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Author: Gerhard Richter Publisher: Columbia University Press ISBN: 023153034X Category : Philosophy Languages : en Pages : 273
Book Description
Gerhard Richter's groundbreaking study argues that the concept of "afterness" is a key figure in the thought and aesthetics of modernity. It pursues questions such as: What does it mean for something to "follow" something else? Does that which follows mark a clear break with what came before it, or does it in fact tacitly perpetuate its predecessor as a consequence of its inevitable indebtedness to the terms and conditions of that from which it claims to have departed? Indeed, is not the very act of breaking with, and then following upon, a way of retroactively constructing and fortifying that from which the break that set the movement of following into motion had occurred? The book explores the concept and movement of afterness as a privileged yet uncanny category through close readings of writers such as Kant, Kafka, Heidegger, Bloch, Benjamin, Brecht, Adorno, Arendt, Lyotard, and Derrida. It shows how the vexed concepts of afterness, following, and coming after shed new light on a constellation of modern preoccupations, including personal and cultural memory, translation, photography, hope, and the historical and conceptual specificity of what has been termed "after Auschwitz." The study's various analyses across a heterogeneous collection of modern writers and thinkers, diverse historical moments of articulation, and a range of media conspire to illuminate Lyotard's apodictic statement that "after philosophy comes philosophy. But it has been altered by the 'after.'" As Richter's intricate study demonstrates, much hinges on our interpretation of the "after." After all, our most fundamental assumptions concerning modern aesthetic representation, conceptual discourse, community, subjectivity, and politics are at stake.
Author: Gerhard Richter Publisher: Columbia University Press ISBN: 023153034X Category : Philosophy Languages : en Pages : 273
Book Description
Gerhard Richter's groundbreaking study argues that the concept of "afterness" is a key figure in the thought and aesthetics of modernity. It pursues questions such as: What does it mean for something to "follow" something else? Does that which follows mark a clear break with what came before it, or does it in fact tacitly perpetuate its predecessor as a consequence of its inevitable indebtedness to the terms and conditions of that from which it claims to have departed? Indeed, is not the very act of breaking with, and then following upon, a way of retroactively constructing and fortifying that from which the break that set the movement of following into motion had occurred? The book explores the concept and movement of afterness as a privileged yet uncanny category through close readings of writers such as Kant, Kafka, Heidegger, Bloch, Benjamin, Brecht, Adorno, Arendt, Lyotard, and Derrida. It shows how the vexed concepts of afterness, following, and coming after shed new light on a constellation of modern preoccupations, including personal and cultural memory, translation, photography, hope, and the historical and conceptual specificity of what has been termed "after Auschwitz." The study's various analyses across a heterogeneous collection of modern writers and thinkers, diverse historical moments of articulation, and a range of media conspire to illuminate Lyotard's apodictic statement that "after philosophy comes philosophy. But it has been altered by the 'after.'" As Richter's intricate study demonstrates, much hinges on our interpretation of the "after." After all, our most fundamental assumptions concerning modern aesthetic representation, conceptual discourse, community, subjectivity, and politics are at stake.
Author: Marcia Sá Cavalcante Schuback Publisher: State University of New York Press ISBN: 1438478194 Category : Philosophy Languages : en Pages : 184
Book Description
This book is a philosophical reflection on the experience of time from within exile. Its focus on temporality is unique, as most literature on exile focuses on the experience of space, as exile involves dislocation, and moods of nostalgia and utopia. Marcia Sá Cavalcante Schuback proposes that in exile, time is experienced neither as longing back to the lost past nor as wanting a future to come but rather as a present without anchors or supports. She articulates this present as a "gerundive" mode, in which the one who is in exile discovers herself simply being, exposed to the uncanny experience of having lost the past and not having a future. To explore this, she establishes a conversation among three authors whose work has exemplified this sense of gerundive time: the German philosopher Martin Heidegger, the French writer and essayist Maurice Blanchot, and the Brazilian writer Clarice Lispector. The book does not aim to discuss how these authors understand the relation between time and exile, but presents a conversation with them in relation to this question that reflects new aspects in their work. Attempting to think and express this difficult sense of time from within exile, Time in Exile engages with the relation between thought and language, and between philosophy and literature. Departing from concrete existential questions, Sá Cavalcante Schuback reveals new philosophical and theoretical modes to understand what it means to be present in times of exile.
