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Author: Carol Morgan Publisher: Xlibris Corporation ISBN: 1669864391 Category : Fiction Languages : en Pages : 823
Book Description
After the years of turmoil and tragedy, life at La Bonne Vie Plantation settled into placid contentment (or a semblance of such) ... until Nicolas (Nicky) Fontenot, prodigal son of Angelique and her brother François, returns after years in a Texas prison, and Antoine Babineaux II returns to claim his father’s name. At the heart of the story, and the hearts of Antoine and Nicolas, is beautiful, incorrigible Desirée Fontenot, the image of her mother Angelique. Ghosts of the past rise up and the lurid whispers and innuendos come to life once again. Then Uncle Virgil Leveque, the catalyst of the earlier tragedy, returns home after thirty years in an insane asylum, and unwittingly becomes the agent provocateur that sends the story hurtling toward its conclusion and closure at last. But is there truly closure?
Author: Carol Morgan Publisher: Xlibris Corporation ISBN: 1669864391 Category : Fiction Languages : en Pages : 823
Book Description
After the years of turmoil and tragedy, life at La Bonne Vie Plantation settled into placid contentment (or a semblance of such) ... until Nicolas (Nicky) Fontenot, prodigal son of Angelique and her brother François, returns after years in a Texas prison, and Antoine Babineaux II returns to claim his father’s name. At the heart of the story, and the hearts of Antoine and Nicolas, is beautiful, incorrigible Desirée Fontenot, the image of her mother Angelique. Ghosts of the past rise up and the lurid whispers and innuendos come to life once again. Then Uncle Virgil Leveque, the catalyst of the earlier tragedy, returns home after thirty years in an insane asylum, and unwittingly becomes the agent provocateur that sends the story hurtling toward its conclusion and closure at last. But is there truly closure?
Author: James Martin Publisher: Orbis Books ISBN: 1570759235 Category : Religion Languages : en Pages : 241
Book Description
An American Jesuit combines spiritual writing, travel narrative, history, and humor to describe his time working with refugees in the slums of Nairobi, Kenya.
Author: Martin Scofield Publisher: Cambridge University Press ISBN: 9780521317610 Category : Literary Criticism Languages : en Pages : 280
Book Description
"The poems, . . . some of the poetic drama (particularly Sweeney Agonistes), and relevant sections of prose criticism, are discussed in detail and placed in relation to the development of Eliot's oeuvre, and more briefly to his life and a wider context of philosophical and religious enquiry" --Introduction.
Author: Esther Yau Publisher: Edinburgh University Press ISBN: 147441267X Category : Performing Arts Languages : en Pages : 280
Book Description
The first comprehensive collection on the subject of Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique and culturally specific version of the neo-noir genre, while at the same time drawing on and adapting existing international noir cinemas. With a range of contributions from established and emerging scholars, this book illuminates the origins of Hong Kong neo-noir, its styles and contemporary manifestations, and its connection to mainland China. Case studies include classics such as The Wild Wild Rose (1960) and more recent films like Full Alert (1997) and Exiled (2007), as well as an in-depth look at the careers of iconic figures like Johnnie To and Jackie Chan. By examining at its past and its contemporary development, Hong Kong Neo-Noir also points towards the genre's possible future development.
