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Author: Marc Ginzberg Publisher: ISBN: Category : Art Languages : en Pages : 304
Book Description
"Traditional African forms were noticed, described, and brought back to Europe as early as the statues and masks, but none of the books on the subject covers the broad geographic and stylistic range adequately or presents these beautiful objects appropriately." "This volume reaches into practically all of Africa and thus covers an area perhaps 50% greater than that of most books. Similarly, it is unique in treating a broad variety of articles: household objects and weapons, jewelry and textiles, musical instruments and devotional items. The coverage is extensive, but the purpose is not to be encyclopedic; rather it is to present a wide assortment of top-quality utilitarian objects, beautifully photographed, and to give sufficient background information, carefully researched but in a lively, readable format, to enhance the enjoyment of this material as art."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Marc Ginzberg Publisher: ISBN: Category : Art Languages : en Pages : 304
Book Description
"Traditional African forms were noticed, described, and brought back to Europe as early as the statues and masks, but none of the books on the subject covers the broad geographic and stylistic range adequately or presents these beautiful objects appropriately." "This volume reaches into practically all of Africa and thus covers an area perhaps 50% greater than that of most books. Similarly, it is unique in treating a broad variety of articles: household objects and weapons, jewelry and textiles, musical instruments and devotional items. The coverage is extensive, but the purpose is not to be encyclopedic; rather it is to present a wide assortment of top-quality utilitarian objects, beautifully photographed, and to give sufficient background information, carefully researched but in a lively, readable format, to enhance the enjoyment of this material as art."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Laure Meyer Publisher: ISBN: Category : Art Languages : en Pages : 212
Book Description
Illuminates an aspect of African art that has largely been neglected by other books. African sculptures and art can be difficult to decipher because they are more than tokens of "art for art's sake." African art is often based on religious and philosophical values. It is created not just for the patron but for the entire community, using a language of form to help the society to understand what cannot otherwise be put into words. Through an enlightening analysis of some continent's most emblematic artifacts, this book decodes African art by putting it in the context of the broader culture. It is thematically organized around key motifs to help you fully understand African art. 150 colour illustrations
Author: Raquel Kennon Publisher: LSU Press ISBN: 0807177644 Category : Literary Criticism Languages : en Pages : 389
Book Description
Afrodiasporic Forms explores the epistemological possibilities of the “Black world” paradigm and traces a literary and cultural cartography of the monde noir and its constitutive African diasporas across multiple poetic, visual, and cultural permutations. Examining the transatlantic slave trade and modern racial slavery, Raquel Kennon challenges the US-centric focus of slavery studies and draws on a transnational, eclectic archive of materials from Lusophone, Hispanophone, and Anglophone sources in the Americas to inspect evolving, multitudinous, and disparate forms of Afrodiasporic cultural expression. Spanning the 1830s to the twenty-first century, Afrodiasporic Forms traverses national, linguistic, and disciplinary boundaries as it investigates how cultural products of slavery’s afterlife—including poetry, prose, painting, television, sculpture, and song—shape understandings of the African diaspora. Each chapter uncovers multidirectional pathways for exploring representations of slavery, considering works such as a Brazilian telenovela based on Bernardo Guimarães’s novel A Escrava Isaura, Robert Hayden’s poem “Middle Passage,” Kara Walker’s sculpture A Subtlety, and Juan Francisco Manzano’s Autobiografía de un esclavo. Kennon’s expansive method of comparative reading across the diaspora uses eclectic pairings of canonical and popular textual and artistic sources to stretch beyond disciplinary and national borders, promoting expansive diasporic literacies.
