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Author: Jan Sargeant Publisher: Austin Macauley Publishers ISBN: 1035815931 Category : Fiction Languages : en Pages : 72
Book Description
Alan is trying hard to make sense of his world since his wife left him for Chuck in Morewilling and the local Co-op closed down. 21st century technology is eating into his wallet and his soul, and the price of a night out doesn’t leave change from a tenner anymore. But he is sure about three things: No one in Lesswilling needs a bidet or a hot tub. There’s no place for preserved lemons on British supermarket shelves. His mother was right about hindsight – it is a “wonderful thing to meet your own arse coming back.”
Author: Jan Sargeant Publisher: Austin Macauley Publishers ISBN: 1035815931 Category : Fiction Languages : en Pages : 72
Book Description
Alan is trying hard to make sense of his world since his wife left him for Chuck in Morewilling and the local Co-op closed down. 21st century technology is eating into his wallet and his soul, and the price of a night out doesn’t leave change from a tenner anymore. But he is sure about three things: No one in Lesswilling needs a bidet or a hot tub. There’s no place for preserved lemons on British supermarket shelves. His mother was right about hindsight – it is a “wonderful thing to meet your own arse coming back.”
Author: Jan Sargeant Publisher: Austin Macauley ISBN: 9781035815920 Category : Languages : en Pages : 0
Book Description
Alan is trying hard to make sense of his world since his wife left him for Chuck in Morewilling and the local Co-op closed down. 21st century technology is eating into his wallet and his soul, and the price of a night out doesn't leave change from a tenner anymore. But he is sure about three things: No one in Lesswilling needs a bidet or a hot tub. There's no place for preserved lemons on British supermarket shelves. His mother was right about hindsight - it is a "wonderful thing to meet your own arse coming back."
Author: Richard Ruland Publisher: Routledge ISBN: 1317234146 Category : Literary Criticism Languages : en Pages : 438
Book Description
Widely acknowledged as a contemporary classic that has introduced thousands of readers to American literature, From Puritanism to Postmodernism: A History of American Literature brilliantly charts the fascinating story of American literature from the Puritan legacy to the advent of postmodernism. From realism and romanticism to modernism and postmodernism it examines and reflects on the work of a rich panoply of writers, including Poe, Melville, Fitzgerald, Pound, Wallace Stevens, Gwendolyn Brooks and Thomas Pynchon. Characterised throughout by a vibrant and engaging style it is a superb introduction to American literature, placing it thoughtfully in its rich social, ideological and historical context. A tour de force of both literary and historical writing, this Routledge Classics edition includes a new preface by co-author Richard Ruland, a new foreword by Linda Wagner-Martin and a fascinating interview with Richard Ruland, in which he reflects on the nature of American fiction and his collaboration with Malclolm Bradbury. It is published here for the first time.
Author: Colin S. Gray Publisher: CreateSpace ISBN: 9781478392262 Category : History Languages : en Pages : 366
Book Description
In this magisterial tour d'horizon of the air weapon's steady rise in effectiveness since its fledgling days, Colin Gray, a prolific strate gist of long-standing scholarly achievement and international repute, has rightly taken a long view of today's pattern of regional conflict by appraising airpower in the broader context in which its operational payoff will ultimately be registered. His careful development of airpower's “strategic narrative,” as he calls it, shows convincingly how the relative criticality of the air weapon in joint warfare is neither universal nor unchanging but rather is crucially dependent on the particular circumstances of a confrontation. More to the point, viewed situationally, airpower can be everything from single-handedly decisive to largely irrelevant to a combatant commander's needs, depending on his most pressing challenges of the moment. Because its relative import, like that of all other force elements, hinges directly on how its comparative advantages relate to a commander's most immediate here-and-now concerns, airpower does not disappoint when it is not the main producer of desired outcomes. Indeed, the idea that airpower should be able to perform effectively in all forms of combat unaided by other force elements is both an absurd measure of its operational merit and a baseless arguing point that its most outspoken advocates, from Giulio Douhet and Billy Mitchell onward, have done their cause a major disservice by misguidedly espousing over many decades. Although the air weapon today may have been temporarily overshadowed by more land-centric forms of force employment, given the kinds of lower-intensity conflicts that the United States and its allies have been obliged to contend with in recent years, there will most assuredly be future times when new challenges yet to arise will again test America's air posture to the fullest extent of its deterrent and combat potential. Professor Gray's central theme is that airpower generates strategic effect. More specifically, he maintains, airpower is a tactical equity that operates—ideally—with strategic consequences. To him, “strategic” does not inhere in the equity's physical characteristics, such as an aircraft's range or payload, but rather in what it can do by way of producing desired results. From his perspective, a strategic effect is, first and foremost, that which enables outcome-determining results. And producing such results is quintessentially the stock in trade of American airpower as it has progressively evolved since Vietnam. Airpower for Strategic Effect offers an uncommonly thoughtful application of informed intellect to an explanation of how modern air warfare capabilities should be understood. Along the way, it puts forward a roster of observations about the air weapon that warrant careful reflection by all who would presume to find it wanting. Among the most notable of those observations are that context rules in every case and that whether airpower should be regarded as supported by or supporting of other force elements is not a question that can ever have a single answer for all time. Rather, as noted above, the answer will hinge invariably on the unique conditions of any given conflict.
