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Author: Jamal J. Elias Publisher: Harvard University Press ISBN: 0674067398 Category : Religion Languages : en Pages : 425
Book Description
Westerners have a strong impression that Islam does not allow religious imagery. Elias corrects this view. Unearthing shades of meaning in Islamic thought throughout history, he argues that Islamic perspectives on representation and perception should be sought in diverse areas such as optics, alchemy, dreaming, vehicle decoration, Sufi metaphysics.
Author: Jamal J. Elias Publisher: Harvard University Press ISBN: 0674067398 Category : Religion Languages : en Pages : 425
Book Description
Westerners have a strong impression that Islam does not allow religious imagery. Elias corrects this view. Unearthing shades of meaning in Islamic thought throughout history, he argues that Islamic perspectives on representation and perception should be sought in diverse areas such as optics, alchemy, dreaming, vehicle decoration, Sufi metaphysics.
Author: Jamal J. Elias Publisher: Harvard University Press ISBN: 0674070666 Category : Religion Languages : en Pages : 395
Book Description
Media coverage of the Danish cartoon crisis and the destruction of the Buddhas of Bamiyan left Westerners with a strong impression that Islam does not countenance depiction of religious imagery. Jamal J. Elias corrects this view by revealing the complexity of Islamic attitudes toward representational religious art. Aisha’s Cushion emphasizes Islam’s perceptual and intellectual modes and in so doing offers the reader both insight into Islamic visual culture and a unique way of seeing the world. Aisha’s Cushion evaluates the controversies surrounding blasphemy and iconoclasm by exploring Islamic societies at the time of Muhammad and the birth of Islam; during early contact between Arab Muslims and Byzantine Christians; in medieval Anatolia and India; and in modern times. Elias’s inquiry then goes further, to situate Islamic religious art in a global context. His comparisons with Christian, Jewish, Buddhist, and Hindu attitudes toward religious art show them to be as contradictory as those of Islam. Contemporary theories about art’s place in society inform Elias’s investigation of how religious objects have been understood across time and in different cultures. Elias contends that Islamic perspectives on representation and perception should be sought not only in theological writings or aesthetic treatises but in a range of Islamic works in areas as diverse as optics, alchemy, dreaming, calligraphy, literature, vehicle and home decoration, and Sufi metaphysics. Unearthing shades of meaning in Islamic thought throughout history, Elias offers fresh insight into the relations among religion, art, and perception across a broad range of cultures.
Author: Kecia Ali Publisher: Harvard University Press ISBN: 0674050606 Category : Biography & Autobiography Languages : en Pages : 353
Book Description
Kecia Ali delves into the many ways the Prophet’s life story has been told from the earliest days of Islam to the present, by both Muslims and non-Muslims. Emphasizing the major transformations since the nineteenth century, she shows that far from being mutually opposed, these various perspectives have become increasingly interdependent.
Author: Megan Eaton Robb Publisher: Oxford University Press ISBN: 0190089385 Category : History Languages : en Pages : 224
Book Description
In early twentieth century British India, prior to the arrival of digital medias and after the rise of nationalist political movements, a small-town paper from the margins of society became a key player in Urdu journalism. Published in the isolated market town of Bijnor, Madinah grew to hold influence across North India and the Punjab while navigating complex issues of religious and political identity. In Print and the Urdu Public, Megan Robb uses the previously unexamined perspective of the Madinah to consider Urdu print publics and urban life in South Asia. Through a discursive and material analysis of Madinah, the book explores how Muslims who had settled in ancestral qasbahs, or small towns, used newspapers to facilitate a new public consciousness. The book demonstrates how Madinah connected the Urdu newspaper conversation both explicitly and implicitly with Muslim identity and delineated the boundaries of a Muslim public conversation in a way that emphasized rootedness to local politics and small urban spaces. The case study of this influential but understudied newspaper reveals how a network of journalists with substantial ties to qasbahs produced a discourse self-consciously alternative to the Western-influenced, secularized cities. Megan Robb augments the analysis with evidence from contemporary Urdu, English, and Hindi papers, government records, private diaries, private library holdings, ethnographic interviews, and training materials for newspaper printers. This thoroughly researched volume recovers the erasure of qasbah voices and proclaims the importance of space and time in definitions of the public sphere in South Asia. Print and the Urdu Public demonstrates how an Urdu newspaper published from the margins became central to the Muslim public constituted in the first half of the twentieth century.
Author: Dawn-Marie Gibson Publisher: Routledge ISBN: 1317295838 Category : Religion Languages : en Pages : 374
Book Description
New Perspectives on the Nation of Islam contributes to the ongoing dialogue about the nature and influence of the Nation of Islam (NOI), bringing fresh insights to areas that have previously been overlooked in the scholarship of Elijah Muhammad’s NOI, the Imam W.D. Mohammed community and Louis Farrakhan’s Resurrected NOI. Bringing together contributions that explore the formation, practices, and influence of the NOI, this volume problematizes the history of the movement, its theology, and relationships with other religious movements. Contributors offer a range of diverse perspectives, making connections between the ideology of the NOI and gender, dietary restrictions and foodways, the internationalization of the movement, and the civil rights movement. This book provides a state-of-the-art overview of current scholarship on the Nation of Islam, and will be relevant to scholars of American religion and history, Islamic studies, and African American Studies.
