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Author: Christopher Spring Publisher: Harvard University Press ISBN: 9780674036222 Category : Art Languages : en Pages : 152
Book Description
This book opens with the question, What is African art? The answer is a brilliantly colorful and detailed look at the myriad materials and genres, forms and meanings, cultural contexts and expressions that comprise artistic traditions across this vast and varied continent. Viewing artworks in their contexts--ancient and modern, urban and rural, western and eastern, decorative and functional--the book is nothing less than a virtual tour of African culture. Masks, textiles, royal art, sculpture, ceramics, tools and weapons--in each instance, the book features examples that reveal the most significant aspects of workmanship, materials, and design in objects of wood, stone, ivory, clay, metalwork, featherwork, leather, basketwork, and cloth. Photographs of each piece alongside close-ups of fine details afford new views of these works and allow for intriguing comparisons between seemingly unrelated objects and media. The featured details evoke the hand and eye of the most accomplished craftspeople across Africa, past and present. In sum, these photographs, along with Chris Spring's enlightening commentary, offer an experience of African art that is at once broad and deep, richly informed and intimately felt. They are, at the same time, a kaleidoscopic view of art from prehistory to gestures prefiguring the future.
Author: Christopher Spring Publisher: Harvard University Press ISBN: 9780674036222 Category : Art Languages : en Pages : 152
Book Description
This book opens with the question, What is African art? The answer is a brilliantly colorful and detailed look at the myriad materials and genres, forms and meanings, cultural contexts and expressions that comprise artistic traditions across this vast and varied continent. Viewing artworks in their contexts--ancient and modern, urban and rural, western and eastern, decorative and functional--the book is nothing less than a virtual tour of African culture. Masks, textiles, royal art, sculpture, ceramics, tools and weapons--in each instance, the book features examples that reveal the most significant aspects of workmanship, materials, and design in objects of wood, stone, ivory, clay, metalwork, featherwork, leather, basketwork, and cloth. Photographs of each piece alongside close-ups of fine details afford new views of these works and allow for intriguing comparisons between seemingly unrelated objects and media. The featured details evoke the hand and eye of the most accomplished craftspeople across Africa, past and present. In sum, these photographs, along with Chris Spring's enlightening commentary, offer an experience of African art that is at once broad and deep, richly informed and intimately felt. They are, at the same time, a kaleidoscopic view of art from prehistory to gestures prefiguring the future.
Author: Christopher B. Steiner Publisher: Cambridge University Press ISBN: 9780521457521 Category : Art Languages : en Pages : 244
Book Description
African Art in Transit is an absorbing account of the commodification and circulation of African art objects in the international art market. Christopher Steiner's analysis of the role of the African middleman in linking those who produce and supply works of art in Africa with those who buy and collect so-called 'primitive' art in Europe and America is based on extensive field research among the art traders in Côte d'Ivoire. Steiner provides a lucid interpretation which reveals not only a complex economic network with its own internal logic and rules, but also an elaborate process of transcultural valuation and exchange. By focusing directly on the intermediaries in the African art trade, he unveils a critical new perspective on how symbolic codes and economic values are mediated in the context of shifting geographic and cultural domains. He questions conventional definitions of authenticity in African art by demonstrating how the categories 'authentic' and 'traditional' are continually redefined.
Author: Royal Academy of Arts (Great Britain) Publisher: ISBN: Category : Art Languages : en Pages : 208
Book Description
Northern Africa. Spectacular sculptures in wood, bronze, and stone provide stunning proof of the aesthetic strength of African traditions, even in the case of utilitarian works that were not made to be "art". In some cases, the very concept of art was foreign to their makers, as Kwame Anthony Appiah explains in his essay. In an epic overview of Africa's earliest history, Ekpo Eyo makes a strong case for dispensing with the popular misconception that northern Africa.
Author: Sidney Littlefield Kasfir Publisher: ISBN: 9780500203286 Category : Art Languages : en Pages : 224
Book Description
A critical history of the major themes and accomplishments of well-known and obscure African art over the past fifty years examines artists and the new avenues of creative expression in post-colonial Africa.
Author: Jean Baptiste Bacquart Publisher: National Geographic Books ISBN: 0500282315 Category : Antiques & Collectibles Languages : en Pages : 0
Book Description
This work displays and defines the fruits of thousands of years of black African creative endeavour. All the objects included were made by Africans for their own use, spanning a period from the beginning of the first millennium to the early 20th century, before the commercial production of art aimed at the tourist trade.
Author: David Coulson Publisher: Harry N Abrams B.V. ISBN: Category : Art Languages : en Pages : 264
Book Description
Contains more than two hundred photographs of Africa's rock art, coupled with historical and interpretive analyses, compiled to raise public awareness of the variety, importance, and frailty of these works.
Author: Gitti Salami Publisher: John Wiley & Sons ISBN: 1444338374 Category : Art Languages : en Pages : 650
Book Description
Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art
Author: Joshua I. Cohen Publisher: University of California Press ISBN: 0520309685 Category : Art Languages : en Pages : 301
Book Description
Reading African art’s impact on modernism as an international phenomenon, The “Black Art” Renaissance tracks a series of twentieth-century engagements with canonical African sculpture by European, African American, and sub-Saharan African artists and theorists. Notwithstanding its occurrence during the benighted colonial period, the Paris avant-garde “discovery” of African sculpture—known then as art nègre, or “black art”—eventually came to affect nascent Afro-modernisms, whose artists and critics commandeered visual and rhetorical uses of the same sculptural canon and the same term. Within this trajectory, “black art” evolved as a framework for asserting control over appropriative practices introduced by Europeans, and it helped forge alliances by redefining concepts of humanism, race, and civilization. From the Fauves and Picasso to the Harlem Renaissance, and from the work of South African artist Ernest Mancoba to the imagery of Negritude and the École de Dakar, African sculpture’s influence proved transcontinental in scope and significance. Through this extensively researched study, Joshua I. Cohen argues that art history’s alleged centers and margins must be conceived as interconnected and mutually informing. The “Black Art” Renaissance reveals just how much modern art has owed to African art on a global scale.
Author: Christine Mullen Kreamer Publisher: ISBN: Category : Art Languages : en Pages : 264
Book Description
"Asked why he decided to collect African art, Paul Tishman replied, "How does one fall in love?" Such was the passion Paul and Ruth Tishman brought to collecting. The Tishmans acquired their first works of African art - an ivory figure and a bronze mask from the Benin kingdom - in the late 1950s. Over the next 20 plus years, the Tishmans built one of the great private collections of African art that included the major art traditions found throughout the continent. The Tishmans' desire to share the art with as many people as possible led to the 1984 sale of the collection to the Walt Disney Company, who proved to be generous stewards, making the collection available for exhibition and publication. In the autumn of 2005, the Walt Disney World Co., a subsidiary of the Walt Disney Company, donated the Walt Disney-Tishman African Art Collection to the National Museum of African Art, Smithsonian Institution, continuing the tradition of sharing the rich history of African art and culture with current and future generations." --
Author: Christopher Spring
Author: Christopher Spring
Author: Christopher B. Steiner
Author: Royal Academy of Arts (Great Britain)
Author: Leonard Kahan
Author: Sidney Littlefield Kasfir
Author: Jean Baptiste Bacquart
Author: David Coulson
Author: Gitti Salami
Author: Joshua I. Cohen
Author: Christine Mullen Kreamer