Author: Ernest R. May Publisher: Cambridge University Press ISBN: 1139490923 Category : Political Science Languages : en Pages :
Book Description
Neorealists argue that all states aim to acquire power and that state cooperation can therefore only be temporary, based on a common opposition to a third country. This view condemns the world to endless conflict for the indefinite future. Based upon careful attention to actual historical outcomes, this book contends that, while some countries and leaders have demonstrated excessive power drives, others have essentially underplayed their power and sought less position and influence than their comparative strength might have justified. Featuring case studies from across the globe, History and Neorealism examines how states have actually acted. The authors conclude that leadership, domestic politics, and the domain (of gain or loss) in which they reside play an important role along with international factors in raising the possibility of a world in which conflict does not remain constant and, though not eliminated, can be progressively reduced.
Author: Pablo P. L. Tinio Publisher: Cambridge University Press ISBN: 1316123383 Category : Psychology Languages : en Pages : 1195
Book Description
The psychology of aesthetics and the arts is dedicated to the study of our experiences of the visual arts, music, literature, film, performances, architecture and design; our experiences of beauty and ugliness; our preferences and dislikes; and our everyday perceptions of things in our world. The Cambridge Handbook of the Psychology of Aesthetics and the Arts is a foundational volume presenting an overview of the key concepts and theories of the discipline where readers can learn about the questions that are being asked and become acquainted with the perspectives and methodologies used to address them. The psychology of aesthetics and the arts is one of the oldest areas of psychology but it is also one of the fastest growing and most exciting areas. This is a comprehensive and authoritative handbook featuring essays from some of the most respected scholars in the field.
Author: Thomas Borstelmann Publisher: Oxford University Press, USA ISBN: 0195079426 Category : Apartheid Languages : en Pages : 318
Book Description
Borstelmann (history, Cornell U.) brings to light the neglected history of Washington's strong, but hushed, backing for the white supremacist National Party government that won power in South Africa in 1948, and for its formal establishment of apartheid. Annotation copyright by Book News, Inc., Portland, OR
Author: Jennifer Jenkins Publisher: Psychology Press ISBN: 9780415258050 Category : Business & Economics Languages : en Pages : 276
Book Description
Assuming no prior knowledge, this book offers an accessible overview of English dialects, with activities, study questions, sample analyses, commentaries & key readings. It is structured around four sections: introduction, development, exploration & extension.
Author: Ellen Rosand Publisher: Univ of California Press ISBN: 0520254260 Category : Art Languages : en Pages : 712
Book Description
"In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi
Author: John Farrell Publisher: Springer ISBN: 3319489771 Category : Literary Criticism Languages : en Pages : 281
Book Description
This book explores the logic and historical origins of a strange taboo that has haunted literary critics since the 1940s, keeping them from referring to the intentions of authors without apology. The taboo was enforced by a seminal article, “The Intentional Fallacy,” and it deepened during the era of poststructuralist theory. Even now, when the vocabulary of “critique” that has dominated the literary field is under sweeping revision, the matter of authorial intention has yet to be reconsidered. This work explains how “The Intentional Fallacy” confused different kinds of authorial intentions and how literary critics can benefit from a more up-to-date understanding of intentionality in language. The result is a challenging inventory of the resources of literary theory, including implied readers, poetic speakers, omniscient narrators, interpretive communities, linguistic indeterminacy, unconscious meaning, literary value, and the nature of literature itself.
Author: Jan Sargeant
Author: Jan Sargeant
Author: Jan Sargeant
Author: Richard Ruland
Author: Colin S. Gray
Author: Ernest R. May
Author: Pablo P. L. Tinio
Author: Thomas Borstelmann
Author: Jennifer Jenkins
Author: Ellen Rosand
Author: John Farrell