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Author: Robin Poynor Publisher: University Press of Florida ISBN: 9780813013251 Category : Art Languages : en Pages : 221
Book Description
"Insightful and profound."--Arthur P. Bourgeois, Governors State University, University Park, Illinois "More than just another exhibition catalogue. . . . The conceptual framework and orientation of the essay are original. [Poynor suggests] the complexity of African religious beliefs and the diversity of roles art plays in their manifestation."--Barbara Frank, SUNY-Stony Brook With dramatic color and black-and-white photographs of ninety-three pieces of art, African Art at the Harn Museum introduces the notable collection of West African art from the Samuel P. Harn Museum of Art. In the traditional view of many Africans, the spiritual and temporal worlds depend upon each other for companionship and material well-being. As the inhabitants of either realm cross and recross their world boundaries, art objects function as intimate links between the two domains, allowing both spirit and human to see and to manipulate each other. This work specifically addresses the role of the art object--a bowl from Cameroon, a mask from Burkina Faso or Sierra Leone, an ancestral altar from Nigeria, a fertility figure from Ghana--as a medium through which each world gains entrance into the other. Poynor's essay presents each work in its geographic and cultural context. Line drawings and abundant field photographs enhance the text and support the idea that the objects assist communication between two worlds. Robin Poynor, associate professor of art at the University of Florida, is guest curator of the "Spirit Eyes, Human Hands" exhibition of the university's Samuel P. Harn Museum of Art. He is the former curator of the Tweed Museum at the University of Minnesota, Duluth. He has written principally on the art of the Yoruba Kingdom of Owo, Nigeria, where he did field research, and he has curated a number of exhibitions of African art, writing essays, catalogues, and display texts for the Metropolitan Museum of Art, Birmingham Museum of Art, and Indiana University Art Museum. He has published extensively in African Arts.
Author: Robin Poynor Publisher: University Press of Florida ISBN: 9780813013251 Category : Art Languages : en Pages : 221
Book Description
"Insightful and profound."--Arthur P. Bourgeois, Governors State University, University Park, Illinois "More than just another exhibition catalogue. . . . The conceptual framework and orientation of the essay are original. [Poynor suggests] the complexity of African religious beliefs and the diversity of roles art plays in their manifestation."--Barbara Frank, SUNY-Stony Brook With dramatic color and black-and-white photographs of ninety-three pieces of art, African Art at the Harn Museum introduces the notable collection of West African art from the Samuel P. Harn Museum of Art. In the traditional view of many Africans, the spiritual and temporal worlds depend upon each other for companionship and material well-being. As the inhabitants of either realm cross and recross their world boundaries, art objects function as intimate links between the two domains, allowing both spirit and human to see and to manipulate each other. This work specifically addresses the role of the art object--a bowl from Cameroon, a mask from Burkina Faso or Sierra Leone, an ancestral altar from Nigeria, a fertility figure from Ghana--as a medium through which each world gains entrance into the other. Poynor's essay presents each work in its geographic and cultural context. Line drawings and abundant field photographs enhance the text and support the idea that the objects assist communication between two worlds. Robin Poynor, associate professor of art at the University of Florida, is guest curator of the "Spirit Eyes, Human Hands" exhibition of the university's Samuel P. Harn Museum of Art. He is the former curator of the Tweed Museum at the University of Minnesota, Duluth. He has written principally on the art of the Yoruba Kingdom of Owo, Nigeria, where he did field research, and he has curated a number of exhibitions of African art, writing essays, catalogues, and display texts for the Metropolitan Museum of Art, Birmingham Museum of Art, and Indiana University Art Museum. He has published extensively in African Arts.
