Author: Raul A. Fernandez
Publisher: Univ of California Press
ISBN: 0520939441
Category : Music
Languages : en
Pages : 216
Book Description
This book explores the complexity of Cuban dance music and the webs that connect it, musically and historically, to other Caribbean music, to salsa, and to Latin Jazz. Establishing a scholarly foundation for the study of this music, Raul A. Fernandez introduces a set of terms, definitions, and empirical information that allow for a broader, more informed discussion. He presents fascinating musical biographies of prominent performers Cachao López, Mongo Santamaría, Armando Peraza, Patato Valdés, Francisco Aguabella, Cándido Camero, Chocolate Armenteros, and Celia Cruz. Based on interviews that the author conducted over a nine-year period, these profiles provide in-depth assessments of the musicians’ substantial contributions to both Afro-Cuban music and Latin Jazz. In addition, Fernandez examines the links between Cuban music and other Caribbean musics; analyzes the musical and poetic foundations of the Cuban son form; addresses the salsa phenomenon; and develops the aesthetic construct of sabor, central to Cuban music. Copub: Center for Black Music Research
From Afro-Cuban Rhythms to Latin Jazz
Author: Raul A. Fernandez
Publisher: Univ of California Press
ISBN: 0520939441
Category : Music
Languages : en
Pages : 216
Book Description
This book explores the complexity of Cuban dance music and the webs that connect it, musically and historically, to other Caribbean music, to salsa, and to Latin Jazz. Establishing a scholarly foundation for the study of this music, Raul A. Fernandez introduces a set of terms, definitions, and empirical information that allow for a broader, more informed discussion. He presents fascinating musical biographies of prominent performers Cachao López, Mongo Santamaría, Armando Peraza, Patato Valdés, Francisco Aguabella, Cándido Camero, Chocolate Armenteros, and Celia Cruz. Based on interviews that the author conducted over a nine-year period, these profiles provide in-depth assessments of the musicians’ substantial contributions to both Afro-Cuban music and Latin Jazz. In addition, Fernandez examines the links between Cuban music and other Caribbean musics; analyzes the musical and poetic foundations of the Cuban son form; addresses the salsa phenomenon; and develops the aesthetic construct of sabor, central to Cuban music. Copub: Center for Black Music Research
Publisher: Univ of California Press
ISBN: 0520939441
Category : Music
Languages : en
Pages : 216
Book Description
This book explores the complexity of Cuban dance music and the webs that connect it, musically and historically, to other Caribbean music, to salsa, and to Latin Jazz. Establishing a scholarly foundation for the study of this music, Raul A. Fernandez introduces a set of terms, definitions, and empirical information that allow for a broader, more informed discussion. He presents fascinating musical biographies of prominent performers Cachao López, Mongo Santamaría, Armando Peraza, Patato Valdés, Francisco Aguabella, Cándido Camero, Chocolate Armenteros, and Celia Cruz. Based on interviews that the author conducted over a nine-year period, these profiles provide in-depth assessments of the musicians’ substantial contributions to both Afro-Cuban music and Latin Jazz. In addition, Fernandez examines the links between Cuban music and other Caribbean musics; analyzes the musical and poetic foundations of the Cuban son form; addresses the salsa phenomenon; and develops the aesthetic construct of sabor, central to Cuban music. Copub: Center for Black Music Research
Decoding Afro-Cuban Jazz
Author: Chucho Valdés
Publisher:
ISBN: 9780997661729
Category : Blacks
Languages : en
Pages : 212
Book Description
Publisher:
ISBN: 9780997661729
Category : Blacks
Languages : en
Pages : 212
Book Description
Funkifying the Cláve
Author: Lincoln Goines
Publisher: Alfred Music Publishing
ISBN: 9780769220208
Category : Bass guitar
Languages : es
Pages : 82
Book Description
Publisher: Alfred Music Publishing
ISBN: 9780769220208
Category : Bass guitar
Languages : es
Pages : 82