Author: Sayan Dey Publisher: Saurabh Chandra, Socrates Scholarly Research Journal ISBN: Category : Social Science Languages : en Pages : 84
Book Description
SOCRATES is an international, multi-lingual, multi-disciplinary refereed and indexed scholarly journal produced as par of the Harvard Dataverse Network. This journal appears quarterly in English, Hindi, Persian in 22 disciplines. About this issue: This issue of Socrates has been divided into five sections. The first section of this issue is Language & Literature- English. The article in this section focuses on "The perspective of contemporaneity". It concludes that if we delve into the roots of ‘now’ ness we find that that we are defined by a past which is mostly girdled by the colonial shadows which continues to invade every segments of human civilization. The second section of this issue is Anthropology. The article in this section highlight ancient Macedonian customs and their influence in the modern Republic of Macedonia.This paper concludes that certain ritual actions from the ancient period, although modified, still largely correspond to the current Macedonian folk customs and beliefs, both in terms of the time of celebration and in terms of ritual actions, procedures and symbolism. Their continuity reflects the Macedonian identity, from antiquity to today. The third section of this issue is Economics,Management and Commerce. The paper in this section develops a model for designing and explaining Cost Management Strategies in the home appliance industry in Iran. It has also implemented organizational resource–based view to limit the research domain and focus on organizational actions; then it has used porter value chain (1985) to analyze the cost structure of the company which supports strategic decision making and inter–organizational verifications. The fourth section of this issue is Politics, Law and Governance, which contains an article that identifies lack of education as the main reasons for the backwardness of Indian Muslims. It claims that until and unless Muslim educational backwardness is addressed, the empowerment of Indian Muslims would remain elusive. The Muslims in India would remain politically marginalized and economically poor unless they overcome their educational backwardness and India cannot march on the path of development and claim to be world leader if majority of its minority community remains educationally backward. The fifth section of this issue is The New Book which reviews the Book "God Einstein and Shankardeva" Authored by Shri. Surendra Nath Bora.
Author: Dag Nikolaus Hasse Publisher: Walter de Gruyter GmbH & Co KG ISBN: 1614516979 Category : Philosophy Languages : en Pages : 558
Book Description
Avicenna (Ibn Sīnā) greatly influenced later medieval thinking about the earth and the cosmos, not only in his own civilization, but also in Hebrew and Latin cultures. The studies presented in this volume discuss the reception of prominent theories by Avicenna from the early 11th century onwards by thinkers like Averroes, Fahraddin ar-Razi, Samuel ibn Tibbon or Albertus Magnus. Among the topics which receive particular attention are the definition and existence of motion and time. Other important topics are covered too, such as Avicenna’s theories of vacuum, causality, elements, substantial change, minerals, floods and mountains. It emerges, among other things, that Avicenna inherited to the discussion an acute sense for the epistemological status of natural science and for the mental and concrete existence of its objects. The volume also addresses the philological and historical circumstances of the textual tradition and sheds light on the translators Dominicus Gundisalvi, Avendauth and Alfred of Sareshel in particular. The articles of this volume are presented by scholars who convened in 2013 to discuss their research on the influence of Avicenna’s physics and cosmology in the Villa Vigoni, Italy.
Author: Jaimey Fisher Publisher: University of Illinois Press ISBN: 0252095235 Category : Performing Arts Languages : en Pages : 225
Book Description
In eleven feature films across two decades, Christian Petzold has established himself as the most critically celebrated director in contemporary Germany. The best-known and most influential member of the Berlin School, Petzold's career reflects the trajectory of German film from 1970s New German Cinema to more popular fare in the 1990s and back again to critically engaged and politically committed filmmaking. In the first book-length study on Petzold in English, Jaimey Fisher frames Petzold's cinema at the intersection of international art cinema and sophisticated genre cinema. This approach places his work in the context of global cinema and invites comparisons to the work of directors like Pedro Almodovar and Rainer Werner Fassbinder, who repeatedly deploy and reconfigure genre cinema to their own ends. These generic aspects constitute a cosmopolitan gesture in Petzold's work as he interprets and elaborates on cult genre films and popular genres, including horror, film noir, and melodrama. Fisher explores these popular genres while injecting them with themes like terrorism, globalization, and immigration, central issues for European art cinema. The volume also includes an extended original interview with the director about his work.
