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Author: John Castagno Publisher: Scarecrow Press ISBN: 1461656168 Category : Art Languages : en Pages : 152
Book Description
John Castagno's Artists' Signatures and Monograms have become the standard reference source for galleries, museums, libraries, and collectors around the world. In African, Asian and Middle Eastern Artists Signatures and Monograms From 1800: A Directory, Castagno has collected the signatures and monograms of artists from Africa, Asia, and the Middle East—including signature examples of artists from China, India, Japan, South Africa, Israel, and many other countries. In addition to the standard signature entries, the book contains sections for monograms and initials, common surname signatures, alternative surname signatures, and symbols. It provides the researcher a reference tool not duplicated elsewhere—one that will save many hours of research.
Author: John Castagno Publisher: Scarecrow Press ISBN: 1461656168 Category : Art Languages : en Pages : 152
Book Description
John Castagno's Artists' Signatures and Monograms have become the standard reference source for galleries, museums, libraries, and collectors around the world. In African, Asian and Middle Eastern Artists Signatures and Monograms From 1800: A Directory, Castagno has collected the signatures and monograms of artists from Africa, Asia, and the Middle East—including signature examples of artists from China, India, Japan, South Africa, Israel, and many other countries. In addition to the standard signature entries, the book contains sections for monograms and initials, common surname signatures, alternative surname signatures, and symbols. It provides the researcher a reference tool not duplicated elsewhere—one that will save many hours of research.
Author: John Castagno Publisher: Rlpg/Galleys ISBN: Category : Art Languages : en Pages : 160
Book Description
John Castagno's Artists' Signatures and Monograms have become the standard reference source for galleries, museums, libraries, and collectors around the world. Whether used to identify, authenticate, or verify signatures and works of both well-known and little-known artists, Castagno's work has no equal. In this new volume, Castagno has collected the signatures and monograms of artists from Africa, Asia, and the Middle East--including signature examples of artists from China, India, Japan, South Africa, Israel, and many other countries. In addition to the standard signature entries, the book contains sections for monograms and initials, common surname signatures, alternative surname signatures, and symbols. All artists are listed with the most updated information on nationality, birth and/or death dates. The entries direct the researcher to many biographical and bibliographical sources not found on web site searches, and many of the resources offer additional references. Several individual listings provide gallery referrals and catalog auction dates, which can be used to buy or sell a particular artist's work. The use of African, Asian and Middle Eastern Artists Signatures and Monograms From 1800: A Directory provides the researcher a reference tool not duplicated elsewhere--one that will save many hours of research.
Author: VENETIA. PORTER Publisher: ISBN: 9780714111957 Category : Languages : en Pages :
Book Description
Reflections: Contemporary Art of the Middle East and North Africa brings together an extraordinary collection of work from the British Museum for the first time. The contemporary art of the Middle East and North Africa is rich and vibrant. Whether living in their countries of birth or in diaspora, the featured artists are part of the globalised world of art. Here we see artists responding to and making work about their present, histories, traditions and cultures, reflecting on a part of the world that has experienced extraordinary change in living memory.The British Museum has been acquiring the work of Middle Eastern and North African artists since the 1980s, and the collection - principally works on paper - is one of the most extensive in the public sphere. Collected within the context of a museum of history, the works offer insights into the nature of civil societies, the complex politics of the region, and cultural traditions in their broadest sense, from the relationship with Islamic art, to the deep engagement with literature.The introduction to the book by curator Venetia Porter explores the history of the collection and the works included. The essential framework for understanding the politics and context within which the artists are working is provided by Charles Tripp's essay. The works are grouped into seven chapters, each beginning with a short introduction. The authors explore the selection within themes such as faith, abstraction and the female gaze.
Author: David Bindman Publisher: Belknap Press ISBN: 9780674504394 Category : Art Languages : en Pages : 456
Book Description
The Image of the Black in African and Asian Art asks how the black figure was depicted by artists from the non-Western world. Beginning with ancient Egyptâe"positioned properly as part of African historyâe"this volume focuses on the figure of the black as rendered by artists from Africa, East Asia, and the Indian subcontinent. The aesthetic traditions illustrated here are as diverse as the political and social histories of these regions. From Igbo Mbari sculptures to modern photography from Mali, from Indian miniatures to Japanese prints, African and Asian artists portrayed the black body in ways distinct from the European tradition, even as they engaged with Western art through the colonial encounter and the forces of globalization. This volume complements the vision of art patrons Dominique and Jean de Menil who, during the 1960s, founded an image archive to collect the ways that people of African descent have been represented in Western art from the ancient world to modern times. A halfâe century later, Harvard University Press and the Hutchins Center for African and African American Research completed the historic publication of The Image of the Black in Western Artâe"ten books in totalâe"beginning with Egyptian antiquities and concluding with images that span the twentieth century. The Image of the Black in African and Asian Art reinvigorates the de Menil familyâe(tm)s original mission and reorients the study of the black body with a new focus on Africa and Asia.
