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Author: John Donne Publisher: Crescent Moon Pub ISBN: 9781861711250 Category : Poetry Languages : en Pages : 80
Book Description
JOHN DONNE: SELECTED POEMS A selection of the finest poems by British poet John Donne. John Donne was, Robert Graves said, a Muse poet, a poet who wrote passionately of the Muse. It is easy to see Donne as a love poet, in the tradition of love poets such as Bernard de Ventadour, Dante Alighieri, Francesco Petrarch and Torquato Tasso. Donne has written his fair share of love poems. There are the bawdy allusions to the phallus in The Flea, while The Comparison parodies the adoration poem, with references to the sweat drops of my mistress breast . Like William Shakespeare in his parody sonnet my mistress eyes are nothing like the sun, Donne sends up the Petrarchan and courtly love genre with gross comparisons ( Like spermatic issue of ripe menstruous boils ). In The Bait, there is the archetypal Renaissance opening line Come live with me, and be my love, as used by Christopher Marlowe and William Shakespeare, among others. And there is the complex, ambivalent eroticism of The Extasie, a much celebrated love poem, and the 19th Elegy, where features Donne s famous couplet: Licence my roving hands, and let them go Before, behind, between, above, below. The Songs and Sonnets of John Donne celebrate the many emotions of love, feelings that are so familiar in love poetry from Sappho to Adrienne Rich. Donne does not quite cover every emotion of love, but a good deal of them. In The Canonization, we find the age-old Neo-platonic belief that two can become as one ( we two being one, or we shall/ Be one, he writes in Lovers Infiniteness ), a common belief in love poetry. John Donne s love poetry, like (nearly) all love poetry, self-reflexive. Although he would ne er parted be, as he writes in Song: Sweetest love, I do not go, he knows that love poetry comes out of loss. The beloved woman is not there, so art takes her place. The Songs and Sonnets arise from loss, loss of love; they take the place of love. For, if he were clasping his beloved in those feverish embraces as described in The Extasie and Elegy, he would not, obviously, bother with poetry. Love poetry has this ambivalent, difficult relationship with love. The poem is not love, and is no real substitute for it. And writing of love exacerbates the pain and the insecurity of the experience of love. "
Author: John Donne Publisher: ISBN: 9781861715395 Category : Literary Criticism Languages : en Pages : 100
Book Description
JOHN DONNE: AIR AND ANGELS: SELECTED POEMS A selection of the finest poems by British poet John Donne. John Donne was, Robert Graves said, a 'Muse poet', a poetwho wrote passionately of the Muse. It is easy to see Donne asa love poet, in the tradition of love poets such as Bernard deVentadour, Dante Alighieri, Francesco Petrarch and Torquato Tasso. Donne has written his fair share of lovepoems. There are the bawdy allusions to the phallus in 'TheFlea', while 'The Comparison' parodies the adoration poem, with references to the 'sweat drops of my mistress' breast'. Like William Shakespeare in his parody sonnet 'my mistress' eyes are nothing like the sun', Donne sends up the Petrarchan and courtly love genre with gross comparisons ('Like spermatic issue of ripe menstruous boils'). In 'The Bait', there is the archetypal Renaissance opening line 'Come live with me, and be my love', as used by Christopher Marlowe and William Shakespeare, among others. And there is the complex, ambivalent eroticism of 'The Extasie', a much celebrated love poem, and the 19th 'Elegy', where features Donne's famous couplet: Licence my roving hands, and let them go Before, behind, between, above, below. The Songs and Sonnets of John Donne celebrate the many emotions of love, feelings that are so familiar in love poetry from Sappho to Adrienne Rich. Donne does not quite cover every emotion of love, but a good deal of them. In 'The Canonization', we find the age-old Neo-platonic belief that two can become as one ('we two being one', or 'we shall/ Be one', he writes in 'Lovers' Infiniteness'), a common belief in love poetry. John Donne's love poetry, like (nearly) all love poetry, self-reflexive. Although he would 'ne'er parted be', as he writes in 'Song: Sweetest love, I do not go', he knows that love poetry comes out of loss. The beloved woman is not there, so art takes her place. The Songs and Sonnets arise from loss, loss of love; they take the place of love. For, if he were clasping his beloved in those feverish embraces as described in 'The Extasie' and 'Elegy', he would not, obviously, bother with poetry. Love poetry has this ambivalent, difficult relationship with love. The poem is not love, and is no real substitute for it. And writing of love exacerbates the pain and the insecurity of the experience of love. With an introduction and bibliography. Illustrated, with new pictures. The text has been revised for this edition. Also available in an E-book edition. www.crmoon.com. "
