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Author: Devyn Spence Benson Publisher: Rowman & Littlefield ISBN: 1786614820 Category : Philosophy Languages : en Pages : 399
Book Description
Originally published in Spanish and edited by Cuban historian Daisy Rubiera Castillo and playwright and theater critic Inés María Martiatu Terry, this ground-breaking edited collection is the first work of its kind. It places the experiences of black and mulata women at the center of Cuban history. Including essays from a mix of well-known and newly published Cuban authors, the volume examines the lives of Afrocubanas from the late nineteenth century to the present. The volume’s contributors collect and interrogate the voices of black Cuban women and the political, cultural, social, and ideological contributions they have made to the history of their nation. One of the unique qualities of Afrocubanas is that the text is the product of a grassroots community working group in Havana. A number of antiracist organizations emerged to fight racial inequality in light of Cuba’s new economic challenges after the fall of its chief trading partner, the Soviet Union in 1991. But, the Afrocubanas Project (founded in the mid-2000s) is one of the few groups that challenges racism and sexism together. The members of the Afrocubanas Project hail from a variety of professions, ages, and sexual orientations. They share a collective interest in challenging negative stereotypes about black women. This volume merges their activism and scholarship to offer a counter discourse to existing narratives about black women in Cuba while also creating and disseminating new knowledge about Afrocubanas. There is no other published work in English devoted to analyzing the political and intellectual dimensions of black Cuban women’s thought across the island’s history. This text is essential reading for scholars and students of Africana Studies, Afro-Latin American Studies, Caribbean history, and courses focusing on black women in the Atlantic region.
Author: Devyn Spence Benson Publisher: Rowman & Littlefield ISBN: 1786614820 Category : Philosophy Languages : en Pages : 399
Book Description
Originally published in Spanish and edited by Cuban historian Daisy Rubiera Castillo and playwright and theater critic Inés María Martiatu Terry, this ground-breaking edited collection is the first work of its kind. It places the experiences of black and mulata women at the center of Cuban history. Including essays from a mix of well-known and newly published Cuban authors, the volume examines the lives of Afrocubanas from the late nineteenth century to the present. The volume’s contributors collect and interrogate the voices of black Cuban women and the political, cultural, social, and ideological contributions they have made to the history of their nation. One of the unique qualities of Afrocubanas is that the text is the product of a grassroots community working group in Havana. A number of antiracist organizations emerged to fight racial inequality in light of Cuba’s new economic challenges after the fall of its chief trading partner, the Soviet Union in 1991. But, the Afrocubanas Project (founded in the mid-2000s) is one of the few groups that challenges racism and sexism together. The members of the Afrocubanas Project hail from a variety of professions, ages, and sexual orientations. They share a collective interest in challenging negative stereotypes about black women. This volume merges their activism and scholarship to offer a counter discourse to existing narratives about black women in Cuba while also creating and disseminating new knowledge about Afrocubanas. There is no other published work in English devoted to analyzing the political and intellectual dimensions of black Cuban women’s thought across the island’s history. This text is essential reading for scholars and students of Africana Studies, Afro-Latin American Studies, Caribbean history, and courses focusing on black women in the Atlantic region.
Author: Edna M. Rodríguez-Plate Publisher: Univ of North Carolina Press ISBN: 0807876283 Category : Literary Criticism Languages : en Pages : 214
Book Description
Lydia Cabrera (1900-1991), an upper-class white Cuban intellectual, spent many years traveling through Cuba collecting oral histories, stories, and music from Cubans of African descent. Her work is commonly viewed as an extension of the work of her famous brother-in-law, Cuban anthropologist Fernando Ortiz, who initiated the study of Afro-Cubans and the concept of transculturation. Here, Edna Rodriguez-Mangual challenges this perspective, proposing that Cabrera's work offers an alternative to the hegemonizing national myth of Cuba articulated by Ortiz and others. Rodriguez-Mangual examines Cabrera's ethnographic essays and short stories in context. By blurring fact and fiction, anthropology and literature, Cabrera defied the scientific discourse used by other anthropologists. She wrote of Afro-Cubans not as objects but as subjects, and in her writings, whiteness, instead of blackness, is gazed upon as the "other." As Rodriguez-Mangual demonstrates, Cabrera rewrote the history of Cuba and its culture through imaginative means, calling into question the empirical basis of anthropology and placing Afro-Cuban contributions at the center of the literature that describes the Cuban nation and its national identity.