Author: Esther M. K. Cheung Publisher: John Wiley & Sons ISBN: 1118883543 Category : Performing Arts Languages : en Pages : 642
Book Description
A Companion to Hong Kong Cinema provides the first comprehensive scholarly exploration of this unique global cinema. By embracing the interdisciplinary approach of contemporary film and cultural studies, this collection navigates theoretical debates while charting a new course for future research in Hong Kong film. Examines Hong Kong cinema within an interdisciplinary context, drawing connections between media, gender, and Asian studies, Asian regional studies, Chinese language and cultural studies, global studies, and critical theory Highlights the often contentious debates that shape current thinking about film as a medium and its possible future Investigates how changing research on gender, the body, and sexual orientation alter the ways in which we analyze sexual difference in Hong Kong cinema Charts how developments in theories of colonialism, postcolonialism, globalization, neoliberalism, Orientalism, and nationalism transform our understanding of the economics and politics of the Hong Kong film industry Explores how the concepts of diaspora, nostalgia, exile, and trauma offer opportunities to rethink accepted ways of understanding Hong Kong’s popular cinematic genres and stars
Author: Esther M. K. Cheung Publisher: Hong Kong University Press ISBN: 9888028561 Category : Performing Arts Languages : en Pages : 316
Book Description
Global connections and screen innovations converge in Hong Kong cinema. Energized by transnational images and human flows from China and Asia, Hong Kong's commercial filmmakers and independent pioneers have actively challenged established genres and narrative conventions to create a cultural space independent of Hollywood. The circulation of Hong Kong films through art house and film festival circuits, as well as independent DVDs and galleries and internet sites, reveals many differences within global cultural distributions, as well as distinctive tensions between experimental media artists and traditional screen architects. Coving the contributions of Hong Kong New Wave directors such as Wong Karwai, Stanley Kwan, Ann Hui, Patrick Tam, and Tsui Hark, the volume links their spirit of innovation to work by independent, experimental, and documentary filmmakers, including Fruit Chan, Tammy Cheung, Evans Chan, Yau Ching and digital artist Isaac Leung. Within an interdisciplinary frame that highlights issues of political marginalization, censorship, sexual orientation, gender hierarchies, "flexible citizenship" and local/global identities, this book speaks to scholars and students within as well as beyond the field of Hong Kong cinema. Esther M.K. Cheung is chair of the Department of Comparative Literature and director of the Center for the Study of Globalization and Cultures (CSGC) at the University of Hong Kong. Gina Marchetti teaches in the Department of Comparative Literature at the University of Hong Kong. Tan See-Kam presently works and researches at the University of Macau.
Author: Mitch Finley Publisher: The Word Among Us Press ISBN: 1593254040 Category : Religion Languages : en Pages : 96
Book Description
Why has the rosary remained such a popular Catholic devotional prayer? In this upbeat and easy-to-read book, Catholic author Mitch Finley explains that the simplicity and depth of the rosary make it a prayer for all seasons.
Author: Gina Marchetti Publisher: University of Hawaii Press ISBN: 0824866606 Category : Performing Arts Languages : en Pages : 250
Book Description
Citing China explores the role film plays in creating a common ground for the exchange of political and aesthetic ideas between China and the rest of the world. It does so by examining the depiction of China in contemporary film, looking at how global filmmakers “cite” China on screen. Author Gina Marchetti’s aim is not to point to how China continues to function as a metaphor or allusion that has little to do with the geopolitical actualities of contemporary China. Rather, she highlights China’s position within global film culture, examining how cinematic quotations link current films to past political movements and unresolved social issues in a continuing multidirectional conversation. Marchetti covers a wide range of cinematic encounters across the China-West divide. She looks closely at specific movements in world film history and at key films that have influenced the way “China” is depicted in global cinema today, from popular entertainment to international art cinema, the DV revolution, video activism, and the emergence of “festival films.” Marchetti first considers contemporary Chinese-language cinema (Edward Yang, Hou Hsiao-Hsien); she then turns to Italian Neorealism and its importance to the Chinese Sixth Generation (Jia Zhangke) and the French New Wave’s ripple effect on filmmakers associated with the Hong Kong New Wave and Taiwan New Cinema (Ann Hui, Evans Chan). As the People’s Republic of China has gained increased global economic clout, filmmakers draw on Euro-American formulae (Bruce Lee, Clara Law) to attract new viewers and define cinematic pleasures for new audiences on the other side of the earth. The book concludes with a consideration of the role film festivals, women filmmakers, and emerging audiences play in the new world of global cinema. Citing China offers a framework for examining cinematic influence as a dynamic and multidirectional process. It is carefully researched, theoretically sophisticated, and animated by detailed and historically nuanced studies of individual films, making clear just how much a part of global film culture today’s China is. The book makes important contributions to debates in transnational film studies, postmodern versus modernist aesthetics and politics, and Asian as well as European art cinema.
Author: Carol Morgan
Author: Carol Morgan
Author: Ward McBurney
Author: James Martin
Author: Gémino H. Abad
Author: Martin Scofield
Author: Esther Yau
Author: Esther M. K. Cheung
Author: Esther M. K. Cheung
Author: Mitch Finley
Author: Gina Marchetti