Author: John Donne Publisher: Crescent Moon Pub ISBN: 9781861711250 Category : Poetry Languages : en Pages : 80
Book Description
JOHN DONNE: SELECTED POEMS A selection of the finest poems by British poet John Donne. John Donne was, Robert Graves said, a Muse poet, a poet who wrote passionately of the Muse. It is easy to see Donne as a love poet, in the tradition of love poets such as Bernard de Ventadour, Dante Alighieri, Francesco Petrarch and Torquato Tasso. Donne has written his fair share of love poems. There are the bawdy allusions to the phallus in The Flea, while The Comparison parodies the adoration poem, with references to the sweat drops of my mistress breast . Like William Shakespeare in his parody sonnet my mistress eyes are nothing like the sun, Donne sends up the Petrarchan and courtly love genre with gross comparisons ( Like spermatic issue of ripe menstruous boils ). In The Bait, there is the archetypal Renaissance opening line Come live with me, and be my love, as used by Christopher Marlowe and William Shakespeare, among others. And there is the complex, ambivalent eroticism of The Extasie, a much celebrated love poem, and the 19th Elegy, where features Donne s famous couplet: Licence my roving hands, and let them go Before, behind, between, above, below. The Songs and Sonnets of John Donne celebrate the many emotions of love, feelings that are so familiar in love poetry from Sappho to Adrienne Rich. Donne does not quite cover every emotion of love, but a good deal of them. In The Canonization, we find the age-old Neo-platonic belief that two can become as one ( we two being one, or we shall/ Be one, he writes in Lovers Infiniteness ), a common belief in love poetry. John Donne s love poetry, like (nearly) all love poetry, self-reflexive. Although he would ne er parted be, as he writes in Song: Sweetest love, I do not go, he knows that love poetry comes out of loss. The beloved woman is not there, so art takes her place. The Songs and Sonnets arise from loss, loss of love; they take the place of love. For, if he were clasping his beloved in those feverish embraces as described in The Extasie and Elegy, he would not, obviously, bother with poetry. Love poetry has this ambivalent, difficult relationship with love. The poem is not love, and is no real substitute for it. And writing of love exacerbates the pain and the insecurity of the experience of love. "
Author: Ania Mochlińska Publisher: Touchstone ISBN: 9780671510138 Category : Art Languages : en Pages : 32
Book Description
The heavy pages of this book feature die-cut, full-color angel figures to punch out for creating hanging angel mobiles. Gold thread for hanging is included. The enormous appeal of angels has captivated America. Now, anyone can create a little corner of heaven to grace babies' cribs, Christmas trees, and family gatherings. 30,000 one-time-only print run.
Author: Edward Docx Publisher: Houghton Mifflin Harcourt ISBN: 9780618485345 Category : Fiction Languages : en Pages : 372
Book Description
A modern tale of sexual mores and city life, Edward Docx's debut is a witty novel of spurned lovers, elaborately planned seduction, plotted revenge, and surprising secrets.
Author: Susan Hill Publisher: Random House ISBN: 144648520X Category : Fiction Languages : en Pages : 290
Book Description
An unsettling and absorbing tale from the bestselling author of The Woman in Black. Celibate, irreproachable and distinguished, Thomas Cavendish is in his mid-fifties and the obvious man to become Master of his college. But, walking by the river, Thomas sees a young girl standing on the bridge. It is an apocalyptic vision, one that alters Thomas's life irrevocably and tragically, but with the beauty and joy of a love never previously imagined. ‘As light as a feather but as powerful as flight’ Observer
Author: Doreen Virtue Publisher: Hay House, Inc ISBN: 1401929893 Category : Body, Mind & Spirit Languages : en Pages : 258
Book Description
It’s true—you can spiritually heal; instantly manifest your heart’s desires; and commune with angels, goddesses, fairies, and ascended masters! In this true spiritual adventure story and reference book, Doreen Virtue writes about the enlightened beings who can unlock the magical gifts within you. In Part I, you’ll travel with Doreen through a Sedona sweat lodge, the Polynesian island of Moorea, a goddess temple at the Isle of Avalon, and other exotic locations. You’ll read the powerful messages she received from Mother Mary while visiting Lourdes, and you’ll peek over Doreen’s shoulder as she gives psychic readings and receives information about Lemuria, merpeople, and the new Rainbow Children. Part II alphabetically lists and describes the attributes of goddesses and angels in an easy-to-use guide that will help you awaken your innate spiritual abilities.
