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Author: James McNutt Publisher: University of Oklahoma Press ISBN: 0806188030 Category : Art Languages : en Pages : 354
Book Description
“For those of us who portray wildlife . . . our decision to persist in our quest for excellence is almost always based on a love affair, a fascination with the creatures of our planet, and a need to share this feeling the best way we know how.” So said wildlife artist Robert Kuhn (1920–2007), who spent a lifetime sketching and painting animals, and generously mentoring other artists. Bob Kuhn: Drawing on Instinct presents a generous sampling of his rarely seen sketches alongside the vibrant paintings for which he is best known. Appearing in conjunction with a traveling exhibit mounted by the National Museum of Wildlife Art, in Jackson, Wyoming, this book allows readers to observe the artistic process of one of the greatest wildlife artists of our time. Curator Adam Duncan Harris provides an introduction and a biography of Kuhn, along with an examination of his working method. In addition, Bob Kuhn features four substantive essays by leading authorities on American art: James H. Nottage of the Eiteljorg Museum of American Indians and Western Art, Amy Scott of the Autry National Center, Lisa M. Strong of the Corcoran Gallery of Art, and Todd Wilkinson of Wildlife Art Journal and other publications. These contributions, written from a variety of art historical perspectives, set Kuhn’s oeuvre within the cultural context in which he worked and deepen our understanding of his achievements. Complementing the essays are brief appreciations by six of Kuhn’s contemporaries and three samples of the artist’s own writing. Bob Kuhn: Drawing on Instinct offers a compelling blend of the artist’s finished paintings and finest sketches—works of art in their own right. This lavishly illustrated book is a fitting tribute that will further establish Bob Kuhn’s place in the pantheon of late-twentieth-century American artists.
Author: James McNutt Publisher: University of Oklahoma Press ISBN: 0806188030 Category : Art Languages : en Pages : 354
Book Description
“For those of us who portray wildlife . . . our decision to persist in our quest for excellence is almost always based on a love affair, a fascination with the creatures of our planet, and a need to share this feeling the best way we know how.” So said wildlife artist Robert Kuhn (1920–2007), who spent a lifetime sketching and painting animals, and generously mentoring other artists. Bob Kuhn: Drawing on Instinct presents a generous sampling of his rarely seen sketches alongside the vibrant paintings for which he is best known. Appearing in conjunction with a traveling exhibit mounted by the National Museum of Wildlife Art, in Jackson, Wyoming, this book allows readers to observe the artistic process of one of the greatest wildlife artists of our time. Curator Adam Duncan Harris provides an introduction and a biography of Kuhn, along with an examination of his working method. In addition, Bob Kuhn features four substantive essays by leading authorities on American art: James H. Nottage of the Eiteljorg Museum of American Indians and Western Art, Amy Scott of the Autry National Center, Lisa M. Strong of the Corcoran Gallery of Art, and Todd Wilkinson of Wildlife Art Journal and other publications. These contributions, written from a variety of art historical perspectives, set Kuhn’s oeuvre within the cultural context in which he worked and deepen our understanding of his achievements. Complementing the essays are brief appreciations by six of Kuhn’s contemporaries and three samples of the artist’s own writing. Bob Kuhn: Drawing on Instinct offers a compelling blend of the artist’s finished paintings and finest sketches—works of art in their own right. This lavishly illustrated book is a fitting tribute that will further establish Bob Kuhn’s place in the pantheon of late-twentieth-century American artists.
Author: Dudley Randall Publisher: Wayne State University Press ISBN: 9780814334454 Category : Biography & Autobiography Languages : en Pages : 264
Book Description
Collects significant poetry, short stories, and essays by celebrated African American poet and publisher Dudley Randall. Dudley Randall was one of the foremost voices in African American literature during the twentieth century, best known for his poetry and his work as the editor and publisher of Broadside Press in Detroit. While he published six books of poetry during his life, much of his work is currently out of print or fragmented among numerous anthologies. Roses and Revolutions: The Selected Writings of Dudley Randall brings together his most popular poems with his lesser-known short stories, first published in The Negro Digest during the 1960s, and several of his essays, which profoundly influenced the direction and attitude of the Black Arts movement. Roses and Revolutions: The Selected Writings of Dudley Randall is arranged in seven sections: "Images from Black Bottom," "Wars: At Home and Abroad," "The Civil Rights Era," "Poems on Miscellaneous Subjects," "Love Poems," "Dialectics of the Black Aesthetic," and "The Last Leap of the Muse." Poems and prose are mixed throughout the volume and are arranged roughly chronologically. Taken as a whole, Randall's writings showcase his skill as a wordsmith and his affinity for themes of love, human contradictions, and political action. His essays further contextualize his work by revealing his views on race and writing, aesthetic form, and literary and political history. Editor Melba Joyce Boyd introduces this collection with an overview of Randall's life and career. The collected writings in Roses and Revolutions not only confirm the talent and the creative intellect of Randall as an author and editor but also demonstrate why his voice remains relevant and impressive in the twenty-first century. Randall was named the first Poet Laureate of the City of Detroit and received numerous awards for his literary work, including the Life Achievement Award from the National Endowment of the Arts in 1986. Students and teachers of African American literature as well as readers of poetry will appreciate this landmark volume.