Author: Guida M. Jackson Publisher: Xlibris Corporation ISBN: 1469113538 Category : Biography & Autobiography Languages : en Pages : 347
Book Description
Women Leaders of Africa, Asia, Middle East, and Pacific presents biographical sketches of hundreds of women leaders from earliest recorded history down to the present time. It is the first of two volumes giving data on women leaders from every continent and island in the world; the second volume deals with Europe and countries of the Western Hemisphere. Each book is divided into two sections. Part I of this volume deals with African women leaders; Part II with Asian, Middle East and Pacific women. Within each section, which is introduced by an essay overview, entries are arranged alphabetically. Suggestions for further reading on the subject appear at the end of each entry. Not all entries are merely recitations of facts. Some womens lives do not lend themselves to being reduced to statistics. Many were much too colorful, or lusty, or bloodthirsty to fit into a neat categorical description. How do you easily characterize the rule of the African queen who hacked her servant to death after she was through using him as a chairjust to intimidate her new Portuguese overlord? Who kept as many as thirty slaves as sexual partners, supposedly killing them off when she had finished with them? How do you gloss over the actions of the newly enthroned Persian queen who ordered her stepbrother strangled, then had gold and silver coins struck bearing her new title: Purity of the earthly world and of the faith? How do you describe nicely the actions of the Chinese queen who chopped off her own hand to make a point to a man she had just condemned to death? How do you ascribe feminine traits to a grandmother who tried to kill her own grandson to keep him from succeeding her on the throne she herself had stolen? On the other hand, how do you do justice to the Queen of Tonga without mention of her commanding sizesix feet two inchesor her forty-seven-year devotion to matters far beyond mere governance but of more importance to her subjects: like establishing handicraft outlets to market the wares of her people? Or to the Queen of Thailand who acted as Regent while the King, a devout Buddhist, performed his meditations and duties as a monk? She directed much more than affairs of state; her concern for the common people led her to promote the export of hand-woven Thai silk and to establish a chain of shops selling native crafts. She also organized the Thai Red Cross for aid to refugees, orphans, wounded soldiers, and flood victims. These and dozens of stories like them make African, Asian, Middle East, and Pacific Women Leaders a unique treasure that is hard to put down. Although most of the entries in this volume deal with women rulers, a portion of the book is devoted to women in leadership roles other than those of queen, empress, prime minister, or chieftainess. Of these additional entries, the majority deals with contemporary women judges, secretaries of state, cabinet members, or legislators of unusual influence and power.
Author: Monique Kerman Publisher: Springer ISBN: 3319651994 Category : Art Languages : en Pages : 262
Book Description
This book explores the notable roles that contemporary British artists of African descent have played in the multicultural context of postwar Britain. In four key case studies— Magdalene Odundo, Veronica Ryan, Mary Evans, and Maria Amidu—Monique Kerman charts their impact through analysis of works, activities, and exhibitions. The author elucidates each of the artists’ creative response to their unique experience and examines how their work engages with issues of history, identity, diaspora, and the distillation of diverse cultural sources. The study also includes a comparative discussion of art broadly defined as “black British,” in order to question assumptions concerning racial and ethnic identities that the artists often negotiate through their works—particularly the expectation or “burden” of representing minority or marginalized communities. Readers are thus challenged to unburden the artists herein and celebrate their work on its own terms.
Author: Edward W. Said Publisher: Vintage ISBN: 0804153868 Category : Social Science Languages : en Pages : 434
Book Description
A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.
Author: Jamie Stokes Publisher: Infobase Publishing ISBN: 143812676X Category : Travel Languages : en Pages : 841
Book Description
Encyclopedia of the Peoples of Africa and the Middle East is a two-volume A-to-Z reference to the history and culture of the peoples of Africa and the Middle East.
Author: Andrea L. Stanton Publisher: SAGE Publications ISBN: 145226662X Category : Social Science Languages : en Pages : 1977
Book Description
In our age of globalization and multiculturalism, it has never been more important for Americans to understand and appreciate foreign cultures and how people live, love, and learn in areas of the world unfamiliar to most U.S. students and the general public. The four volumes in our cultural sociology reference encyclopedia take a step forward in this endeavor by presenting concise information on those regions likely to be most "foreign" to U.S. students: the Middle East, Asia, and Africa. The intent is to convey what daily life is like for people in these selected regions. It is hoped entries within these volumes will aid readers in efforts to understand the importance of cultural sociology, to appreciate the effects of cultural forces around the world, and to learn the history of countries and cultures within these important regions.
Author: John Castagno
Author: John Castagno
Author: John Castagno
Author: VENETIA. PORTER
Author: David Bindman
Author: Guida M. Jackson
Author: Monique Kerman
Author: Edward W. Said
Author: Jamie Stokes
Author: Andrea L. Stanton
Author: Eur