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Author: Johannes Regnier Publisher: ISBN: Category : Languages : en Pages : 153
Book Description
The dissertation delineates several notions and conceptual tools of fundamental importance in our computer music practice, and proposes concrete applications of these concepts. The first chapter is centered around the dialectic of matter and form, from the perspective of aesthetic philosophy, and afterward within the musical discourse. In particular, we discuss the dualism empiricism vs. formalism, a prevalent binary opposition in computer music aesthetics. We generalize this dualism as the opposition signs vs. concepts. While acknowledging the pertinence of this opposition, both from the perspective of the aesthetics and the composition methods, we show that, in practice, the situation is more nuanced, and most computer music pieces exist somewhere on an axis drawn between pure empiricism and strict formalism. The following section discusses three compositional strategies to organize the sound material in a musical form: the form as a result of a process, sound transformations and morphological variations as structuring processes, and articulation of space as structuring element. The second chapter is centered around the notions of performance, bodily presence and human agency in computer music. We show that the increasing use of electronics and digital technologies in musical practices has dislocated our notion of liveness and magnified the possible interactions with the sound material. We discuss the consequences of the absence of the body or of bodily gestures in computer music performances, and we establish a network of relationships between timbre, attribution of causality, inference of intention, and emergence of a virtual presence, that we consider are at the source of fruitful and creative ambiguities in computer music. The third chapter presents our answers to these questions, in the form of six electronic music studies within a performance for dance, video and live electronics. These studies are based on a combination of direct interventions, improvisation and algorithmic processes. Several tools and techniques used in these pieces are presented, notably a modal synthesis model with morphing capabilities, a fractal-based algorithm to generate material at different time scales, a virtual analog extended model of the Xpander filter with morphing capabilities, and two reverberations able to generate abstract but cohesive spaces.
Author: Johannes Regnier Publisher: ISBN: Category : Languages : en Pages : 153
Book Description
The dissertation delineates several notions and conceptual tools of fundamental importance in our computer music practice, and proposes concrete applications of these concepts. The first chapter is centered around the dialectic of matter and form, from the perspective of aesthetic philosophy, and afterward within the musical discourse. In particular, we discuss the dualism empiricism vs. formalism, a prevalent binary opposition in computer music aesthetics. We generalize this dualism as the opposition signs vs. concepts. While acknowledging the pertinence of this opposition, both from the perspective of the aesthetics and the composition methods, we show that, in practice, the situation is more nuanced, and most computer music pieces exist somewhere on an axis drawn between pure empiricism and strict formalism. The following section discusses three compositional strategies to organize the sound material in a musical form: the form as a result of a process, sound transformations and morphological variations as structuring processes, and articulation of space as structuring element. The second chapter is centered around the notions of performance, bodily presence and human agency in computer music. We show that the increasing use of electronics and digital technologies in musical practices has dislocated our notion of liveness and magnified the possible interactions with the sound material. We discuss the consequences of the absence of the body or of bodily gestures in computer music performances, and we establish a network of relationships between timbre, attribution of causality, inference of intention, and emergence of a virtual presence, that we consider are at the source of fruitful and creative ambiguities in computer music. The third chapter presents our answers to these questions, in the form of six electronic music studies within a performance for dance, video and live electronics. These studies are based on a combination of direct interventions, improvisation and algorithmic processes. Several tools and techniques used in these pieces are presented, notably a modal synthesis model with morphing capabilities, a fractal-based algorithm to generate material at different time scales, a virtual analog extended model of the Xpander filter with morphing capabilities, and two reverberations able to generate abstract but cohesive spaces.
Author: Joanna Demers Publisher: Oxford University Press ISBN: 0199889058 Category : Music Languages : en Pages : 212
Book Description
Contemporary electronic music has splintered into numerous genres and subgenres, all of which share a concern with whether sound, in itself, bears meaning. Listening through the Noise considers how the experience of listening to electronic music constitutes a departure from the expectations that have long governed music listening in the West.
Author: Deniz Peters Publisher: Routledge ISBN: 1136504877 Category : Music Languages : en Pages : 285
Book Description
In this book, scholars and artists explore the relation between electronic music and bodily expression from perspectives including aesthetics, philosophy of mind, phenomenology, dance and interactive performance arts, sociology, computer music and sonic arts, and music theory, transgressing disciplinary boundaries and established beliefs. The historic decoupling of action and sound generation might be seen to have distorted or even effaced the expressive body, with the retention of performance qualities via recoupling not equally retaining bodily expressivity. When, where, and what is the body expressed in electronic music then? The authors of this book reveal composers’, performers’, improvisers’ and listeners’ bodies, as well as the works’ and technologies’ figurative bodies as a rich source of expressive articulation. Bringing together humanities’ scholarship and musical arts contingent upon new media, the contributors offer inspiring thought and critical reflection for all those seriously engaged with the aesthetics of electronic music, interactive performance, and the body’s role in aesthetic experience and expression. Performativity is not only seen as being reclaimed in live electronic music, interactive arts, and installations; it is also exposed as embodied in the music and the listeners themselves.