Author: Samuel Coleridge-Taylor Publisher: Legare Street Press ISBN: 9781016502801 Category : Languages : en Pages : 0
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Alain Locke Publisher: Open Road Media ISBN: 1504066073 Category : Literary Collections Languages : en Pages : 459
Book Description
A portrait of the vibrant world of 1920s Harlem, with writings by Langston Hughes, W. E. B. Du Bois, Zora Neale Hurston, Claude McKay, Walter White, and more. The Harlem Renaissance was a landmark period in African American history—a time when black poets, musicians, intellectuals, civil rights activists, and others changed the social and cultural landscape in enduring ways. Its influence went far beyond the confines of uptown New York City, as it incorporated voices from the Great Migration, in which African Americans moved north in vast numbers; and elevated artists and thinkers who would become iconic figures in not only Black history, but also American history. Now considered the definitive work of the Harlem Renaissance, The New Negro features fiction, poetry, and essays that shaped the era. “A book of unusual interest and value.” —The New York Times “[Locke was] the godfather of the Harlem Renaissance.” —Publishers Weekly “Alain Locke is a critical—and complex—figure in any discussion of African-American intellectual history.” —Kirkus Reviews
Author: Publisher: ISBN: Category : Languages : en Pages : 56
Book Description
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
Author: Liu Chingchih Publisher: The Chinese University of Hong Kong Press ISBN: 962996970X Category : History Languages : en Pages : 960
Book Description
By the end of the nineteenth century, after a long period during which the weakness of China became ever more obvious, intellectuals began to go abroad for new ideas. What emerged was a musical genre that Liu Chingchih terms "New Music." With no direct ties to traditional Chinese music, New Music reflects the compositional techniques and musical idioms of eighteenth, nineteenth and early twentieth–century European styles. Liu traces the genesis and development of New Music throughout the twentieth century, deftly examining the cultural, social, and political forces that shaped New Music and its uses by politicians and the government.
Author: Eleni Kalantidou Publisher: Routledge ISBN: 1317697847 Category : Architecture Languages : en Pages : 208
Book Description
This book makes a significant contribution to advancing post-geographic understandings of physical and virtual boundaries. It brings together the emergent theory of ‘border thinking’ with innovative thinking on design, and explores the recent discourse on decoloniality and globalism. From a variety of viewpoints, the topics engaged show how design was historically embedded in the structures of colonial imposition, and how it is implicated in more contemporary settings in the extension of ‘epistemological colonialism’. The essays draw on perspectives from diverse geo-cultural and theoretical positions including architecture, design theory and history, sociology, critical theory and cultural studies. The authors are leading and emergent figures in their fields of study and practice, and the geographic scope of the chapters ranges across Europe, the Middle East, Africa, South America, Asia, and the Pacific. In recognition of the complexity of challenges that are now determining the future security of humanity, Design in the Borderlands aims to contribute to ‘thinking futures’ by adding to the increasingly significant debate between design, in the context of the history of Western modernity, and decolonial thought.
Author: Benjamin Griffith Brawley Publisher: Wentworth Press ISBN: Category : Art Languages : en Pages : 246
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: James McNutt
Author: Samuel Coleridge-Taylor
Author: James McNutt
Author: Dudley Randall
Author: Samuel Coleridge-Taylor
Author: Alain Locke
Author: 
Author: Louis Charles Elson
Author: Liu Chingchih
Author: Eleni Kalantidou
Author: Benjamin Griffith Brawley