Book Description
From Afro-Cuban Rhythms to Latin Jazz
Author: Raul A. Fernandez
Publisher: Univ of California Press
ISBN: 0520247086
Category : Art
Languages : en
Pages : 216
Book Description
Publisher Description
Publisher: Univ of California Press
ISBN: 0520247086
Category : Art
Languages : en
Pages : 216
Book Description
Publisher Description
Cubano Be, Cubano Bop
Author: Leonardo Acosta
Publisher: Smithsonian Institution
ISBN: 1588345475
Category : Biography & Autobiography
Languages : en
Pages : 321
Book Description
Based on unprecedented research in Cuba, the direct testimony of scores of Cuban musicians, and the author's unique experience as a prominent jazz musician, Cubano Be, Cubano Bop is destined to take its place among the classics of jazz history. The work pays tribute not only to a distinguished lineage of Cuban jazz musicians and composers, but also to the rich musical exchanges between Cuban and American jazz throughout the twentieth century. The work begins with the first encounters between Cuban music and jazz around the turn of the last century. Acosta writes about the presence of Cuban musicians in New Orleans and the “Spanish tinge” in early jazz from the city, the formation and spread of the first jazz ensembles in Cuba, the big bands of the thirties, and the inception of “Latin jazz.” He explores the evolution of Bebop, Feeling, and Mambo in the forties, leading to the explosion of Cubop or Afro-Cuban jazz and the innovations of the legendary musicians and composers Machito, Mario Bauzá, Dizzy Gillespie, and Chano Pozo. The work concludes with a new generation of Cuban jazz artists, including the Grammy award-winning musicians and composers Chucho Valdés and Paquito D’Rivera.
Publisher: Smithsonian Institution
ISBN: 1588345475
Category : Biography & Autobiography
Languages : en
Pages : 321
Book Description
Based on unprecedented research in Cuba, the direct testimony of scores of Cuban musicians, and the author's unique experience as a prominent jazz musician, Cubano Be, Cubano Bop is destined to take its place among the classics of jazz history. The work pays tribute not only to a distinguished lineage of Cuban jazz musicians and composers, but also to the rich musical exchanges between Cuban and American jazz throughout the twentieth century. The work begins with the first encounters between Cuban music and jazz around the turn of the last century. Acosta writes about the presence of Cuban musicians in New Orleans and the “Spanish tinge” in early jazz from the city, the formation and spread of the first jazz ensembles in Cuba, the big bands of the thirties, and the inception of “Latin jazz.” He explores the evolution of Bebop, Feeling, and Mambo in the forties, leading to the explosion of Cubop or Afro-Cuban jazz and the innovations of the legendary musicians and composers Machito, Mario Bauzá, Dizzy Gillespie, and Chano Pozo. The work concludes with a new generation of Cuban jazz artists, including the Grammy award-winning musicians and composers Chucho Valdés and Paquito D’Rivera.
Brazilian and Afro-cuban Jazz Conception- Piano
Author: Fernando Brandao
Publisher:
ISBN: 9783892212270
Category :
Languages : en
Pages : 63
Book Description
Brazilian and Afro-Cuban Jazz Conception is the new exciting series of play-along books by award-winning Brazilian flutist and composer Fernando Brand�o and features 15 original tunes in various Brazilian and Afro-Cuban styles. This edition clearly aims at being more than a simple play-along collection. For each of the tunes a thorough analysis and additional exercises are given. An extensive introduction into the various styles and rhythms of Brazilian and Afro-Cuban music makes these books even more valuable. The rhythm section and soloists are among the most prestigious musicians in contemporary Brazilian music. Rhythm Section: Leandro Braga, piano; Adriano Giffoni, bass; Xande Figueiredo, drums; Zero, percussion. Titles include: Afox� Urbano * Bangu * Bolero for Lucia * El Son Mayo * Frog Samba * Funky Samba * The Island * Latin Tower * Lucas' Cha Cha * Rodrigo No Frevo * Sad Solitude * Sanfona * Samba Dance * Santa Cruz * Snobby.