Author: Mira Wasserman Publisher: University of Pennsylvania Press ISBN: 0812249208 Category : Religion Languages : en Pages : 328
Book Description
In Jews, Gentiles, and Other Animals, Mira Beth Wasserman undertakes a close reading of Avoda Zara, arguably the Babylonian Talmud's most scandalous tractate. According to Wasserman, Avoda Zara is where this Talmud joins the humanities in questioning what it means to be a human.
Author: Craig Staff Publisher: Bloomsbury Publishing ISBN: 1350009997 Category : Philosophy Languages : en Pages : 197
Book Description
Contemporary art is often preoccupied with time, or acts in which the past is recovered. Through specific case studies of artists who strategically work with historical moments, this book examines how art from the last two decades has sought to mobilize these particular histories, and to what effect, against the backdrop of Modernism. Drawing on the art theory of Rosalind Krauss and the philosophies of Paul Ricoeur, Gerhard Richter, and Pierre Nora, Retroactivity and Contemporary Art interprets those works that foreground some aspect of retroactivity – whether re-enacting, commemorating, or re-imagining – as key artistic strategies. This book is striking philosophical reflection on time within art and art within time, and an indispensable read for those attempting to understand the artistic significance of history, materiality, and memory.
Author: Michiko Tsushima Publisher: Springer Nature ISBN: 3031083687 Category : Literary Criticism Languages : en Pages : 224
Book Description
Samuel Beckett and Catastrophe is a groundbreaking collection of original essays that explore the relation between Samuel Beckett and catastrophe in terms of war, the Holocaust, nuclear disasters and ecological crisis. Responding to the post-catastrophic situations in the twentieth century, Beckett created characters who often seem to have been through an unknown catastrophe. Although the importance of catastrophe in Beckett has been noted sporadically, there has been no substantial attempt to discuss his aesthetics and work in relation to it. This collection will therefore serve as the first sustained study to explore the theme of catastrophe in Beckett and will be a highly significant contribution to Beckett studies. Chapter “Slow Violence and Slow Going: Encountering Beckett in the Time of Climate Catastrophe” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Author: Benjamin Kahan Publisher: Cambridge University Press ISBN: 1108911331 Category : Literary Criticism Languages : en Pages : 1037
Book Description
Moby-Dick's Ishmael and Queequeg share a bed, Janie in Zora Neale Hurston's Their Eyes Were Watching God imagines her tongue in another woman's mouth. And yet for too long there has not been a volume that provides an account of the breadth and depth of queer American literature. This landmark volume provides the first expansive history of this literature from its inception to the present day, offering a narrative of how American literary studies and sexuality studies became deeply entwined and what they can teach each other. It examines how American literature produces and is in turn woven out of sexualities, gender pluralities, trans-ness, erotic subjectivities, and alternative ways of inhabiting bodily morphology. In so doing, the volume aims to do nothing less than revise the ways in which we understand the whole of American literature. It will be an indispensable resource for scholars, graduate students, and undergraduates.
Author: Gerhard Richter Publisher: Stanford University Press ISBN: 9780804756174 Category : Philosophy Languages : en Pages : 242
Book Description
In this book, Gerhard Richter explores the aesthetic and political ramifications of the literary genre of the Denkbild, or thought-image, as it was employed by four major German-Jewish writers and philosophers of the first half of the twentieth century: Theodor W. Adorno, Walter Benjamin, Ernst Bloch, and Siegfried Kracauer. The Denkbild is a poetic mode of writing, a brief snapshot-in-prose that stages the interrelation of literary, philosophical, political, and cultural insights. Richter's careful analysis of the linguistic characteristics of this mode of writing sheds new light on pivotal concerns of modernity, including the fractured cityscape, philosophical problems of modern music, the experience of exiled homelessness, and the disaster of Auschwitz. Thought-Images not only reorients our understanding of the Frankfurt School of Critical Theory in important ways but also establishes significant links between these writers and contemporary French thinkers such as Jacques Derrida.
Author: Gerhard Richter
Author: Gerhard Richter
Author: Marcia Sá Cavalcante Schuback
Author: Sayan Dey
Author: Dag Nikolaus Hasse
Author: Jaimey Fisher
Author: Mira Wasserman
Author: Craig Staff
Author: Michiko Tsushima
Author: Benjamin Kahan
Author: Gerhard Richter