Research Fellow at the New York State Museum. He is the author of Dutch Colonial Homes in America and Great Houses of New England. Ruth Piwonka is the author of A Portrait of Livingston Manor, 1686–1850 and the coauthor (with Roderic H. Blackburn) of A Visible Heritage: Columbia County, New York: A History in Art and Architecture.
Author: Newell Convers Wyeth Publisher: Gambit Incorporated Publishers ISBN: Category : Art Languages : en Pages : 912
Book Description
N. C. Wyeth was one of America's greatest illustrators and the founder of a dynasty of artists that continues to enrich the American scene. This collection of letters, written from his eighteenth year to his tragic death at sixty-one, constitutes in effect his intimate autobiography, and traces and development and flowering of the "Wyeth tradition" over the course of several generations. -- Amazon.com.
Author: Elizabeth Mankin Kornhauser Publisher: Metropolitan Museum of Art ISBN: 1588396401 Category : Art Languages : en Pages : 292
Book Description
Thomas Cole (1801–1848) is celebrated as the greatest American landscape artist of his generation. Though previous scholarship has emphasized the American aspects of his formation and identity, never before has the British-born artist been presented as an international figure, in direct dialogue with the major landscape painters of the age. Thomas Cole’s Journey emphasizes the artist’s travels in England and Italy from 1829 to 1832 and his crucial interactions with such painters as Turner and Constable. For the first time, it explores the artist’s most renowned paintings, The Oxbow (1836) and The Course of Empire cycle (1834–36), as the culmination of his European experiences and of his abiding passion for the American wilderness. The four essays in this lavishly illustrated catalogue examine how Cole’s first-hand knowledge of the British industrial revolution and his study of the Roman Empire positioned him to create works that offer a distinctive, even dissident, response to the economic and political rise of the United States, the ecological and economic changes then underway, and the dangers that faced the young nation. A detailed chronology of Cole’s life, focusing on his European tour, retraces the artist’s travels as documented in his journals, letters, and sketchbooks, providing new insight into his encounters and observations. With discussions of over seventy works by Cole, as well as by the artists he admired and influenced, this book allows us to view his work in relation to his European antecedents and competitors, demonstrating his major contribution to the history of Western art.
Author: Tammis K. Groft
Author: Tammis K. Groft
Author: Joan Catherine Steiner
Author: Albany Institute of History and Art
Author: Peter Lacovara
Author: Margaret Coffin
Author: Roderic H. Blackburn
Author: Newell Convers Wyeth
Author: Donna R. Barnes
Author: Diana S. Waite
Author: Elizabeth Mankin Kornhauser