Publisher:
ISBN: 9783892212270
Category :
Languages : en
Pages : 63
Book Description
Brazilian and Afro-Cuban Jazz Conception is the new exciting series of play-along books by award-winning Brazilian flutist and composer Fernando Brand�o and features 15 original tunes in various Brazilian and Afro-Cuban styles. This edition clearly aims at being more than a simple play-along collection. For each of the tunes a thorough analysis and additional exercises are given. An extensive introduction into the various styles and rhythms of Brazilian and Afro-Cuban music makes these books even more valuable. The rhythm section and soloists are among the most prestigious musicians in contemporary Brazilian music. Rhythm Section: Leandro Braga, piano; Adriano Giffoni, bass; Xande Figueiredo, drums; Zero, percussion. Titles include: Afox� Urbano * Bangu * Bolero for Lucia * El Son Mayo * Frog Samba * Funky Samba * The Island * Latin Tower * Lucas' Cha Cha * Rodrigo No Frevo * Sad Solitude * Sanfona * Samba Dance * Santa Cruz * Snobby.
Afro-Cuban Jazz
Author: Scott Yanow
Publisher: Hal Leonard Corporation
ISBN: 9781617800320
Category : Music
Languages : en
Pages : 228
Book Description
(Book). Through anecdotal biographies and evocative photos, this book by jazz author extraordinaire Scott Yanow portrays every key Afro-Cuban Jazz innovator past and present, plus other jazz artists influenced by this infectious music. Also includes reviews and ratings of recordings that make (or don't make) the cut, and essays packed with historical insight not found in other guides. Musicians covered include: Tito Puente, Cal Tjader, Willie Bobo, Machito, Poncho Sanchez, Chucho Valdes, Arturo Sandoval, Mongo Santamaria, Gato Barbieri, Eddie Palmieri, and many more.
Publisher: Hal Leonard Corporation
ISBN: 9781617800320
Category : Music
Languages : en
Pages : 228
Book Description
(Book). Through anecdotal biographies and evocative photos, this book by jazz author extraordinaire Scott Yanow portrays every key Afro-Cuban Jazz innovator past and present, plus other jazz artists influenced by this infectious music. Also includes reviews and ratings of recordings that make (or don't make) the cut, and essays packed with historical insight not found in other guides. Musicians covered include: Tito Puente, Cal Tjader, Willie Bobo, Machito, Poncho Sanchez, Chucho Valdes, Arturo Sandoval, Mongo Santamaria, Gato Barbieri, Eddie Palmieri, and many more.
Afro-Cuban Jazz
Author: Scott Yanow
Publisher: Backbeat Books
ISBN: 9780879306199
Category : Music
Languages : en
Pages : 212
Book Description
Often called "Latin jazz" today, Afro-Cuban jazz dates back to 1947, when Cuban percussionist Chano Pozo joined Dizzy Gillespie's big band, helping to fuse bebop with Cuban folk music and rhythms. This book focuses on the jazz side of this irresistible musical mixture, covering such early figures as Tito Puente and Willie Bobo and today's leading artists. 50 photos.
Publisher: Backbeat Books
ISBN: 9780879306199
Category : Music
Languages : en
Pages : 212
Book Description
Often called "Latin jazz" today, Afro-Cuban jazz dates back to 1947, when Cuban percussionist Chano Pozo joined Dizzy Gillespie's big band, helping to fuse bebop with Cuban folk music and rhythms. This book focuses on the jazz side of this irresistible musical mixture, covering such early figures as Tito Puente and Willie Bobo and today's leading artists. 50 photos.
Selected Transcriptions
Author: Machito and His Afro-Cubans
Publisher: A-R Editions, Inc.
ISBN: 089579828X
Category : Big band music
Languages : es
Pages : 433
Book Description
Machito (Francisco Raúl Grillo, 19091984) was born into a musical family in Havana, Cuba, and was already an experienced vocalist when he arrived in New York City in 1937. In 1940 he teamed up with his brother-in-law, the Cuban trumpeter Mario Bauzá (19111993), who had already made a name for himself with top African American swing bands such as those of Chick Webb and Cab Calloway. Together, Machito and Bauzá formed Machito and his Afro-Cubans. With Bauzá as musical director, the band forged vital pan-African connections by fusing Afro-Cuban rhythms with modern jazz and by collaborating with major figures in the bebop movement. Highly successful with Latino as well as black and white audiences, Machito and his Afro-Cubans recorded extensively and performed in dance halls, nightclubs, and on the concert stage. In this volume, ethnomusicologist Paul Austerlitz and bandleader and professor Jere Laukkanen (both experienced Latin jazz performers) present transcriptions from Machitos recordings which meticulously illustrate the improvised as well as scored vocal, reed, brass, and percussion parts of the music. Austerlitzs introductory essay traces the history of Afro-Cuban jazz in New York, a style that exerted a profound impact on leaders of the bebop movement, including Dizzy Gillespie and Charlie Parker, who appears as a guest soloist with Machito on some of the music transcribed here. This is MUSAs first volume to represent the significant Latino heritage in North American music.