Author: Anke Birkenmaier Publisher: Rutgers University Press ISBN: 1978814496 Category : HISTORY Languages : en Pages : 316
Book Description
"With mass migration changing the configuration of societies worldwide, we can look to the Caribbean to reflect on the long-standing, entangled relations between countries and areas as uneven in size and influence as the United States, Cuba, Hispaniola, Puerto Rico, and Jamaica. More so than other world regions, the Caribbean has been characterized as an always already colonial region. It has long been a key area for empires warring over influence spheres in the new world, and where migration waves from Africa, Europe, and Asia accompanied every political transformation over the last five centuries. In Caribbean Migrations, an interdisciplinary group of humanities and social science scholars study migration from a long-term perspective, analyzing the Caribbean's "unincorporated subjects" from a legal, historical, and cultural standpoint, and exploring how despite often fractured public spheres, Caribbean intellectuals, artists, filmmakers, and writers have been resourceful at showcasing migration as the hallmark of our modern age"--
Author: María de los Reyes Castillo Bueno Publisher: Duke University Press ISBN: 9780822325932 Category : Biography & Autobiography Languages : en Pages : 196
Book Description
Assisted by her daughter, Daisy Rubiera Castillo, the author recounts her life as a black woman struggling with prejudice and change in Cuba over the span of 90 years. Known as "Reyita", Maria de Los Reyes Castillo Bueno starts her story with the abduction of her grandmother by slave traders and shares her own experiences as a mother, laborer, and revolutionary.
Author: Pedro Pérez Sarduy Publisher: Ocean Press ISBN: 9781875284412 Category : Literary Criticism Languages : en Pages : 328
Book Description
This anthology looks at the AfroCuban experience through the eyes of the island’s writers, scholars and artists. "A rich portrait of AfroCuba—one of the most vibrant and least well-documented of the black Caribbean diasporas."—Stuart Hall An insightful look at Cuba’s rich ethnic and cultural reality. What is it like to be black in Cuba? Does racism exist in a revolutionary society that claims to have abolished it? How does the legacy of slavery and segregation live on in today’s Cuba? Essays, poetry, extracts from novels, anthropological studies and political analysis are brought together by editors Jean Stubbs and Pedro Pérez to create an outstanding anthology of Cuban scholars, writers and artists. Drawing on an extensive knowledge of Cuba, the editors have produced a multi-faceted insight into Cuba’s right ethnic and cultural reality. The book is divided into three sections: The Die is Cast, Myth and Reality and Redrawing the Line, introducing the reader to a wide range of previously unavailable Cuban authors, in which dissenting voices speak alongside established writers, such as Fernando Ortiz. Jean Stubbs is a professor of Caribbean and Latin American History at the University of North London. She has been a visiting associate professor at Hunter College, CUNY (New York) and Rockefeller scholar at the University of Florida (Gainesville), the University of Puerto Rico and Florida International University. Stubbs has published several other books, including Cuba: The Test of Time. Pedro Pérez Sarduy is an AfroCuban poet and journalist. He was writer-in-residence at Columbia University and a Rockefeller visiting scholar at the University of Florida (Gainesville) and the University of Puerto Rico. He has been the recipient of several literary awards and regularly undertakes speaking tours in the United States.
Author: Mercedes Cros Sandoval Publisher: ISBN: 9780813034522 Category : Afro-Caribbean cults Languages : en Pages : 0
Book Description
"A comprehensive, almost encyclopedic, introduction to Santeria . . . Cros Sandoval's greatest contribution is in tackling the question of why Santeria's Yoruba cosmology has proven so durable and compelling over time, even as it has been transplanted across an ocean and brought into contact with very different traditions in very different societies than its place of origin."--Kristina Wirtz, Western Michigan University "A broad and deep synthesis of scholarship on Santeria . . . fully recognizes the heterogeneous nature of Afro-Cuban religious belief and successfully explores the origins of that heterogeneity."--Theron Corse, Tennessee State University Cros Sandoval's authoritative introduction to the Afro-Cuban religion called Santeria explores how it emerged and developed in Cuba out of transplanted Yoruba beliefs and continues to spread and adjust to changing times and contexts. Systematically exploring every facet of Santeria's worldview, Sandoval examines how practitioners have adapted received beliefs and practices to reconcile them with new environments, from plantation slavery to exile in the United States. Offering a distinctive perspective based on a lifetime of extensive research and firsthand knowledge, Cros Sandoval illuminates Santeria as a theological system and as a vital, continuously evolving community. The adaptation process that gave birth to Santeria was not the singular result of cultural resistance, she argues, but a successful attempt to find meaning linked to alien religious elements in a way that appealed to a diverse following. Beginning with the transatlantic history of how Yoruba traditions came to Cuba and were established and adapted to Cuban society, Sandoval provides a comprehensive comparison of Yoruba and Cuban mythologies, followed by an overview of how Santeria has continued to diffuse and change in response to new contexts and adherents--with an especially illuminating perspective on Santeria among Cubans in Miami. As a reference work and historical treatment of Santeria, Sandoval's work will appeal to both scholars and nonscholars alike, ranging from anthropologists and students of religion and the African Diaspora to psychologists, social workers, and those curious about or inspired by this remarkably durable and adaptable belief system.
