Author: American Institute of Indian Studies
Publisher:
ISBN:
Category :
Languages : en
Pages : 40

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Book Description

Author: Dipti Khera
Publisher: Princeton University Press
ISBN: 0691201846
Category : ART
Languages : en
Pages : 232

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Book Description
"India retains one of the richest painting traditions in the history of global visual culture, one that both parallels aspects of European traditions and also diverges from it. While European artists venerated the landscape and landscape paintings, it is rare in the Indian tradition to find depictions of landscapes for their sheer beauty and mood, without religious or courtly significance. There is one glorious exception: Painters from the city of Udaipur in Northwestern India specialized in depicting places, including the courtly worlds and cities of rajas, sacred landscapes of many gods, and bazaars bustling with merchants, pilgrims, and craftsmen. Their court paintings and painted invitation scrolls displayed rich geographic information, notions of territory, and the bhāva, or feel, emotion, and mood of a place. This is the first book to use artistic representations of place to trace the major aesthetic, intellectual, and political shifts in South Asia over the long eighteenth century. While James Tod, the first British colonial agent based in Udaipur, established the region's reputation as a principality in a state of political and cultural deterioration, author Dipti Khera uses these paintings to suggest a counter-narrative of a prosperous region with beautiful and bountiful cities, and plentiful rains and lakes. She explores the perspectives of courtly communities, merchants, pilgrims, monks, laypeople, and officers, and the British East India Company's officers, explorers, and artists. Throughout, she draws new conclusions about the region's intellectual and artistic practices, and its shifts in political authority, mobility, and urbanity"--

Author: Anand Vivek Taneja
Publisher: Stanford University Press
ISBN: 1503603954
Category : Social Science
Languages : en
Pages : 386

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Book Description
In the ruins of a medieval palace in Delhi, a unique phenomenon occurs: Indians of all castes and creeds meet to socialize and ask the spirits for help. The spirits they entreat are Islamic jinns, and they write out requests as if petitioning the state. At a time when a Hindu right wing government in India is committed to normalizing a view of the past that paints Muslims as oppressors, Anand Vivek Taneja's Jinnealogy provides a fresh vision of religion, identity, and sacrality that runs counter to state-sanctioned history. The ruin, Firoz Shah Kotla, is an unusually democratic religious space, characterized by freewheeling theological conversations, DIY rituals, and the sanctification of animals. Taneja observes the visitors, who come mainly from the Muslim and Dalit neighborhoods of Delhi, and uses their conversations and letters to the jinns as an archive of voices so often silenced. He finds that their veneration of the jinns recalls pre-modern religious traditions in which spiritual experience was inextricably tied to ecological surroundings. In this enchanted space, Taneja encounters a form of popular Islam that is not a relic of bygone days, but a vibrant form of resistance to state repression and post-colonial visions of India.

Author: Julia Winifred Moseley
Publisher: University Press of Florida
ISBN: 0813065976
Category : History
Languages : en
Pages : 278

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Book Description
Like so many midwesterners since, Julia Daniels and Charles Scott Moseley moved to Florida in the 1880s seeking a warmer climate. This collection of Julia’s letters--mainly to her husband, who made frequent business trips north, and to her close friend Eliza Slade--reveals the struggle of a cultured, urban woman adjusting to the hardship and isolation of life in pioneer Florida. And then coming to love it. Tramping through the unsullied land surrounding the Limona community near Tampa, where they settled, she gloried in her "neglected corner in the Garden of Eden," where she "could look up fifty feet and see air plants growing on the branches of great oaks and hundreds of ferns nodding . . . in the sunlight and gray moss moving through the trees like mist." "Think of me gazing up among crane’s nests with redbirds in my own oaks," she wrote. "Even in the nighttime, a mocking bird often sings to me of all the beautiful things I love." Julia (herself a published writer) selected these unedited letters and copied them for her family into a thick leather book. Like characters in a novel, the friends and relatives she describes crackle with personality: a flamboyant Russian proclaims his version of communism, a New England spinster counters with Utopian visions, and a university professor retreats from the ivory tower to agricultural experimentation. Readers observe Julia’s flair for making daily life cheerful and they meet the couple’s two adored sons and Scott’s children by an earlier marriage, as well as Cracker settlers, cattle runners, and assorted seekers of health or wealth. An artist, Julia created a distinctive home designed and decorated in the manner of the pre-Raphaelites. Her palmetto fiber wall covering was exhibited at the Chicago World’s Fair in 1893 and survives today. The Florida house, named The Nest, is on the National Register of Historic Places. Accompanied by 71 photographs of Julia’s home and family, these letters transcend the life of one woman to capture the experience and spirit of 19th-century Florida.

