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Author: Rachel Harris Publisher: Routledge ISBN: 1351752154 Category : Music Languages : en Pages : 352
Book Description
This volume of original essays is dedicated to Owen Wright in recognition of his formative contribution to the study of music in the Islamic Middle East. Wright’s work, which comprises, at the time of writing, six field-defining volumes and countless articles, has reconfigured the relationship between historical musicology and ethnomusicology. No account of the transformation of these fields in recent years can afford to ignore his work. Ranging across the Middle East, Central Asia and North India, this volume brings together historical, philological and ethnographic approaches. The contributors focus on collections of musical notation and song texts, on commercial and ethnographic recordings, on travellers’ reports and descriptions of instruments, on musical institutions and other spaces of musical performance. An introduction provides an overview and critical discussion of Wright’s major publications. The central chapters cover the geographical regions and historical periods addressed in Wright’s publications, with particular emphasis on Ottoman and Timurid legacies. Others discuss music in Greece, Iraq and Iran. Each explores historical continuities and discontinuities, and the constantly changing relationships between music theory and practice. An edited interview with Owen Wright concludes the book and provides a personal assessment of his scholarship and his approach to the history of the music of the Islamic Middle East. Extending the implications of Wright’s own work, this volume argues for an ethnomusicology of the Islamic Middle East in which past and present, text and performance are systematically in dialogue.
Author: Rachel Harris Publisher: Routledge ISBN: 1351752154 Category : Music Languages : en Pages : 352
Book Description
This volume of original essays is dedicated to Owen Wright in recognition of his formative contribution to the study of music in the Islamic Middle East. Wright’s work, which comprises, at the time of writing, six field-defining volumes and countless articles, has reconfigured the relationship between historical musicology and ethnomusicology. No account of the transformation of these fields in recent years can afford to ignore his work. Ranging across the Middle East, Central Asia and North India, this volume brings together historical, philological and ethnographic approaches. The contributors focus on collections of musical notation and song texts, on commercial and ethnographic recordings, on travellers’ reports and descriptions of instruments, on musical institutions and other spaces of musical performance. An introduction provides an overview and critical discussion of Wright’s major publications. The central chapters cover the geographical regions and historical periods addressed in Wright’s publications, with particular emphasis on Ottoman and Timurid legacies. Others discuss music in Greece, Iraq and Iran. Each explores historical continuities and discontinuities, and the constantly changing relationships between music theory and practice. An edited interview with Owen Wright concludes the book and provides a personal assessment of his scholarship and his approach to the history of the music of the Islamic Middle East. Extending the implications of Wright’s own work, this volume argues for an ethnomusicology of the Islamic Middle East in which past and present, text and performance are systematically in dialogue.
Author: Michael Frishkopf Publisher: University of Texas Press ISBN: 1477312463 Category : Architecture Languages : en Pages : 477
Book Description
Bringing together the perspectives of ethnomusicology, Islamic studies, art history, and architecture, this edited collection investigates how sound production in built environments is central to Muslim religious and cultural expression.
Author: Meltem Ahiska Publisher: Bloomsbury Publishing ISBN: 0857718134 Category : History Languages : en Pages : 281
Book Description
From the early Attaturk years, Turkish radio broadcasting was seen as a great hope for sealing the national identity of the new Turkish Republic. Since the inaugural broadcast in 1927 the national elite designed radio broadcasting to represent the 'voice of a nation'. Here Meltem Ahiska reveals how radio broadcasting actually showed Turkey's uncertainty over its position in relation to Europe. While the national elite wanted to build their own Turkish identity, at the same time they desired recognition from Europe that Turkey was now a Westernized modern country. Ahiska shows how these tensions played out over the radio in the conflicting depictions and discrepancies between the national elite and 'the people', 'cosmopolitan' Istanbul and 'national' Ankara and men and women (especially in Radio drama). Through radio broadcasting we can see how Occidentalism dictated the Turkish Republic's early history and shaped how modern Turkey saw itself.