Author: Paul Sanden Publisher: Routledge ISBN: 0415895405 Category : Art Languages : en Pages : 222
Book Description
This study investigates the idea and practice of liveness in modern music.. The book argues that liveness itself emerges from dynamic tensions inherent in mediated musical contexts--tensions between music as an acoustic human utterance, and musical sound as something produced or altered by machines.
Author: Andrew Knight-Hill Publisher: CRC Press ISBN: 100006994X Category : Computers Languages : en Pages : 396
Book Description
Sound and Image: Aesthetics and Practices brings together international artist scholars to explore diverse sound and image practices, applying critical perspectives to interrogate and evaluate both the aesthetics and practices that underpin the audiovisual. Contributions draw upon established discourses in electroacoustic music, media art history, film studies, critical theory and dance; framing and critiquing these arguments within the context of diverse audiovisual practices. The volume’s interdisciplinary perspective contributes to the rich and evolving dialogue surrounding the audiovisual, demonstrating the value and significance of practice-informed theory, and theory derived from practice. The ideas and approaches explored within this book will find application in a wide range of contexts across the whole scope of audiovisuality, from visual music and experimental film, to narrative film and documentary, to live performance, sound design and into sonic art and electroacoustic music. This book is ideal for artists, composers and researchers investigating theoretical positions and compositional practices which bring together sound and image.
Author: Douglas Kahn Publisher: MIT Press ISBN: 0262611724 Category : Design Languages : en Pages : 467
Book Description
An examination of the role of sound in twentieth-century arts. This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it—to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries. Focusing on Europe in the first half of the century and the United States in the postwar years, Douglas Kahn explores aural activities in literature, music, visual arts, theater, and film. Placing aurality at the center of the history of the arts, he revisits key artistic questions, listening to the sounds that drown out the politics and poetics that generated them. Artists discussed include Antonin Artaud, George Brecht, William Burroughs, John Cage, Sergei Eisenstein, Fluxus, Allan Kaprow, Michael McClure, Yoko Ono, Jackson Pollock, Luigi Russolo, and Dziga Vertov.
Author: Arnold Berleant Publisher: Cybereditions Corporation ISBN: 9781877275258 Category : Philosophy Languages : en Pages : 194
Book Description
Arguing that traditional answers to the question "What is art?" are partial at best, Arnold Berleant contends that we need to understand art as a complex aesthetic field encompassing all the factors that form the context and experience of art.
Author: Georgina Born Publisher: Cambridge University Press ISBN: 1107310555 Category : Music Languages : en Pages : 375
Book Description
Music, Sound and Space is the first collection to integrate research from musicology and sound studies on music and sound as they mediate everyday life. Music and sound exert an inescapable influence on the contemporary world, from the ubiquity of MP3 players to the controversial use of sound as an instrument of torture. In this book, leading scholars explore the spatialisation of music and sound, their capacity to engender modes of publicness and privacy, their constitution of subjectivity, and the politics of sound and space. Chapters discuss music and sound in relation to distinctive genres, technologies and settings, including sound installation art, popular music recordings, offices and hospitals, and music therapy. With international examples, from the Islamic soundscape of the Kenyan coast, to religious music in Europe, to First Nation musical sociability in Canada, this book offers a new global perspective on how music and sound and their spatialising capacities transform the nature of public and private experience.
Author: Joseph Tabbi Publisher: Bloomsbury Publishing ISBN: 147423027X Category : Literary Criticism Languages : en Pages : 465
Book Description
Winner of the 2017 N. Katherine Hayles Award for Criticism of Electronic Literature A CHOICE Outstanding Academic Title 2018 The digital age has had a profound impact on literary culture, with new technologies opening up opportunities for new forms of literary art from hyperfiction to multi-media poetry and narrative-driven games. Bringing together leading scholars and artists from across the world, The Bloomsbury Handbook of Electronic Literature is the first authoritative reference handbook to the field. Crossing disciplinary boundaries, this book explores the foundational theories of the field, contemporary artistic practices, debates and controversies surrounding such key concepts as canonicity, world systems, narrative and the digital humanities, and historical developments and new media contexts of contemporary electronic literature. Including guides to major publications in the field, The Bloomsbury Handbook of Electronic Literature is an essential resource for scholars of contemporary culture in the digital era.
Author: Johannes Regnier
Author: Johannes Regnier
Author: Joanna Demers
Author: Deniz Peters
Author: Paul Sanden
Author: Andrew Knight-Hill
Author: Dennis DeSantis
Author: Douglas Kahn
Author: Arnold Berleant
Author: Georgina Born
Author: Joseph Tabbi