African Masks and Shields Stickers PDF Download

Author: Cal Massey
Publisher: Courier Corporation
ISBN: 9780486418315
Category : Crafts & Hobbies
Languages : en
Pages : 12

View

Book Description
Nineteen peel-and-apply stickers of African masks and shields. Tribal identifications given.

Author: Gregory Mirow
Publisher: Courier Corporation
ISBN: 9780486290256
Category : Juvenile Nonfiction
Languages : en
Pages : 12

View

Book Description
Colorful, authentic representations of birds, fish, human figures, abstract designs, and other motifs have been adapted from artifacts of Dahomey, Kenya, Nigeria, Cameroun, and other countries. Peel and apply for authentic African decorative flavor.

Author: Geoffrey Williams
Publisher: Courier Corporation
ISBN: 0486227529
Category : Social Science
Languages : en
Pages : 254

View

Book Description
Black-and-white linocut prints of geometric and abstract motifs, textual patterns, masks, and mythical figures provide a pictorial presentation of African designs

Author: Shelly Errington
Publisher: Univ of California Press
ISBN: 0520920341
Category : Art
Languages : en
Pages : 338

View

Book Description
In this lucid, witty, and forceful book, Shelly Errington argues that Primitive Art was invented as a new type of art object at the beginning of the twentieth century but that now, at the century's end, it has died a double but contradictory death. Authenticity and primitivism, both attacked by cultural critics, have died as concepts. At the same time, the penetration of nation-states, the tourist industry, and transnational corporations into regions that formerly produced these artifacts has severely reduced supplies of "primitive art," bringing about a second "death." Errington argues that the construction of the primitive in the nineteenth and twentieth centuries (and the kinds of objects chosen to exemplify it) must be understood as a product of discourses of progress—from the nineteenth-century European narrative of technological progress, to the twentieth-century narrative of modernism, to the late- twentieth-century narrative of the triumph of the free market. In Part One she charts a provocative argument ranging through the worlds of museums, art theorists, mail-order catalogs, boutiques, tourism, and world events, tracing a loosely historical account of the transformations of meanings of primitive art in this century. In Part Two she explores an eclectic collection of public sites in Mexico and Indonesia—a national museum of anthropology, a cultural theme park, an airport, and a ninth-century Buddhist monument (newly refurbished)—to show how the idea of the primitive can be used in the interests of promoting nationalism and economic development. Errington's dissection of discourses about progress and primitivism in the contemporary world is both a lively introduction to anthropological studies of art institutions and a dramatic new contribution to the growing field of cultural studies.

Author:
Publisher:
ISBN:
Category : Art, Primitive
Languages : en
Pages : 338

View

Book Description
Quarterly journal of the art, culture and history of traditional peoples and Old World civilizations.

Author:
Publisher: Pretoria University Law Press
ISBN:
Category : Law
Languages : en
Pages : 531

View

Book Description
In 2020, the African Human Rights Law Journal (AHRLJ or Journal) celebrates 20 years since it first was published. The AHRLJ is the only peer-reviewed journal focused on human rights-related topics of relevance to Africa, Africans and scholars of Africa. It is a time for celebration. Since 2001, two issues of the AHRLJ have appeared every year. Initially published by Juta, in Cape Town, South Africa, in 2013 it became as an open-access journal published by the Pretoria University Law Press (PULP). PULP is a non-profit open-access publisher focused on advancing African scholarship. The AHRLJ contains peer-reviewed articles and ‘recent developments’, discussing the latest court decisions and legal developments in the African Union (AU) and regional economic communities. It contains brief discussions of recently-published books. With a total of 517 contributions in 40 issues (436 articles and 81 ‘recent developments’; not counting ‘book reviews’), on average the AHRLJ contains around 13 contributions per issue. The AHRLJ is accredited with the International Bibliography of the Social Sciences (IBSS) and the South African Department of Higher Education, Science and Innovation, and appears in a number of open access portals, including AfricanLii, the Directory of Open Access Journals and SciELO. Over the 20 years of its existence, many significant articles appeared in the AHRLJ. According to Google Scholar the mostcited articles that have appeared in the Journal over this period are (i) T Metz ‘Ubuntu as a moral theory and human rights in South Africa’ (2011) 11 African Human Rights Law Journal 532-559 (with 273 citations); (ii) D Cornell and K van Marle ‘Exploring ubuntu: Tentative reflections’ (2005) 5 African Human Rights Law Journal 195- 220 (with 97 citations); (iii) S Tamale ‘Exploring the contours of African sexualities: Religion, law and power’ (2014) 14 African Human Rights Law Journal 150-177 (with 85 citations); K Kindiki ‘The normative and institutional framework of the African Union relating to the protection of human rights and the maintenance of international peace and security: A critical appraisal’ (2003) 3 African Human Rights Law Journal 97-117 (with 59 citations); and T Kaime ‘The Convention on the Rights of the Child and the cultural legitimacy of children’s rights in Africa: Some reflections’ (2005) 5 African Human Rights Law Journal 221-238) (with 54 citations). This occasion allows some perspective on the role that the Journal has played over the past 20 years. It is fair to say that the AHRLJ contributed towards strengthening indigenous African scholarship, in general, and human rights-related themes, specifically. Before the Journal there was no academic ‘outlet’ devoted to human rights in the broader African context. Both in quantity and in quality the Journal has left its mark on the landscape of scholarly journals. The AHRLJ has provided a forum for African voices, including those that needed to be ‘fine-tuned’. Different from many other peerreviewed journals, the AHRLJ has seen it as its responsibility to nurture emerging but not yet fully-flourishing talent. This approach allowed younger and emerging scholars to be guided to sharpen their skills and find their scholarly voices. The AHRLJ has evolved in tandem with the African regional human rights system, in a dialogic relationship characterised by constructive criticism. When the Journal was first published in 2001, the Protocol on the Establishment of an African Court on Human and Peoples’ Rights (African Court Protocol) was not yet in force. Over the years the Journal tracked the evolution of the African Court on Human and Peoples’ Rights (African Court) from a faltering start, through a phase when it increasingly expressed itself in an emerging jurisprudence, to the current situation of push-back by states signalled by the withdrawal by four states of their acceptance of the Court’s direct individual access jurisdiction. The same is largely true for the African Committee of Experts on the Rights and Welfare of the Child (African Children’s Committee). It was in 2001 that the AU elected the first members of this Committee. It first met in 2002, and its first decade or so was lackluster. The Committee examined its first state report only in November 2008, and decided its first communication in March 2011. Articles by authors such as Mezmur and Sloth-Nielsen, who also served as members of the Committee, and Lloyd, placed the spotlight on the work of the Committee. Initially, these articles primarily served to describe and provide information that otherwise was largely inaccessible, but over time they increasingly provided a critical gaze and contributed to the constructive evolution of the Committee’s exercise of its mandate. By 2011 the African Commission on Human and Peoples’ Rights (African Commission) was already quite well established, but it also underwent significant growth over the subsequent 20-year period. Numerous articles in the Journal trace and analyse aspects of this evolution. Contributions in the Journal also cover most of the AU human rights treaties and soft law standards. A number of issues contain a ‘special focus’ section dealing with a thematic issue of particular relevance or concern, such as the focus on the Protocol to the African Charter on the Rights of Women (2006 no 1); ‘30 years of the African Charter’ (2011 no 2); and ‘sexual and reproductive rights and the African Women’s Protocol’ (2014 no 2). The scope of the Journal extends beyond the supranational dimension of human rights. Over the years many contributions explored aspects of the domestic human rights situation in countries such as the Democratic Republic of the Congo, Eswatini, Ethiopia, Lesotho, Malawi, Mauritius, Nigeria, South Africa, Tanzania, Uganda and Zimbabwe. From time to time the specific focus sections also veered towards domestic human rights protection. See for instance the focus on 20 years of the South African Constitution (2014 no 2); on ‘adolescent sexual and reproductive rights in the African region’ (2017 no 2); on ‘the rule of law in sub-Saharan Africa’ (2018 no 1); and on ‘dignity taking and dignity restorations’ (2018 no 2).

