Author: Besmilr Brigham
Publisher: Portland, Or., Prensa de Lagar
ISBN:
Category : American poetry
Languages : en
Pages : 40
Book Description
Agony Dance
Author: Besmilr Brigham
Publisher: Portland, Or., Prensa de Lagar
ISBN:
Category : American poetry
Languages : en
Pages : 40
Book Description
Publisher: Portland, Or., Prensa de Lagar
ISBN:
Category : American poetry
Languages : en
Pages : 40
Book Description
Dance Lessons
Author: Chip R. Bell
Publisher: Berrett-Koehler Publishers
ISBN: 9781576750438
Category : Business & Economics
Languages : en
Pages : 252
Book Description
Two veteran business consultants show business people how to manage the personal side of partnerships and choreograph the results they want. Successful partnering, the authors argue, is like dancing--easily learned in six simple steps. Illustrations.
Publisher: Berrett-Koehler Publishers
ISBN: 9781576750438
Category : Business & Economics
Languages : en
Pages : 252
Book Description
Two veteran business consultants show business people how to manage the personal side of partnerships and choreograph the results they want. Successful partnering, the authors argue, is like dancing--easily learned in six simple steps. Illustrations.
Stage Fright
Author: Martin Puchner
Publisher: JHU Press
ISBN: 0801877768
Category : Performing Arts
Languages : en
Pages : 247
Book Description
Grounded equally in discussions of theater history, literary genre, and theory, Martin Puchner's Stage Fright: Modernism, Anti-Theatricality, and Drama explores the conflict between avant-garde theater and modernism. While the avant-garde celebrated all things theatrical, a dominant strain of modernism tended to define itself against the theater, valuing lyric poetry and the novel instead. Defenders of the theater dismiss modernism's aversion to the stage and its mimicking actors as one more form of the old "anti-theatrical" prejudice. But Puchner shows that modernism's ambivalence about the theater was shared even by playwrights and directors and thus was a productive force responsible for some of the greatest achievements in dramatic literature and theater. A reaction to the aggressive theatricality of Wagner and his followers, the modernist backlash against the theater led to the peculiar genre of the closet drama—a theatrical piece intended to be read rather than staged—whose long-overlooked significance Puchner traces from the theatrical texts of Mallarmé and Stein to the dramatic "Circe" chapter of Joyce's Ulysses. At times, then, the anti-theatrical impulse leads to a withdrawal from the theater. At other times, however, it returns to the stage, when Yeats blends lyric poetry with Japanese Nôh dancers, when Brecht controls the stage with novelistic techniques, and when Beckett buries his actors in barrels and behind obsessive stage directions. The modernist theater thus owes much to the closet drama whose literary strategies it blends with a new mise en scène. While offering an alternative history of modernist theater and literature, Puchner also provides a new account of the contradictory forces within modernism.
Publisher: JHU Press
ISBN: 0801877768
Category : Performing Arts
Languages : en
Pages : 247
Book Description
Grounded equally in discussions of theater history, literary genre, and theory, Martin Puchner's Stage Fright: Modernism, Anti-Theatricality, and Drama explores the conflict between avant-garde theater and modernism. While the avant-garde celebrated all things theatrical, a dominant strain of modernism tended to define itself against the theater, valuing lyric poetry and the novel instead. Defenders of the theater dismiss modernism's aversion to the stage and its mimicking actors as one more form of the old "anti-theatrical" prejudice. But Puchner shows that modernism's ambivalence about the theater was shared even by playwrights and directors and thus was a productive force responsible for some of the greatest achievements in dramatic literature and theater. A reaction to the aggressive theatricality of Wagner and his followers, the modernist backlash against the theater led to the peculiar genre of the closet drama—a theatrical piece intended to be read rather than staged—whose long-overlooked significance Puchner traces from the theatrical texts of Mallarmé and Stein to the dramatic "Circe" chapter of Joyce's Ulysses. At times, then, the anti-theatrical impulse leads to a withdrawal from the theater. At other times, however, it returns to the stage, when Yeats blends lyric poetry with Japanese Nôh dancers, when Brecht controls the stage with novelistic techniques, and when Beckett buries his actors in barrels and behind obsessive stage directions. The modernist theater thus owes much to the closet drama whose literary strategies it blends with a new mise en scène. While offering an alternative history of modernist theater and literature, Puchner also provides a new account of the contradictory forces within modernism.
An Exquisite Agony
Author: Sappharia Mayer
Publisher: Eidyllio Publishing
ISBN: 164893028X
Category : Fiction
Languages : en
Pages :
Book Description
After a mere two weeks, Lexus Davenport experienced a whole new world and with more money than she'd every had in her life. Now that her prayers were answered, would her perfect world be a dream or was knowing there was something more be her perfect nightmare? And could she pay the price for another taste?
Publisher: Eidyllio Publishing
ISBN: 164893028X
Category : Fiction
Languages : en
Pages :
Book Description
After a mere two weeks, Lexus Davenport experienced a whole new world and with more money than she'd every had in her life. Now that her prayers were answered, would her perfect world be a dream or was knowing there was something more be her perfect nightmare? And could she pay the price for another taste?
Hurt and Pain
Author: Susannah B. Mintz
Publisher: A&C Black
ISBN: 1441148329
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
Hurt and Pain: Literature and the Suffering Body examines the strategies authors have used to portray bodies in pain, drawing on a diverse range of literary texts from the seventeenth century to the present day. Susannah B. Mintz provides readings of canonical writers including John Donne, Emily Dickinson, and Samuel Beckett, alongside contemporary writers such as Ana Castillo and Margaret Edson, focusing on how pain is shaped according to the conventions-and also experiments-of genre: poetry, memoir, drama, and fiction. With insights from disability theory and recent studies of the language of pain, Mintz delivers an important corrective to our most basic fears of physical suffering, revealing through literature that pain can be a source of connection, compassion, artistry, and knowledge. Not only an important investigation of authors' formal and rhetorical choices, Hurt and Pain reveals how capturing pain in literature can become a fundamental component of crafting human experience.
Publisher: A&C Black
ISBN: 1441148329
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
Hurt and Pain: Literature and the Suffering Body examines the strategies authors have used to portray bodies in pain, drawing on a diverse range of literary texts from the seventeenth century to the present day. Susannah B. Mintz provides readings of canonical writers including John Donne, Emily Dickinson, and Samuel Beckett, alongside contemporary writers such as Ana Castillo and Margaret Edson, focusing on how pain is shaped according to the conventions-and also experiments-of genre: poetry, memoir, drama, and fiction. With insights from disability theory and recent studies of the language of pain, Mintz delivers an important corrective to our most basic fears of physical suffering, revealing through literature that pain can be a source of connection, compassion, artistry, and knowledge. Not only an important investigation of authors' formal and rhetorical choices, Hurt and Pain reveals how capturing pain in literature can become a fundamental component of crafting human experience.
Being a Ballerina
Author: Gavin Larsen
Publisher: University Press of Florida
ISBN: 081306595X
Category : Performing Arts
Languages : en
Pages : 268
Book Description
Finalist, the Arts Club of Washington Marfield Prize A look inside a dancer’s world Inspiring, revealing, and deeply relatable, Being a Ballerina is a firsthand look at the realities of life as a professional ballet dancer. Through episodes from her own career, Gavin Larsen describes the forces that drive a person to study dance; the daily balance that dancers navigate between hardship and joy; and the dancer’s continual quest to discover who they are as a person and as an artist. Starting with her arrival as a young beginner at a class too advanced for her, Larsen tells how the embarrassing mistake ended up helping her learn quickly and advance rapidly. In other stories of her early teachers, training, and auditions, she explains how she gradually came to understand and achieve what she and her body were capable of. Larsen then re-creates scenes from her experiences in dance companies, from unglamorous roles to exhilarating performances. Working as a ballerina was shocking and scary at first, she says, recalling unexpected injuries, leaps of faith, and her constant struggle to operate at the level she wanted—but full of enormously rewarding moments. Larsen also reflects candidly on her difficult decision to retire at age 35. An ideal read for aspiring dancers, Larsen’s memoir will also delight experienced dance professionals and fascinate anyone who wonders what it takes to live a life dedicated to the perfection of the art form.
Publisher: University Press of Florida
ISBN: 081306595X
Category : Performing Arts
Languages : en
Pages : 268
Book Description
Finalist, the Arts Club of Washington Marfield Prize A look inside a dancer’s world Inspiring, revealing, and deeply relatable, Being a Ballerina is a firsthand look at the realities of life as a professional ballet dancer. Through episodes from her own career, Gavin Larsen describes the forces that drive a person to study dance; the daily balance that dancers navigate between hardship and joy; and the dancer’s continual quest to discover who they are as a person and as an artist. Starting with her arrival as a young beginner at a class too advanced for her, Larsen tells how the embarrassing mistake ended up helping her learn quickly and advance rapidly. In other stories of her early teachers, training, and auditions, she explains how she gradually came to understand and achieve what she and her body were capable of. Larsen then re-creates scenes from her experiences in dance companies, from unglamorous roles to exhilarating performances. Working as a ballerina was shocking and scary at first, she says, recalling unexpected injuries, leaps of faith, and her constant struggle to operate at the level she wanted—but full of enormously rewarding moments. Larsen also reflects candidly on her difficult decision to retire at age 35. An ideal read for aspiring dancers, Larsen’s memoir will also delight experienced dance professionals and fascinate anyone who wonders what it takes to live a life dedicated to the perfection of the art form.
The Wanderers
Author: Paula Brandon
Publisher: Spectra
ISBN: 0553583832
Category : Hermits
Languages : en
Pages : 417
Book Description
Falaste Rione is imprisoned, sentenced to death. The magical balance of the Source is slipping and the fabric of reality itself has begun to tear. Jianna Belandor can think only of freeing the man she loves while undead creatures terrorize the land, slaves of the Overmind--a relentless consciousness determined to bring everything that lives under its sway. All that stands in the way is a motley group of arcanists and a misanthropic hermit whose next move may turn the tide and save the world.
Publisher: Spectra
ISBN: 0553583832
Category : Hermits
Languages : en
Pages : 417
Book Description
Falaste Rione is imprisoned, sentenced to death. The magical balance of the Source is slipping and the fabric of reality itself has begun to tear. Jianna Belandor can think only of freeing the man she loves while undead creatures terrorize the land, slaves of the Overmind--a relentless consciousness determined to bring everything that lives under its sway. All that stands in the way is a motley group of arcanists and a misanthropic hermit whose next move may turn the tide and save the world.
Thought Outdanced
Author: Judit Nényei
Publisher: Akademiai Kiado
ISBN: 9789630579667
Category : Literary Criticism
Languages : en
Pages : 182
Book Description
Dancing is as old as humanity. It has always been a way of expressing intense emotions and indicating the influence of transcendental powers. At the beginning of human history the individual and the world formed an organic unity, but as a result of social development this original state ceased to exist. Dancing can restore that unity and reabsorb the Dancer into the Universe. For William Butler Yeats and James Joyce, who differ from one another in so many respects, dancing and the figure of the dancer became important symbols. Apart from the detailed analysis of the works, this book offers a cultural-historical access to the characteristic productions of the fin-de-sicle period, recalling the performances of Loie Fuller, Isadora Duncan, Vaslav Nijinski, Anna Pavlova, and the other famous or ill-famed dancers. For the two Irish artists the dancer, balancing on the borderlines of everyday reality and the transcendental world, of body and soul, of the relationship of the masses and the a
Publisher: Akademiai Kiado
ISBN: 9789630579667
Category : Literary Criticism
Languages : en
Pages : 182
Book Description
Dancing is as old as humanity. It has always been a way of expressing intense emotions and indicating the influence of transcendental powers. At the beginning of human history the individual and the world formed an organic unity, but as a result of social development this original state ceased to exist. Dancing can restore that unity and reabsorb the Dancer into the Universe. For William Butler Yeats and James Joyce, who differ from one another in so many respects, dancing and the figure of the dancer became important symbols. Apart from the detailed analysis of the works, this book offers a cultural-historical access to the characteristic productions of the fin-de-sicle period, recalling the performances of Loie Fuller, Isadora Duncan, Vaslav Nijinski, Anna Pavlova, and the other famous or ill-famed dancers. For the two Irish artists the dancer, balancing on the borderlines of everyday reality and the transcendental world, of body and soul, of the relationship of the masses and the a
Dancing Mestizo Modernisms
Author: Jose Luis Reynoso
Publisher: Oxford University Press
ISBN: 0197622550
Category : History
Languages : en
Pages : 297
Book Description
This book analyzes how national and international dancers contributed to developing Mexico's cultural politics and notions of the nation at different historical moments. It emphasizes how dancers and other moving bodies resisted and reproduced racial and social hierarchies stemming from colonial Mexico (1521-1821). Relying on extensive archival research, choreography as an analytical methodology, and theories of race, dance, and performance studies, author Jose Reynoso examines how dance and other forms of embodiment participated in Mexico's formation after the Mexican War of Independence (1821-1876), the Porfirian dictatorship (1876-1911), and postrevolutionary Mexico (1919-1940). In so doing, the book analyzes how underlying colonial logics continued to influence relationships amongst dancers, other artists, government officials, critics, and audiences of different backgrounds as they refashioned their racial, social, cultural, and national identities. The book proposes and develops two main concepts that explore these mutually formative interactions among such diverse people: embodied mestizo modernisms and transnational nationalisms. 'Embodied mestizo modernisms' refers to combinations of indigenous, folkloric, ballet, and modern dance practices in works choreographed by national and international dancers with different racial and social backgrounds. The book contends that these mestizo modernist dance practices challenged assumptions about racial neutrality with which whiteness historically established its ostensible supremacy in constructing Mexico's 'transnational nationalisms'. This argument holds that notions of the nation-state and national identities are not produced exclusively by a nation's natives but also by historical transnational forces and (dancing) bodies whose influences shape local politics, economic interests, and artistic practices.
Publisher: Oxford University Press
ISBN: 0197622550
Category : History
Languages : en
Pages : 297
Book Description
This book analyzes how national and international dancers contributed to developing Mexico's cultural politics and notions of the nation at different historical moments. It emphasizes how dancers and other moving bodies resisted and reproduced racial and social hierarchies stemming from colonial Mexico (1521-1821). Relying on extensive archival research, choreography as an analytical methodology, and theories of race, dance, and performance studies, author Jose Reynoso examines how dance and other forms of embodiment participated in Mexico's formation after the Mexican War of Independence (1821-1876), the Porfirian dictatorship (1876-1911), and postrevolutionary Mexico (1919-1940). In so doing, the book analyzes how underlying colonial logics continued to influence relationships amongst dancers, other artists, government officials, critics, and audiences of different backgrounds as they refashioned their racial, social, cultural, and national identities. The book proposes and develops two main concepts that explore these mutually formative interactions among such diverse people: embodied mestizo modernisms and transnational nationalisms. 'Embodied mestizo modernisms' refers to combinations of indigenous, folkloric, ballet, and modern dance practices in works choreographed by national and international dancers with different racial and social backgrounds. The book contends that these mestizo modernist dance practices challenged assumptions about racial neutrality with which whiteness historically established its ostensible supremacy in constructing Mexico's 'transnational nationalisms'. This argument holds that notions of the nation-state and national identities are not produced exclusively by a nation's natives but also by historical transnational forces and (dancing) bodies whose influences shape local politics, economic interests, and artistic practices.
I Lived Minutes Of Death
Author: Sumaiyya Jagirdar
Publisher: Sumaiyya Jahagirdar
ISBN:
Category : Art
Languages : en
Pages : 80
Book Description
In I Lived Minutes of Death, Sumaiyya Jahagirdar shares her profound journey of survival after a life-altering bike accident. This memoir is not just an account of a physical trauma but a deep exploration of life, existence, and the moments that redefine our understanding of reality. As she recounts the harrowing details of the accident, Sumaiyya invites readers into the surreal, timeless space between life and death—an experience that challenges the boundaries of consciousness and emotional resilience. In the aftermath, she navigates the shadows of fear, the weight of vulnerability, and the power of connection, illustrating how each moment of pain and healing contributes to the fabric of our existence. Through evocative storytelling, Sumaiyya sheds light on the beauty of impermanence, the fragility of life, and the gift of each breath we take. Her insights offer a new perspective on navigating life's uncertainties and embracing the present, encouraging readers to reflect on their own journeys and the profound lessons found in suffering. Join Sumaiyya in this poignant exploration of survival, self-discovery, and the unyielding spirit of humanity. I Lived Minutes of Death is a testament to the strength within us all, urging us to find meaning in every moment and celebrate the gift of life, no matter how fragile it may seem.
Publisher: Sumaiyya Jahagirdar
ISBN:
Category : Art
Languages : en
Pages : 80
Book Description
In I Lived Minutes of Death, Sumaiyya Jahagirdar shares her profound journey of survival after a life-altering bike accident. This memoir is not just an account of a physical trauma but a deep exploration of life, existence, and the moments that redefine our understanding of reality. As she recounts the harrowing details of the accident, Sumaiyya invites readers into the surreal, timeless space between life and death—an experience that challenges the boundaries of consciousness and emotional resilience. In the aftermath, she navigates the shadows of fear, the weight of vulnerability, and the power of connection, illustrating how each moment of pain and healing contributes to the fabric of our existence. Through evocative storytelling, Sumaiyya sheds light on the beauty of impermanence, the fragility of life, and the gift of each breath we take. Her insights offer a new perspective on navigating life's uncertainties and embracing the present, encouraging readers to reflect on their own journeys and the profound lessons found in suffering. Join Sumaiyya in this poignant exploration of survival, self-discovery, and the unyielding spirit of humanity. I Lived Minutes of Death is a testament to the strength within us all, urging us to find meaning in every moment and celebrate the gift of life, no matter how fragile it may seem.