Author: Luc Brisson Publisher: BRILL ISBN: 9004374981 Category : Philosophy Languages : en Pages : 304
Book Description
Neoplatonic Demons and Angels is a collection of studies which examine the place reserved for angels and demons not only by the main Neoplatonic philosophers, but also in Gnosticism, the Chaldaean Oracles and Christian Neoplatonism.
Author: Katherine Eggert Publisher: University of Pennsylvania Press ISBN: 0812291883 Category : Literary Criticism Languages : en Pages : 364
Book Description
"Disknowledge": knowing something isn't true, but believing it anyway. In Disknowledge: Literature, Alchemy, and the End of Humanism in Renaissance England, Katherine Eggert explores the crumbling state of learning in the sixteenth and seventeenth centuries. Even as the shortcomings of Renaissance humanism became plain to see, many intellectuals of the age had little choice but to treat their familiar knowledge systems as though they still held. Humanism thus came to share the status of alchemy: a way of thinking simultaneously productive and suspect, reasonable and wrongheaded. Eggert argues that English writers used alchemy to signal how to avoid or camouflage pressing but discomfiting topics in an age of rapid intellectual change. Disknowledge describes how John Donne, George Herbert, Henry Vaughan, John Dee, Christopher Marlowe, William Harvey, Helkiah Crooke, Edmund Spenser, and William Shakespeare used alchemical imagery, rhetoric, and habits of thought to shunt aside three difficult questions: how theories of matter shared their physics with Roman Catholic transubstantiation; how Christian Hermeticism depended on Jewish Kabbalah; and how new anatomical learning acknowledged women's role in human reproduction. Disknowledge further shows how Shakespeare, Ben Jonson, and Margaret Cavendish used the language of alchemy to castigate humanism for its blind spots and to invent a new, posthumanist mode of knowledge: writing fiction. Covering a wide range of authors and topics, Disknowledge is the first book to analyze how English Renaissance literature employed alchemy to probe the nature and limits of learning. The concept of disknowledge—willfully adhering to something we know is wrong—resonates across literary and cultural studies as an urgent issue of our own era.
Author: Julian Lovelock Publisher: Lutterworth Press ISBN: 0718895975 Category : Literary Criticism Languages : en Pages : 131
Book Description
In The Business of Reading, Julian Lovelock charts the development of the English novel over the past hundred years. Smuggling in titles from Scotland, Ireland and the Caribbean, he focuses on twenty texts written since the end of the First World War, some well-known but others less so, placing them in their historical context. Novelists represented range from D.H. Lawrence, E.M. Forster and Virginia Woolf, through Graham Greene, Kingsley Amis and Iris Murdoch, to such contemporary writers as Ian McEwan, Maggie O'Farrell and Graham Swift. Written in a lucid style that reflects his expertise and enthusiasm, Lovelock's innovative selection, perceptive analysis and lightness of touch will appeal to the general reader, the book club member and the student. He argues that our response as readers is an important part of the creative process, and while he mainly avoids the critical '-isms' that have characterised recent academic debate, he introduces such concepts as intertextuality, metafiction and the role of the often unreliable narrator, showing how an appreciation of the way the language of fiction works can only add to our understanding and enjoyment.
Author: John Donne
Author: John Donne
Author: John Donne
Author: Ania Mochlińska
Author: Edward Docx
Author: Susan Hill
Author: Doreen Virtue
Author: Luc Brisson
Author: Katherine Eggert
Author: John Donne
Author: Julian Lovelock