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Author: Alistair Cormack Publisher: Routledge ISBN: 135187070X Category : Literary Criticism Languages : en Pages : 258
Book Description
While postcolonial studies has contributed much to our understanding of Irish modernism, it has also encouraged less-than-accurate portrayals of Joyce and Yeats as polar opposites: Yeats as the inventor of Irish mystique and Joyce as its relentless demythologiser. Alistair Cormack's complex study provides a corrective to these misleading characterisations by analysing the tools Yeats and Joyce themselves used to challenge representation in the postcolonial era. Despite their very different histories, Cormack suggests, these two writers can be seen as allies in their insistence on the heresy of the imagination. Reinvigorating and politicising the history of ideas as a powerful medium for studying literature, he shows that Joyce and Yeats independently challenged a linearity and materialism they identified with empire. Both celebrated Ireland as destabilising the accepted forms of thought and the accepted means of narrating the nation. Thus, 'unreadable' modernist works such as Finnegans Wake and A Vision must be understood as attempts to reconceptualise history in a literally postcolonial period.
Author: Alistair Cormack Publisher: Routledge ISBN: 135187070X Category : Literary Criticism Languages : en Pages : 258
Book Description
While postcolonial studies has contributed much to our understanding of Irish modernism, it has also encouraged less-than-accurate portrayals of Joyce and Yeats as polar opposites: Yeats as the inventor of Irish mystique and Joyce as its relentless demythologiser. Alistair Cormack's complex study provides a corrective to these misleading characterisations by analysing the tools Yeats and Joyce themselves used to challenge representation in the postcolonial era. Despite their very different histories, Cormack suggests, these two writers can be seen as allies in their insistence on the heresy of the imagination. Reinvigorating and politicising the history of ideas as a powerful medium for studying literature, he shows that Joyce and Yeats independently challenged a linearity and materialism they identified with empire. Both celebrated Ireland as destabilising the accepted forms of thought and the accepted means of narrating the nation. Thus, 'unreadable' modernist works such as Finnegans Wake and A Vision must be understood as attempts to reconceptualise history in a literally postcolonial period.
Author: Colm Tóibín Publisher: Picador Australia ISBN: 1760783595 Category : Literary Criticism Languages : en Pages : 169
Book Description
'A father...is a necessary evil.' Stephen Dedalus in Ulysses William Butler Yeats' father was an impoverished artist, an inveterate letter writer, and a man crippled by his inability to ever finish a painting. Oscar Wilde's father was a doctor, a brilliant statistician and amateur archaeologist who was taken to court by an obsessed lover in a strange foreshadowing of events that would later befall his son. The father of James Joyce was a garrulous, hard-drinking man with a violent temper, unable or unwilling to provide for his large family, who eventually drove his son from Ireland. In Mad, Bad, Dangerous to Know, Colm Tóibín presents an illuminating, intimate study of Irish culture, history and literature told through the lives and works of Ireland's most famous sons, and the complicated, influential relationships they each maintained with their fathers. 'A supple, subtle thinker, alive to hunts and undertones, wary of absolute truths.' New Statesman 'Tóibín writes about writers' families...with great subtlety and sometimes with splendid impudence.' Sunday Telegraph
Author: Neil Corcoran Publisher: ISBN: Category : Literary Collections Languages : en Pages : 216
Book Description
Irish literature after Yeats and Joyce, from the 1920s onwards, includes texts that have been the subject of much contention. For a start, how should Irish literature be defined: as works which have been written in Irish or as works written in English by the Irish? It is a period in which ideas of Ireland--of people, community, and nation--have been both created and reflected, and in which conceptions of a distinct Irish identity have been articulated, defended, and challenged; a period which has its origins in a time of intense political turmoil. Corcoran focuses his chapters on various themes such as "the Big House," and the rural and the provincial and offers discussions of authors ranging from Kinsella and Beckett to William Trevor, Seamus Heaney, and Mary Lavin, to provide a lucid and far-reaching introduction to modern Irish writing.
Author: Publisher: Stanford University Press ISBN: 0804764697 Category : Languages : en Pages : 296
Book Description
Examining in detail the surprising similarities between modernist literature and contemporary theories of the crowd, this work shows that many modernist literary forms emerged out of efforts to write in the idiom of the crowd mind.
Author: Annie West Publisher: ISBN: 9781848403925 Category : Literary Criticism Languages : en Pages : 80
Book Description
Annie West's irreverent art brings to life W.B. Yeats's futile pursuit of the beautiful, unobtainable Maud Gonne. Introduced by Theo Dorgan, and complete with poetry by Yeats as well as quotes by those who bore witness to his infatuation, including Katharine Tynan, Douglas Hyde and his own sisters, Lolly and Lily, Yeats in Love is a truly original depiction of a decades-long adolescent crush.
Author: Seamus Deane Publisher: Oxford University Press ISBN: 9780198184904 Category : History Languages : en Pages : 288
Book Description
Strange Country identifies the origin, the development, and the success of the Irish literary tradition in English as one of the first literature that is both national and colonial.
Author: George Watson Publisher: Taylor & Francis ISBN: 1000884775 Category : Literary Criticism Languages : en Pages : 287
Book Description
First published in 1979, Irish Identity and the Literary Revival, through the works of W.B. Yeats, James Joyce, J. M. Synge, and Sean O’Casey, documents the complex spectrum of political, social and other pressures that helped fashion modern Ireland. At least three sets of cultural assumptions coexisted in Ireland during the years between 1890 and 1930, -- English, Irish and Anglo-Irish, each united by a common language but divided by considerable tensions and strain. The question of Irish identity forms the central theme of the study, and illustrates how it was a major, even obsessive concern for these writers. Subsidiary and interwoven themes constantly recur. Themes such as the concepts of the peasant and the hero, political nationalism, the meaning of Ireland’s history and the validity of her cultural traditions. Rather than use the literature concerned as merely endorsing evidence for a sociological or political thesis, this study allows its major themes and issues to emerge and develop from direct and close study of the work of the writers. This book will be of interest to students of literature and history.
Author: Alistair Cormack
Author: Alistair Cormack
Author: Richard Ellmann
Author: Colm Tóibín
Author: Neil Corcoran
Author: Dillon Johnston
Author: 
Author: Annie West
Author: Seamus Deane
Author: George Watson
Author: Richard Morgan Kain