Author: Virginia Danielson Publisher: Routledge ISBN: 1351544179 Category : Music Languages : en Pages : 1212
Book Description
Expert writers present the major traditions of North Africa, the Middle East, and Central Asia, together with personal accounts of performers, composers, teachers, and ceremonies. A special feature of this volume is the inclusion of dozens of brief snap-shot essays that offer "lifestories" of typical musicmakers and their art, as well as first-person descriptions of specific music performances and events. Also includes maps and music examples.
Author: Avner Wishnitzer Publisher: University of Chicago Press ISBN: 022625772X Category : History Languages : en Pages : 286
Book Description
Reading Clocks, Alla Turca explores the technological and social aspects of Ottoman temporal culture, where religious and secular powers competed and colluded for authority, the army tried to rationalize its systems of training and communication, and schoolboys complained about how long classes were. The conflicts that played out on the field of temporal systems were not along the axes one might expect, with secular, urban, rationalist, modernizing, and Europeanizing forces arrayed against rural, traditional, religious, and nationalist people and parties. Rather, religious institutions saw the rationalization of temporal culture as a way to extend their authority (the muezzin s call to prayer was the traditional way of counting the hours of the day, after all), and urban elites proclaimed their nationalism and their religiosity by their watches, both timepiece and jewelry. The image of Europe was, in a mirror of European Orientalism, deployed as both a rationalist model to be emulated (by, for example, the military) and a negative model of lazy and late aristocratic carelessness (by government administrators). Exploring sources as varied as lyric poetry, military manuals, school and military memoirs, and ferry timetables, Avner Wishnitzer lays out the full richness of Ottoman temporal culture in the nineteenth century."
Author: Nejla Melike Atalay Publisher: Hollitzer Wissenschaftsverlag ISBN: 3990128515 Category : Music Languages : en Pages : 518
Book Description
This research is focused on three Istanbulite composers, Leyla Hanımefendi, Nazife Aral-Güran, and Yüksel Koptagel, who lived and produced in consecutive and overlapping periods, from the Tanzimat Era of the Ottoman Empire to the Turkish Republic of the 1980s. It explores the composers' productive and creative conditions through the socio-political environments of their times, their familial and educational backgrounds, and the social spaces in which they lived and worked. The institutionalisation of Western music and the education thereof occupy a significant place in understanding the composers' relationships with Western music, the bonds they established with polyphonic music, and the development of their musical personalities as a consequence of their education, resultant from the opportunities provided by such developments. This study conjointly examines herstory and music historiography by employing alternative materials and creating its own narrative.
Author: Ruth F. Davis Publisher: Scarecrow Press ISBN: 0810881764 Category : Music Languages : en Pages : 260
Book Description
For nearly eight centuries — from the Muslim conquest of Spain in 711 to the final expulsion of the Jews in 1492 — Muslims, Jews and Christians shared a common Andalusian culture under alternating Muslim and Christian rule. Following their expulsion, the Spanish and Arabic- speaking Jews joined pre-existing diasporic communities and established new ones across the Mediterranean and beyond. In the twentieth century, radical social and political upheavals in the former Ottoman and European-occupied territories led to the mass exodus of Jews from Turkey and the Arab Mediterranean, with the majority settling in Israel. Following a trajectory from medieval Al-Andalus to present-day Israel via North Africa, Italy, Turkey and Syria, pausing for perspectives from Enlightenment Europe, Musical Exodus: Al-Andalus and its Jewish Diasporas tells of diverse song and instrumental traditions born of the multiple musical encounters between Jews and their Muslim and Christian neighbors in different Mediterranean diasporas, and the revival and renewal of those traditions in present-day Israel. In this collection of essays from Philip V. Bohlman, Daniel Jütte, Tony Langlois, Piergabriele Mancuso, John O’Connell, Vanessa Paloma, Carmel Raz, Dwight Reynolds, Edwin Seroussi, and Jonathan Shannon, with opening and closing contributions by Ruth F. Davis and Stephen Blum, distinguished ethnomusicologists, cultural historians, linguists and performers explore from multidisciplinary perspectives the complex and diverse processes and conditions of intercultural and intracultural musical encounters. The authors consider how musical traditions acquired new functions and meanings in different social, political and diasporic contexts; explore the historical role of Jewish musicians as cultural intermediaries between the different faith communities; and examine how music is implicated in projects of remembering and forgetting as societies come to terms with mass exodus by reconstructing their narratives of the past. The essays in Musical Exodus: Al-Andalus and its Jewish Diasporas extend beyond the music of medieval Iberia and its Mediterranean Jewish diasporas to wider aspects of Jewish-Christian and Jewish-Muslim relations. The authors offer new perspectives on theories of musical interaction, hybridization, and the cultural meaning of musical expression in diasporic and minority communities. The essays address how music is implicated in constructions of ethnicity and nationhood and of myth and history, while also examining the resurgence of Al-Andalus as a symbol in musical projects that claim to promote cross-cultural understanding and peace. The diverse scholarship in Musical Exodus makes a vital contribution to scholars of music and European and Jewish history.