Author: Sam Harris Publisher: Harvard University Press ISBN: 0674737067 Category : Religion Languages : en Pages : 145
Book Description
“A civil but honest dialogue...As illuminating as it is fascinating.” —Ayaan Hirsi Ali Is Islam a religion of peace or war? Is it amenable to reform? Why do so many Muslims seem to be drawn to extremism? And what do words like jihadism and fundamentalism really mean? In a world riven by misunderstanding and violence, Sam Harris—a famous atheist—and Maajid Nawaz—a former radical—demonstrate how two people with very different religious views can find common ground and invite you to join in an urgently needed conversation. “How refreshing to read an honest yet affectionate exchange between the Islamist-turned-liberal-Muslim Maajid Nawaz and the neuroscientist who advocates mindful atheism, Sam Harris...Their back-and-forth clarifies multiple confusions that plague the public conversation about Islam.” —Irshad Manji, New York Times Book Review “It is sadly uncommon, in any era, to find dialogue based on facts and reason—but even more rarely are Muslim and non-Muslim intellectuals able to maintain critical distance on broad questions about Islam. Which makes Islam and the Future of Tolerance something of a unicorn...Most conversations about religion are marked by the inability of either side to listen, but here, at last, is a proper debate.” —New Statesman
Author: Didem Ekici Publisher: Taylor & Francis ISBN: 1000900444 Category : Architecture Languages : en Pages : 321
Book Description
This book investigates the interconnections between textile and architecture via a variety of case studies from the Middle Ages through the twentieth century and from diverse geographic contexts. Among the oldest human technologies, building and weaving have intertwined histories. Textile structures go back to Palaeolithic times and are still in use today and textile furnishings have long been used in interiors. Beyond its use as a material, textile has offered a captivating model and metaphor for architecture through its ability to enclose, tie together, weave, communicate, and adorn. Recently, architects have shown a renewed interest in the textile medium due to the use of computer-aided design, digital fabrication, and innovative materials and engineering. The essays edited and compiled here, work across disciplines to provide new insights into the enduring relationship between textiles and architecture. The contributors critically explore the spatial and material qualities of textiles as well as cultural and political significance of textile artifacts, patterns, and metaphors in architecture. Textile in Architecture is organized into three sections: “Ritual Spaces,” which examines the role of textiles in the formation and performance of socio-political, religious, and civic rituals; “Public and Private Interiors” explores how textiles transformed interiors corresponding to changing aesthetics, cultural values, and material practices; and “Materiality and Material Translations,” which considers textile as metaphor and model in the materiality of built environment. Including cases from Morocco, Samoa, France, India, the UK, Spain, the Ancient Andes and the Ottoman Empire, this is essential reading for any student or researcher interested in textiles in architecture through the ages.
Author: Elizabeth Rodini Publisher: Bloomsbury Publishing ISBN: 1838604820 Category : Art Languages : en Pages : 224
Book Description
In 1479, the Venetian painter Gentile Bellini arrived at the Ottoman court in Istanbul, where he produced his celebrated portrait of Sultan Mehmed II. An important moment of cultural diplomacy, this was the first of many intriguing episodes in the picture's history. Elizabeth Rodini traces Gentile's portrait from Mehmed's court to the Venetian lagoon, from the railway stations of war-torn Europe to the walls of London's National Gallery, exploring its life as a painting and its afterlife as a famous, often puzzling image. Rediscovered by the archaeologist Austen Henry Layard at the height of Orientalist outlooks in Britain, the picture was also the subject of a lawsuit over what defines a “portrait”; it was claimed by Italians seeking to hold onto national patrimony around 1900; and it starred in a solo exhibition in Istanbul in 1999. Rodini's focused inquiry also ranges broadly, considering the nature of historical evidence, the shifting status of authenticity and verisimilitude, and the contemporary political resonance of Old Master paintings. Told as an object biography and imagined as an exploration of art historical methodologies, this book situates Gentile's portrait in evolving dialogues between East and West, uncovering the many and varied ways that objects construct meaning.
Author: Cyrus Ali Zargar Publisher: Simon and Schuster ISBN: 1786072025 Category : Religion Languages : en Pages : 384
Book Description
Islamic philosophy and Sufism evolved as distinct yet interweaving strands of Islamic thought and practice. Despite differences, they have shared a concern with the perfection of the soul through the development of character. In The Polished Mirror, Cyrus Ali Zargar studies the ways in which, through teaching and storytelling, pre-modern Muslims lived, negotiated, and cultivated virtues. Examining the writings of philosophers, ascetics, poets, and saints, he locates virtue ethics within a dynamic moral tradition. Innovative, engaging, and approachable, this work – the first in the English language to explore Islamic ethics in the fascinating context of narrative – will be a valuable resource for both students and scholars.
Author: Jamal J. Elias
Author: Jamal J. Elias
Author: Jamal J. Elias
Author: Kecia Ali
Author: Megan Eaton Robb
Author: Dawn-Marie Gibson
Author: Gijs Kruijtzer
Author: Sam Harris
Author: Didem Ekici
Author: Elizabeth Rodini
Author: Cyrus Ali Zargar