Author: Samuel P. Harn Museum of Art Publisher: University Press of Florida ISBN: Category : Art Languages : en Pages : 194
Book Description
In advance of celebrating its twentieth anniversary, the Samuel P. Harn Museum of Art presents this beautiful catalog of highlights of American art drawn from its permanent collection. Each work is represented by a full-page photograph and an accompanying description that places the piece and its creator in artistic and historical context. American Selections features eighty-eight works selected from the 2,490 American works in the museum's modern, contemporary, photography, and works on paper collections. The artists represented include Diane Arbus, Georgia O'Keeffe, Childe Hassam, Andy Warhol (the only artist included in the book twice), and many others, both well known and emerging. American painting of the first half of the twentieth century was one of the core collections when the Harn Museum opened its doors in 1990. In the two decades since, the American holdings have been greatly expanded, particularly with paintings, drawings, installations, and photographs from the second half of the century, thanks to the generosity of many donors.
Author: Samuel P. Harn Museum of Art Publisher: ISBN: 9780813049458 Category : African American art Languages : en Pages : 0
Book Description
Explores the transatlantic connections between Central Africa and North America over the past 500 years in the visual and performing arts of both cultures.
Author: Amanda Carlson Publisher: ISBN: 9780813049663 Category : ART Languages : en Pages : 0
Book Description
This collection of essays encourages a critical evaluation of the concept of "Florida" as a cultural and geographical entity and the influences and effects of the numerous African and Africa American-influenced cultures.
Author: Jeanine Michna-Bales Publisher: Chronicle Books ISBN: 1616896094 Category : Photography Languages : en Pages : 192
Book Description
They left in the middle of the night—often carrying little more than the knowledge to follow the North Star. Between 1830 and the end of the Civil War in 1865, an estimated one hundred thousand slaves became passengers on the Underground Railroad, a journey of untold hardship, in search of freedom. In Through Darkness to Light: Photographs Along the Underground Railroad, Jeanine Michna-Bales presents a remarkable series of images following a route from the cotton plantations of central Louisiana, through the cypress swamps of Mississippi and the plains of Indiana, north to the Canadian border— a path of nearly fourteen hundred miles. The culmination of a ten-year research quest, Through Darkness to Light imagines a journey along the Underground Railroad as it might have appeared to any freedom seeker. Framing the powerful visual narrative is an introduction by Michna-Bales; a foreword by noted politician, pastor, and civil rights activist Andrew J. Young; and essays by Fergus M. Bordewich, Robert F. Darden, and Eric R. Jackson.
Author: Tracy L. Adler Publisher: National Geographic Books ISBN: 3791358812 Category : Art Languages : en Pages : 0
Book Description
A first-ever monograph featuring the work of the Ethiopian artist Elias Sime, who brilliantly explores the impact of life in a post-consumerist world. Sime's brightly-colored sculptural tableaus feature found objects including thread, buttons, electrical wires, and computer detritus. This book highlights the artist's work from the last decade, much of which comprises the series entitled "Tightrope." Repurposing salvaged electronic components, such as circuits and keyboards, Sime incorporates the refuse that are the byproducts of technological advancement, and points to the urgency of sustainability. The resulting abstractions reference landscape and the figure as well as traditional Ethiopian textiles. "Tightrope" refers to the precarious balance between the progress technology has made possible and its detrimental impact on the environment. Published with the Ruth and Elmer Wellin Museum of Art
Author: Kerry Oliver-Smith Publisher: Samuel P. Harn Museum of Art ISBN: 9780983308584 Category : Art, Modern Languages : en Pages : 0
Book Description
The World to Come is organized around overlapping trajectories, constituting a network of ecologies and stories within stories. The narrative traces states of being and becoming, from rupture, disaster and loss to the emergence of nonhierarchical alliances in human-non-human relations. It also explores the realms of justice, aesthetics, ethics, and the role of technology while considering the possibilities for a vibrant future. The stories in this essay are structured by seven intersecting themes of the exhibition: Raw Material, Consumption, Deluge, Extinction, Synthesis, Justice, and Imaginary Futures.
Author: Robin Poynor
Author: Robin Poynor
Author: Susan Susan Cooksey
Author: Samuel P. Harn Museum of Art
Author: Samuel P. Harn Museum of Art
Author: Samuel P. Harn Museum of Art
Author: Susan Cooksey
Author: Amanda Carlson
Author: Jeanine Michna-Bales
Author: Tracy L. Adler
Author: Kerry Oliver-Smith