Author: Ahmet Mithat Efendi Publisher: Syracuse University Press ISBN: 0815653638 Category : Fiction Languages : en Pages : 200
Book Description
Ahmet Midhat Efendi’s famous 1875 novel Felâtun Bey and Râkim Efendi takes place in late nineteenth-century Istanbul and follows the lives of two young men who come from radically different backgrounds. Râkim Efendi is an erudite, self-made man, one who is ambitious and cultivated enough to mingle with a European crowd. In contrast, Felâtun Bey is a spendthrift who lacks intellectual curiosity and a strong work ethic. Squandering his wealth and education, he leads a life of decadence. The novel traces Râkim and Felâtun’s relationships with multiple characters, charting their romances and passions, as well as their foibles and amusing mishaps as they struggle to find and follow their own path through the many temptations and traps of European culture. The author creates a rich portrait of stratified Ottoman life through a diverse and colorful cast of characters—from a French piano teacher and an Arab nanny, to a Circassian slave girl—each deftly navigating the shifting mores of their social class. Written during the Ottoman Empire’s uneasy transition to modernity, the novel’s protagonists embody both the best and worst elements of two worlds, European and Ottoman. The novel provides readers with an elegant yet powerful appeal for progressive reforms and individual freedoms. Levi and Ringer’s fluid translation of this Ottoman classic stands as a landmark in the history of Turkish literature in translation.
Author: John Morgan O'Connell Publisher: Routledge ISBN: 1317182766 Category : Music Languages : en Pages : 358
Book Description
The early-Republican era (1923-1938) was a major period of musical and cultural change in Turkey. Alaturka: Style in Turkish Music is a study of the significance of style in Turkish music and, in particular, the polemical debate about an eastern style of Turkish music (called, alaturka) that developed during this rich and complicated era of Turkish history. Representing more than twenty years of research, the book explores the stylistic categories that show the intersection between music and culture; the different chapters treat musical materials, musical practices and musical contexts in turn. Informed by critical approaches to musical aesthetics in ethnomusicology as well as musicology and anthropology, the book focuses upon a native discourse about musical style, highlighting a contemporary apprehension about the appropriate constitution of a national identity. The argument over style discloses competing conceptions of Turkish space and time where definitions of the east and the west, and interpretations of the past and the present respectively were hotly contested. John Morgan O'Connell makes a significant contribution to the study of Turkish music in particular and Turkish history in general. Conceived as a historical ethnography, the book brings together archival sources and ethnographic materials to provide a critical revision of Turkish historiography, music providing a locus for interrogating singular representations of a national past.
Author: Rachel Harris
Author: Rachel Harris
Author: Michael Frishkopf
Author: Meltem Ahiska
Author: Virginia Danielson
Author: Avner Wishnitzer
Author: Nejla Melike Atalay
Author: Ruth F. Davis
Author: Ahmet Mithat Efendi
Author: John Morgan O'Connell
Author: