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Author: John Beverley Publisher: U of Minnesota Press ISBN: 9780816622498 Category : Literary Criticism Languages : en Pages : 196
Book Description
Is there a way of thinking about literature that is 'outside' or 'against' literature? In Against Literature, John Beverley brilliantly responds to this question, arguing for a negation of the literary that would allow nonliterary forms of cultural practice to displace literature's hegemony.
Author: John Beverley Publisher: U of Minnesota Press ISBN: 9780816622498 Category : Literary Criticism Languages : en Pages : 196
Book Description
Is there a way of thinking about literature that is 'outside' or 'against' literature? In Against Literature, John Beverley brilliantly responds to this question, arguing for a negation of the literary that would allow nonliterary forms of cultural practice to displace literature's hegemony.
Author: Martin Paul Eve Publisher: Open Book Publishers ISBN: 1783742763 Category : Literary Criticism Languages : en Pages : 223
Book Description
This is a book about the power game currently being played out between two symbiotic cultural institutions: the university and the novel. As the number of hyper-knowledgeable literary fans grows, students and researchers in English departments waver between dismissing and harnessing voices outside the academy. Meanwhile, the role that the university plays in contemporary literary fiction is becoming increasingly complex and metafictional, moving far beyond the ‘campus novel’ of the mid-twentieth century. Martin Paul Eve’s engaging and far-reaching study explores the novel's contribution to the ongoing displacement of cultural authority away from university English. Spanning the works of Jennifer Egan, Ishmael Reed, Tom McCarthy, Sarah Waters, Percival Everett, Roberto Bolaño and many others, Literature Against Criticism forces us to re-think our previous notions about the relationship between those who write literary fiction and those who critique it.
Author: Emily Apter Publisher: Verso Books ISBN: 1784780022 Category : Language Arts & Disciplines Languages : en Pages : 385
Book Description
Against World Literature: On the Politics of Untranslatability argues for a rethinking of comparative literature focusing on the problems that emerge when large-scale paradigms of literary studies ignore the politics of the “Untranslatable”—the realm of those words that are continually retranslated, mistranslated, transferred from language to language, or especially resistant to substitution. In the place of “World Literature”—a dominant paradigm in the humanities, one grounded in market-driven notions of readability and universal appeal—Apter proposes a plurality of “world literatures” oriented around philosophical concepts and geopolitical pressure points. The history and theory of the language that constructs World Literature is critically examined with a special focus on Weltliteratur, literary world systems, narrative ecosystems, language borders and checkpoints, theologies of translation, and planetary devolution in a book set to revolutionize the discipline of comparative literature.
Author: Mark Edmundson Publisher: Cambridge University Press ISBN: 9780521485326 Category : Literary Criticism Languages : en Pages : 260
Book Description
This timely book argues that the institutionalisation of literary theory, particularly within American and British academic circles, has led to a sterility of thought which ignores the special character of literary art. Mark Edmundson traces the origins of this tendency to the ancient quarrel between philosophy and poetry, in which Plato took the side of philosophy; and he shows how the work of modern theorists - Foucault, Derrida, de Man and Bloom - exhibits similar drives to subsume poetic art into some 'higher' kind of thought. Challenging and controversial, this book should be read by all teachers of literature and of theory, and by anyone concerned about the future of institutionalised literary studies.
Author: Naguib Mahfouz Publisher: Gingko Library ISBN: 1909942782 Category : Literary Collections Languages : en Pages : 175
Book Description
Naguib Mahfouz is one of the most important writers in contemporary Arabic literature. Winner of the Nobel Prize in 1988 (the only Arab writer to win the prize thus far), his novels helped bring Arabic literature onto the international stage. Far fewer people know his nonfiction works, however—a gap that this book fills. Bringing together Mahfouz’s early nonfiction writings (most penned during the 1930s) which have not previously been available in English, this volume offers a rare glimpse into the early development of the renowned author. As these pieces show, Mahfouz was deeply interested in literature and philosophy, and his early writings engage with the origins of philosophy, its development and place in the history of thought, as well its meaning writ large. In his literary essays, he discusses a wide range of authors, from Anton Chekov to his own Arab contemporaries like Taha Hussein. He also ventures into a host of important contemporary issues, including science and modernity, the growing movement for women’s rights in the Arab world, and emerging ideologies like socialism—all of which outline the growing challenges to traditional modes of living that we saw all around him. Together, these essays offer a fascinating window not just into the mind of Mahfouz himself but the changing landscape of Egypt during that time, from the development of Islam to the struggles between tradition, modernity, and the influences of the West.
Author: Gerald Graff Publisher: Ivan R. Dee Publisher ISBN: 9781566630979 Category : Literary Criticism Languages : en Pages : 0
Book Description
The first and still one of the best critiques of post-1960s cultural radicalism, analyzing why and how the defenders of literature have gone wrong. "A wonderfully trenchant and illuminating inquiry.--Virginia Quarterly Review.
Author: William Marx Publisher: Harvard University Press ISBN: 0674983068 Category : Literary Criticism Languages : en Pages : 241
Book Description
For the last 2,500 years literature has been attacked, booed, and condemned, often for the wrong reasons and occasionally for very good ones. The Hatred of Literature examines the evolving idea of literature as seen through the eyes of its adversaries: philosophers, theologians, scientists, pedagogues, and even leaders of modern liberal democracies. From Plato to C. P. Snow to Nicolas Sarkozy, literature’s haters have questioned the value of literature—its truthfulness, virtue, and usefulness—and have attempted to demonstrate its harmfulness. Literature does not start with Homer or Gilgamesh, William Marx says, but with Plato driving the poets out of the city, like God casting Adam and Eve out of Paradise. That is its genesis. From Plato the poets learned for the first time that they served not truth but merely the Muses. It is no mere coincidence that the love of wisdom (philosophia) coincided with the hatred of poetry. Literature was born of scandal, and scandal has defined it ever since. In the long rhetorical war against literature, Marx identifies four indictments—in the name of authority, truth, morality, and society. This typology allows him to move in an associative way through the centuries. In describing the misplaced ambitions, corruptible powers, and abysmal failures of literature, anti-literary discourses make explicit what a given society came to expect from literature. In this way, anti-literature paradoxically asserts the validity of what it wishes to deny. The only threat to literature’s continued existence, Marx writes, is not hatred but indifference.
Author: Joanne Halleran McMullen Publisher: Mercer University Press ISBN: 9780865544888 Category : Literary Criticism Languages : en Pages : 172
Book Description
Readers approaching Flannery O'Connor's work without knowledge of her Catholicism may find little evidence of it in her fiction. Yet readers who come to O'Connor's work with a prior awareness of her faith (as evidenced, for example, in her essays and correspondence) believe that her Catholicism suffuses every sentence of her fictional canon. Writing against God explores the difficulty of reconciling O'Connor's private and public insistence on the importance of Catholicism in her work with the fiction her readers encounter on the printed page. O'Connor's linguistic choices often move her fiction out of her control, producing a message in conflict with the one she stated she intended. Through a detailed examination of O'Connor's language in her two novels and in short stories that span her career, McMullen exposes a pervasive spiritual environment often in opposition to the Roman Catholic tenets O'Connor professed. Blending a reader-response approach with linguistic analysis, Writing against God offers explanations for the mysteries surrounding and the mysteries within O'Connor's fiction.
Author: Eileen Myles Publisher: Grove Press ISBN: 0802157173 Category : Fiction Languages : en Pages : 595
Book Description
An utterly unique collection composed by the award-winning poet and writer, a global anthology of pieces from lesser-known classics by luminaries like Franz Kafka, Samuel R. Delany, and Gwendolyn Brooks to up-and-coming writers that examine pathos and feeling, giving a well-timed rehab to the word “pathetic” “Literature is pathetic.” So claims Eileen Myles in their provocative and robust introduction to Pathetic Literature, a breathtaking mishmash of pieces ranging from poems to theater scripts to prose to anything in between, all exploring the so-called “pathetic” or awkwardly-felt moments and revelations around which lives are both built and undone. Myles first reclaimed the word for a seminar they taught at the University of California San Diego in the early 2000s, rescuing it from the derision into which it had slipped and restoring its original meaning of inspiring emotion or feeling, from the Ancient Greek rhetorical method pathos. Their identification of “pathetic” as ripe for reinvention forms the need for this anthology, which includes a hearty 106 contributors, encompassing canonical global stars like Robert Walser, Jorge Luis Borges, Rumi, and Gwendolyn Brooks, literary libertines like Dodie Bellamy, Samuel R. Delany, and Bob Flanagan, as well as extraordinary writers on the rise, including Nicole Wallace, Precious Okoyomon, and Will Farris. Wrenching and discomfiting prose by Karla Cornejo Villavicencio, Jack Halberstam, and Porochista Khakpour rubs shoulders with poems by Natalie Diaz, Victoria Chang, Lucille Clifton, and Ariana Reines, and butts up against fiction from Chester Himes, Djuna Barnes, Chris Kraus, and Qiu Miaojin, among so many others, including Myles’s own opening salvo of their 1992 presidential campaign. The result is a completely anomalous and uplifting anthology that encourages a fresh political discourse on literature, as well as supplying an essential compendium of pained, awkward, queer, trans, gleeful, and ever-jarring ways to think differently and live pathetically on a polarized and fearful planet.
Author: Muireann Maguire Publisher: Open Book Publishers ISBN: 1800641222 Category : Literary Collections Languages : en Pages : 266
Book Description
This book outlines with theoretical and literary historical rigor a highly innovative approach to the writing of Russian literary history and to the reading of canonical Russian texts. "Anticipatory plagiarism” is a concept developed by the French Oulipo group, but it has never to my knowledge been explored with reference to Russian studies. The editors and contributors to the proposed volume – a blend of senior and beginning scholars, Russians and non-Russians – offer a set of essays on Gogol, Dostoevsky, and Tolstoy which provocatively test the utility of AP as a critical tool, relating these canonical authors to more recent instances, some of them decidedly non-canonical. The senior scholars who are the editors and most of the contributors are truly distinguished. The volume is likely to receive serious attention and to be widely read. I recommend it with unqualified enthusiasm. William Mills Todd III, Harry Tuchman Levin Professor of Literature, Harvard University As the founder of the notion of "plagiarism by anticipation", which was stolen from me in the sixties by fellow colleagues, I am delighted to learn that my modest contribution to literary theory will be used to better understand the interplay of interferences in Russian literature. Indeed, one would have to be naive to think that the great Russian authors would have invented everything. In fact, they were able to draw their ideas from their predecessors, but also from their successors, testifying to the open-mindedness that characterizes the Slavic soul. This book restores the truth. Pierre Bayard, Professor of Literature, University of Paris 8 This edited volume employs the paradoxical notion of ‘anticipatory plagiarism’—developed in the 1960s by the ‘Oulipo’ group of French writers and thinkers—as a mode for reading Russian literature. Reversing established critical approaches to the canon and literary influence, its contributors ask us to consider how reading against linear chronologies can elicit fascinating new patterns and perspectives. Reading Backwards: An Advance Retrospective on Russian Literature re-assesses three major nineteenth-century authors—Gogol, Dostoevsky and Tolstoy—either in terms of previous writers and artists who plagiarized them (such as Raphael, Homer, or Hall Caine), or of their own depredations against later writers (from J.M. Coetzee to Liudmila Petrushevskaia). Far from suggesting that past authors literally stole from their descendants, these engaging essays, contributed by both early-career and senior scholars of Russian and comparative literature, encourage us to identify the contingent and familiar within classic texts. By moving beyond rigid notions of cultural heritage and literary canons, they demonstrate that inspiration is cyclical, influence can flow in multiple directions, and no idea is ever truly original. This book will be of great value to literary scholars and students working in Russian Studies. The introductory discussion of the origins and context of ‘plagiarism by anticipation’, alongside varied applications of the concept, will also be of interest to those working in the wider fields of comparative literature, reception studies, and translation studies.
Author: John Beverley
Author: John Beverley
Author: Martin Paul Eve
Author: Emily Apter
Author: Mark Edmundson
Author: Naguib Mahfouz
Author: Gerald Graff
Author: William Marx
Author: Joanne Halleran McMullen
Author: Eileen Myles
Author: Muireann Maguire