Author: Sotheby Parke Bernet & Co
Publisher:
ISBN:
Category : Art, African
Languages : en
Pages : 604

View

Book Description

Author: Carol Magee
Publisher: Univ. Press of Mississippi
ISBN: 1617031534
Category : Social Science
Languages : en
Pages : 280

View

Book Description
In the American world, the presence of African culture is sometimes fully embodied and sometimes leaves only a trace. Africa in the American Imagination: Popular Culture, Racialized Identities, and African Visual Culture explores this presence, examining Mattel's world of Barbie, the 1996 Sports Illustrated swimsuit issue, and Disney World, each of which repackages African visual culture for consumers. Because these cultural icons permeate American life, they represent the broader U.S. culture and its relationship to African culture. This study integrates approaches from art history and visual culture studies with those from culture, race, and popular culture studies to analyze this interchange. Two major threads weave throughout. One analyzes how the presentation of African visual culture in these popular culture forms conceptualizes Africa for the American public. The other investigates the way the uses of African visual culture focuses America's own self-awareness, particularly around black and white racialized identities. In exploring the multiple meanings that “Africa” has in American popular culture, Africa in the American Imagination argues that these cultural products embody multiple perspectives and speak to various sociopolitical contexts: the Cold War, civil rights, and contemporary eras of the United States; the apartheid and post-apartheid eras of South Africa; the colonial and postcolonial eras of Ghana; and the European era of African colonization.

Author: Christraud M. Geary
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 212

View

Book Description
How the "unique" look of African art captured the imagination of artists such as Picasso and Stieglitz is well known. But how do art aficionados today see African objects? And how does our view compare to the way in which these objects were seen in Africa? Presenting the William and Bertha Teel Collection for the first time, this book provides a chance to think about how our vision of such objects is shaped by the "ethnographic," "primitive," or "modern" labels that have been applied in the West, and to compare it to how those same works were viewed in their birthplace. Lavish, full-color illustrations of over 100 choice objects combine forces with essays by leading African art specialists Suzanne Preston Blier, Michael Kan, and Edmund B. Gaither, and object descriptions by the collector himself, to provide a thoughtful and visually stimulating examination of these important African forms--as well as of the dynamic relationship among their creators, their original cultural contexts, and the Western viewing public.

Author: South African Democracy Education Trust
Publisher: Taylor & Francis
ISBN: 1040310044
Category : Social Science
Languages : en
Pages : 1154

View

Book Description
In South Africa, the decade of 1980–1990 not only saw the mobilisation of the popular masses, but also the marked escalation of the armed struggle inside the country, initiated and waged by the African National Congress (ANC). The liberation movement, headed by the ANC-led Congress Alliance, took major strides which finally broke the backbone of white supremacist rule. This book examines and analyses the events leading to the settlement of democracy in South Africa during this period. Amongst other topics, the subject matter of this book also includes a discussion of – The apartheid regime ANC underground, armed actions and popular resistance Liberation struggle in the 1980s in the Eastern Cape Bophuthatswana and the role of the UDF in the Western Transvaal Trade Unionism Print editions not for sale in Sub-Saharan Africa. This book is part of Routledge’s co-published series 30 Years of Democracy in South Africa, in collaboration with UNISA Press, which reflects on the past years of a democratic South Africa and assesses the future opportunities and challenges.