Author: Aline Helg Publisher: UNC Press Books ISBN: 9780807844946 Category : History Languages : en Pages : 384
Book Description
In Our Rightful Share, Aline Helg examines the issue of race in Cuban society, politics, and ideology during the island's transition from a Spanish colony to an independent state. She challenges Cuba's well-established myth of racial equality and s
Author: Devyn Spence Benson Publisher: UNC Press Books ISBN: 146962673X Category : History Languages : en Pages : 335
Book Description
Analyzing the ideology and rhetoric around race in Cuba and south Florida during the early years of the Cuban revolution, Devyn Spence Benson argues that ideas, stereotypes, and discriminatory practices relating to racial difference persisted despite major efforts by the Cuban state to generate social equality. Drawing on Cuban and U.S. archival materials and face-to-face interviews, Benson examines 1960s government programs and campaigns against discrimination, showing how such programs frequently negated their efforts by reproducing racist images and idioms in revolutionary propaganda, cartoons, and school materials. Building on nineteenth-century discourses that imagined Cuba as a raceless space, revolutionary leaders embraced a narrow definition of blackness, often seeming to suggest that Afro-Cubans had to discard their blackness to join the revolution. This was and remains a false dichotomy for many Cubans of color, Benson demonstrates. While some Afro-Cubans agreed with the revolution's sentiments about racial transcendence--"not blacks, not whites, only Cubans--others found ways to use state rhetoric to demand additional reforms. Still others, finding a revolution that disavowed blackness unsettling and paternalistic, fought to insert black history and African culture into revolutionary nationalisms. Despite such efforts by Afro-Cubans and radical government-sponsored integration programs, racism has persisted throughout the revolution in subtle but lasting ways.
Author: David H. Brown Publisher: Routledge ISBN: 1000008185 Category : Social Science Languages : en Pages : 467
Book Description
Originally published in 2003, The Light Inside is a ground-breaking study of an Afro-Cuban secret society, its sacred arts, and their role in modern Cuban cultural history. Enslaved Africans and creoles developed the Abakuá Society, a system of men’s fraternal lodges, in urban Cuba beginnings in 1836. Drawing on years of fieldwork in the country, the book’s novel approach builds on close readings of dazzling Abakuá altars, chalk-drawn signs, and hooded masquerades. It looks at the art history of Abakuá altars, not only tracing changing styles but also how they evolve through cycles of tradition and renovation. The Light Inside reflects the essence of the artists’ creativity and experience: through adornment, altars project the powerful spirituality of Abakuá practice, an aesthetic strategy. The book also traces a biography of Abakuá objects – their shifting forms and meanings – as they participated in successive periods of Cuban cultural history. The book constructs close rhetorical and visual analyses of changing representations of the Abakuá, spanning nineteenth-century arts and letters, modern ethnographic texts, museum displays, paintings, and late twentieth century commercial kitsch. This interdisciplinary work combines art history, African Diaspora, cultural studies and cultural anthropology with Latin American.
Author: Alejandro de la Fuente Publisher: Cambridge University Press ISBN: 1316832325 Category : History Languages : en Pages : 663
Book Description
Alejandro de la Fuente and George Reid Andrews offer the first systematic, book-length survey of humanities and social science scholarship on the exciting field of Afro-Latin American studies. Organized by topic, these essays synthesize and present the current state of knowledge on a broad variety of topics, including Afro-Latin American music, religions, literature, art history, political thought, social movements, legal history, environmental history, and ideologies of racial inclusion. This volume connects the region's long history of slavery to the major political, social, cultural, and economic developments of the last two centuries. Written by leading scholars in each of those topics, the volume provides an introduction to the field of Afro-Latin American studies that is not available from any other source and reflects the disciplinary and thematic richness of this emerging field.
Author: Devyn Spence Benson
Author: Devyn Spence Benson
Author: Edna M. Rodríguez-Plate
Author: Anke Birkenmaier
Author: María de los Reyes Castillo Bueno
Author: Pedro Pérez Sarduy
Author: Mercedes Cros Sandoval
Author: Aline Helg
Author: Devyn Spence Benson
Author: David H. Brown
Author: Alejandro de la Fuente