Publisher: A-R Editions, Inc.
ISBN: 089579828X
Category : Big band music
Languages : es
Pages : 433
Book Description
Machito (Francisco Raúl Grillo, 19091984) was born into a musical family in Havana, Cuba, and was already an experienced vocalist when he arrived in New York City in 1937. In 1940 he teamed up with his brother-in-law, the Cuban trumpeter Mario Bauzá (19111993), who had already made a name for himself with top African American swing bands such as those of Chick Webb and Cab Calloway. Together, Machito and Bauzá formed Machito and his Afro-Cubans. With Bauzá as musical director, the band forged vital pan-African connections by fusing Afro-Cuban rhythms with modern jazz and by collaborating with major figures in the bebop movement. Highly successful with Latino as well as black and white audiences, Machito and his Afro-Cubans recorded extensively and performed in dance halls, nightclubs, and on the concert stage. In this volume, ethnomusicologist Paul Austerlitz and bandleader and professor Jere Laukkanen (both experienced Latin jazz performers) present transcriptions from Machitos recordings which meticulously illustrate the improvised as well as scored vocal, reed, brass, and percussion parts of the music. Austerlitzs introductory essay traces the history of Afro-Cuban jazz in New York, a style that exerted a profound impact on leaders of the bebop movement, including Dizzy Gillespie and Charlie Parker, who appears as a guest soloist with Machito on some of the music transcribed here. This is MUSAs first volume to represent the significant Latino heritage in North American music.
Afro-Cuban Rhythms
Author: Trevor Salloum
Publisher: Mel Bay Publications
ISBN: 1619116871
Category : Music
Languages : en
Pages : 33
Book Description
Afro-Cuban Rhythms: Gig Savers Complete Edition combines both of Trevor Salloum's popular previous editions. The material is designed for the intermediate to advanced percussionist who has some basic understanding of percussion notation. Part one is a collection of traditional rhythms ideal for a percussion ensemble or for the individual who wants to learn the authentic parts of each rhythm. The material is presented in a concise and user-friendly style. Part one includes information on Clave, Tumbao for one and two drums, Yambú, Guaguancó (Havana), Guaguancó (Matanzas), Rumba columbia, Conga (Havana), Conga (Matanzas) and Conga (Santiago). Part two is structured just like part one, but covers a different set of rhythms: Bembe, Makuta, Yuka, Palo, Arará, Abakuá (Havana), Abakuá (Matanzas), Gagá, Vudú and Iyesa. All rhythms presented in this edition are easily adapted to conga drums and Afro-Cuban hand percussion.
Publisher: Mel Bay Publications
ISBN: 1619116871
Category : Music
Languages : en
Pages : 33
Book Description
Afro-Cuban Rhythms: Gig Savers Complete Edition combines both of Trevor Salloum's popular previous editions. The material is designed for the intermediate to advanced percussionist who has some basic understanding of percussion notation. Part one is a collection of traditional rhythms ideal for a percussion ensemble or for the individual who wants to learn the authentic parts of each rhythm. The material is presented in a concise and user-friendly style. Part one includes information on Clave, Tumbao for one and two drums, Yambú, Guaguancó (Havana), Guaguancó (Matanzas), Rumba columbia, Conga (Havana), Conga (Matanzas) and Conga (Santiago). Part two is structured just like part one, but covers a different set of rhythms: Bembe, Makuta, Yuka, Palo, Arará, Abakuá (Havana), Abakuá (Matanzas), Gagá, Vudú and Iyesa. All rhythms presented in this edition are easily adapted to conga drums and Afro-Cuban hand percussion.