Author: W. Lawrence Hogue Publisher: State University of New York Press ISBN: 1438448368 Category : Literary Criticism Languages : en Pages : 341
Book Description
This book explores how African American social and political movements, African American studies, independent scholars, and traditional cultural forms revisit and challenge the representation of the African American as deviant other. After surveying African American history and cultural politics, W. Lawrence Hogue provides original and insightful readings of six experimental/postmodern African American texts: John Edgar Wideman's Philadelphia Fire; Percival Everett's Erasure; Toni Morrison's Jazz; Bonnie Greer's Hanging by Her Teeth; Clarence Major's Reflex and Bone Structure; and Xam Wilson Cartiér's Muse-Echo Blues. Using traditional cultural and western forms, including the blues, jazz, voodoo, virtuality, radical democracy, Jungian/African American Collective Unconscious, Yoruba gods, black folk culture, and black working class culture, Hogue reveals that these authors uncover spaces with different definitions of life that still retain a wildness and have not been completely mapped out and trademarked by normative American culture. Redefining the African American novel and the African American outside the logic, rules, and values of western binary reason, these writers leave open the possibility of psychic liberation of African Americans in the West.
Author: M Okediji Publisher: ISBN: Category : Art Languages : en Pages : 228
Book Description
African Renaissance: New Forms, Old Images in Yoruba Art describes, analyzes, and interprets the historical and cultural contexts of an African art renaissance using the twentieth- and twenty-first-century transformation of ancient Yoruba artistic heritage. Juxtaposing ancient and contemporary Yoruba art, Moyo Okediji defines this art history through the lens of colonialism, an experience that served to both destroy ancient art traditions and revive Yoruba art in the twentieth century. With vivid reproductions of paintings, prints, and drawings, Okediji describes how Yoruba art has replenished and redefined itself. Okediji groups the text into several broadly overlapping periods that intricately detail the journey of Yoruba art and artists: first through oppression by European colonialism, then the attainment of Nigeria’s independence and the new nation’s subsequent military coup, and ending with present-day native Yoruban artists fleeing their homeland.
Author: Chris Spring Publisher: Smithsonian Institution ISBN: 1588343804 Category : Art Languages : en Pages : 259
Book Description
African Textiles Today illustrates how African history is read, told, and recorded in cloth. All artifacts or works of art hold within them stories that range far beyond the time of their creation or the lifetime of their creator, and African textiles are patterned with these hidden histories. In Africa, cloth may be used to memorialize or commemorate something - an event, a person, a political cause - which in other parts of the world might be written down in detail or recorded by a plaque or monument. History in Africa can be read, told, and recorded in cloth. Making and trading numerous types of cloth have been vital elements in African life and culture for at least two millennia, linking different parts of the continent with each other and the rest of the world. Africa's long engagement with the peoples of the Mediterranean and the islands of the Atlantic and Indian Oceans provides a story of change and continuity. African Textiles Today shows how ideas, techniques, materials, and markets have adapted and flourished, and how the dynamic traditions in African textiles have provided inspiration for the continent's foremost contemporary artists and photographers. With a concluding chapter discussing the impact of African designs across the world, the book offers a fascinating insight into the living history of Africa.
Author: Sarah Brouillette Publisher: Cambridge University Press ISBN: 1316997405 Category : Language Arts & Disciplines Languages : en Pages : 116
Book Description
People looking for works in cities are immersed in English as the lingua franca of the mobile phone and the urban hustle – more effective instigations to reading than decades of work by traditional publishers and development agencies. The legal publishing industry campaigns to convince people to scorn pirates and plagiarists as a criminal underclass, and to instead purchase copyrighted, barcoded works that have the look of legitimacy about them. They work with development industry officials to 'foster literacy' – meaning to grow the legal book trade as a contributor to national economic health, and police what and how the newly literate read. But harried cash-strapped audiences will read what and how they can, often outside of formal economies, and are increasingly turning to mobile phone platforms that sell texts at a fraction of the price of legally printed books.
Author: Marc Ginzberg
Author: Marc Ginzberg
Author: Laure Meyer
Author: Raquel Kennon
Author: William Fagg
Author: W. Lawrence Hogue
Author: Jacob Kẹhinde Olupona
Author: M Okediji
Author: Chris Spring
Author: Sarah Brouillette
Author: Frank Herreman