Author: Marvin Dunn
Publisher: University Press of Florida
ISBN: 0813059577
Category : History
Languages : en
Pages : 301

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Book Description
The first book devoted to the history of African Americans in south Florida and their pivotal role in the growth and development of Miami, Black Miami in the Twentieth Century traces their triumphs, drudgery, horrors, and courage during the first 100 years of the city's history. Firsthand accounts and over 130 photographs, many of them never published before, bring to life the proud heritage of Miami's black community. Beginning with the legendary presence of black pirates on Biscayne Bay, Marvin Dunn sketches the streams of migration by which blacks came to account for nearly half the city’s voters at the turn of the century. From the birth of a new neighborhood known as "Colored Town," Dunn traces the blossoming of black businesses, churches, civic groups, and fraternal societies that made up the black community. He recounts the heyday of "Little Broadway" along Second Avenue, with photos and individual recollections that capture the richness and vitality of black Miami's golden age between the wars. A substantial portion of the book is devoted to the Miami civil rights movement, and Dunn traces the evolution of Colored Town to Overtown and the subsequent growth of Liberty City. He profiles voting rights, housing and school desegregation, and civil disturbances like the McDuffie and Lozano incidents, and analyzes the issues and leadership that molded an increasingly diverse community through decades of strife and violence. In concluding chapters, he assesses the current position of the community--its socioeconomic status, education issues, residential patterns, and business development--and considers the effect of recent waves of immigration from Latin America and the Caribbean. Dunn combines exhaustive research in regional media and archives with personal interviews of pioneer citizens and longtime residents in a work that documents as never before the life of one of the most important black communities in the United States.

Author: John T. Foster
Publisher:
ISBN: 9780813080901
Category : History
Languages : en
Pages : 0

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Book Description
This book tells the story of Harriet Beecher Stowe (author of Uncle Tom's Cabin), her brother Charles, and a small group of Yankee reformers who lived in Reconstruction Florida.

Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 2106

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Author: Holly Shaffer
Publisher: Paul Mellon Centre
ISBN: 9781913107284
Category :
Languages : en
Pages : 320

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Book Description
Conceptualizes "graft"-- the violent and creative processes of suturing arts as a method of empire building in western eighteenth-century India Grafted Arts focuses on Maratha military rulers and British East India Company officials who used the arts to engage in diplomacy, wage war, compete for prestige, and generate devotion as they allied with (or fought against) each other to control western India in the eighteenth century. This book conceptualizes the artistic combinations that resulted as ones of "graft"--a term that acknowledges the violent and creative processes of suturing arts, and losing and gaining goods, as well as the shifting dynamics among agents who assembled such materials. By tracing grafted arts from multiple perspectives--Maratha and British, artist and patron, soldier and collector--this book charts the methods of empire-building that recast artistic production and collection in western India and from there across India and in Britain. This mercenary method of artistry propagated mixed, fractured, and plundered arts. Indeed, these "grafted arts"--disseminated across India and Britain over the nineteenth century to aid in consolidating empire or revolting against it entirely--remain instigators of nationalist agitation today.

Author: Judith Poucher
Publisher: University Press of Florida
ISBN: 0813047625
Category : History
Languages : en
Pages : 305

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Book Description
Florida Historical Society Harry T. & Harriette V. Moore Award Drawing on previously unpublished sources and newly unsealed records, Judith Poucher profiles five individuals who stood up to the Johns Committee. Virgil Hawkins and Ruth Perry were civil rights activists who, respectively, foiled the committee’s plans to stop integration at the University of Florida and refused to divulge Florida and Miami NAACP records. G. G. Mock, a bartender in Tampa, was arrested and shackled in the nude by police but would not reveal the name of her girlfriend, a teacher. University of Florida professor Sig Diettrich was threatened with twenty years in prison and being "outed," yet he still would not name names. Margaret Fisher, a college administrator, helped to bring the committee's investigation of the University of South Florida into the open, publicly condemning their bullying. By reexamining the daring stands taken by these ordinary citizens, Poucher illustrates not only the abuses propagated by the committee but also the collective power of individuals to effect change.

Author:
Publisher:
ISBN:
Category : Indic newspapers
Languages : en
Pages : 1026

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Book Description
Reports for 1958-1970 include catalogues of newspapers published in each state and Union Territory.