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Author: Joseph H. Kupfer Publisher: Routledge ISBN: 1351855247 Category : Social Science Languages : en Pages : 136
Book Description
Aesthetic Violence and Women in Film is a highly readable and timely analysis of the intersection of two recent cinematic trends in martial arts films: aesthetic violence and warrior women. Joseph Kupfer establishes specific categories of aesthetic film violence, including hyper-violence, a visual style that emphasizes the sensuous surface of physical destruction and surreal violence, when spectacular imagery and gravity-defying dance replace blood and gore. He then goes on to outline the ascendancy during the past decades of female characters to the status of hero in action films. Interweaving these two subjects, the book reveals how women warriors instigate and animate the models of aesthetic violence introduced. The hyper-violence of Kill Bill celebrates the triumphs of the Bride, whose maiming and dismemberment of enemies produce brilliant red plumes and silvered geysers of blood. The surrealistic violence in Crouching Tiger, Hidden Dragon and The House of Flying Daggers creatively elevates violence from earthbound mayhem to an enchanting aerial display of female-dominated acrobatics. Both film-stories are driven by the plight and aspirations of female combatants, suggesting an affinity between women and the transfiguration of fighting wrought by surrealistic violence. By elevating the significance of violence in action films and linking it together with the growing popularity of central female characters in this genre, Aesthetic Violence and Women in Film will be of interest to students and scholars in film studies, popular culture, gender studies, aesthetics, and social philosophy.
Author: Joseph H. Kupfer Publisher: Routledge ISBN: 1351855247 Category : Social Science Languages : en Pages : 136
Book Description
Aesthetic Violence and Women in Film is a highly readable and timely analysis of the intersection of two recent cinematic trends in martial arts films: aesthetic violence and warrior women. Joseph Kupfer establishes specific categories of aesthetic film violence, including hyper-violence, a visual style that emphasizes the sensuous surface of physical destruction and surreal violence, when spectacular imagery and gravity-defying dance replace blood and gore. He then goes on to outline the ascendancy during the past decades of female characters to the status of hero in action films. Interweaving these two subjects, the book reveals how women warriors instigate and animate the models of aesthetic violence introduced. The hyper-violence of Kill Bill celebrates the triumphs of the Bride, whose maiming and dismemberment of enemies produce brilliant red plumes and silvered geysers of blood. The surrealistic violence in Crouching Tiger, Hidden Dragon and The House of Flying Daggers creatively elevates violence from earthbound mayhem to an enchanting aerial display of female-dominated acrobatics. Both film-stories are driven by the plight and aspirations of female combatants, suggesting an affinity between women and the transfiguration of fighting wrought by surrealistic violence. By elevating the significance of violence in action films and linking it together with the growing popularity of central female characters in this genre, Aesthetic Violence and Women in Film will be of interest to students and scholars in film studies, popular culture, gender studies, aesthetics, and social philosophy.
Author: Robert Appelbaum Publisher: Rowman & Littlefield ISBN: 178660504X Category : Philosophy Languages : en Pages : 196
Book Description
Violence at an aesthetic remove from the spectator or reader has been a key element of narrative and visual arts since Greek antiquity. Here Robert Appelbaum explores the nature of mimesis, aggression, the effects of antagonism and victimization and the political uses of art throughout history. He examines how violence in art is formed, contextualised and used by its audiences and readers. Bringing traditional German aesthetic and social theory to bear on the modern problem of violence in art, Appelbaum engages theorists including Kant, Schiller, Hegel, Adorno and Gadamer. The book takes the reader from Homer and Shakespeare to slasher films and performance art, showing how violence becomes at once a language, a motive, and an idea in the experience of art. It addresses the controversies head on, taking a nuanced view of the subject, understanding that art can damage as well as redeem. But it concludes by showing that violence (in the real world) is a necessary condition of art (in the world of mimetic play).
Author: Joseph Kupfer Publisher: Routledge ISBN: 9780367886912 Category : Languages : en Pages : 92
Book Description
Aesthetic Violence and Women in Film is a highly readable and timely analysis of the intersection of two recent cinematic trends in martial arts films: aesthetic violence and warrior women. Joseph Kupfer establishes specific categories of aesthetic film violence, including hyper-violence, a visual style that emphasizes the sensuous surface of physical destruction and surreal violence, when spectacular imagery and gravity-defying dance replace blood and gore. He then goes on to outline the ascendancy during the past decades of female characters to the status of hero in action films. Interweaving these two subjects, the book reveals how women warriors instigate and animate the models of aesthetic violence introduced. The hyper-violence of Kill Bill celebrates the triumphs of the Bride, whose maiming and dismemberment of enemies produce brilliant red plumes and silvered geysers of blood. The surrealistic violence in Crouching Tiger, Hidden Dragon and The House of Flying Daggers creatively elevates violence from earthbound mayhem to an enchanting aerial display of female-dominated acrobatics. Both film-stories are driven by the plight and aspirations of female combatants, suggesting an affinity between women and the transfiguration of fighting wrought by surrealistic violence. By elevating the significance of violence in action films and linking it together with the growing popularity of central female characters in this genre, Aesthetic Violence and Women in Film will be of interest to students and scholars in film studies, popular culture, gender studies, aesthetics, and social philosophy.
Author: Martha McCaughey Publisher: University of Texas Press ISBN: 9780292752511 Category : Performing Arts Languages : en Pages : 298
Book Description
When Thelma and Louise outfought the men who had tormented them, women across America discovered what male fans of action movies have long known—the empowering rush of movie violence. Yet the duo's escapades also provoked censure across a wide range of viewers, from conservatives who felt threatened by the up-ending of women's traditional roles to feminists who saw the pair's use of male-style violence as yet another instance of women's co-option by the patriarchy. In the first book-length study of violent women in movies, Reel Knockouts makes feminist sense of violent women in films from Hollywood to Hong Kong, from top-grossing to direct-to-video, and from cop-action movies to X-rated skin flicks. Contributors from a variety of disciplines analyze violent women's respective places in the history of cinema, in the lives of viewers, and in the feminist response to male violence against women. The essays in part one, "Genre Films," turn to film cycles in which violent women have routinely appeared. The essays in part two, "New Bonds and New Communities," analyze movies singly or in pairs to determine how women's movie brutality fosters solidarity amongst the characters or their audiences. All of the contributions look at films not simply in terms of whether they properly represent women or feminist principles, but also as texts with social contexts and possible uses in the re-construction of masculinity and femininity.
Author: Henry Bacon Publisher: Springer ISBN: 1137476443 Category : Performing Arts Languages : en Pages : 367
Book Description
The Fascination of Film Violence is a study of why fictional violence is such an integral part of fiction film. How can something dreadful be a source of art and entertainment? Explanations are sought from the way social and cultural norms and practices have shaped biologically conditioned violence related traits in human behavior.
Author: Stephen Prince Publisher: A&C Black ISBN: 9780485300956 Category : Philosophy Languages : en Pages : 294
Book Description
Following the release in 1967 of "Bonnie and Clyde" and "The Dirty Dozen", violence has been seen as a defining feature of the modern film. Is it art or exploitation? Danger or liberation? This volume provides an exmination of the history and effects of graphic violence on film.
Author: Cecilia Macón Publisher: Lexington Books ISBN: 1498510396 Category : History Languages : en Pages : 135
Book Description
The origin of Sexual Violence in the Argentinean Crimes against Humanity Trials: Rethinking Victimhood can be found in the resistance that, using a traditional feminist perspective, alleges that testimonies of sexual violence in the context of Argentinian crimes against humanity trials inevitably re-victimize victims. It is our understanding that such interpretation not only forgets to pay attention to what victims have to say about their experiences but also bases its allegation on dualistic and patronizing conceptions of female agency. This book argues that the role of affect in the experiences of those women who decided to testify as well of those who refused to do it shows to be a useful tool in order to analyze the sexual violence issue from a thought-provoking and heterodox perspective. Cecilia Macón presents her argument through philosophical debates paired with testimonies of victims and analysis of works of art devoted to express these problems. Recommended for scholars of Latin American studies, philosophy, history, and sociology.
Author: Helene Meyers Publisher: Rutgers University Press ISBN: 1978821905 Category : Social Science Languages : en Pages : 237
Book Description
Movie-Made Jews focuses on a rich, usable American Jewish cinematic tradition. This tradition includes fiction and documentary films that make Jews through antisemitism, Holocaust indirection, and discontent with assimilation. It prominently features the unapologetic assertion of Jewishness, queerness, and alliances across race and religion. Author Helene Meyers shows that as we go to our local theater, attend a Jewish film festival, play a DVD, watch streaming videos, Jewishness becomes part of the multicultural mosaic rather than collapsing into a generic whiteness or being represented as a life apart. This engagingly-written book demonstrates that a Jewish movie is neither just a movie nor for Jews only. With incisive analysis, Movie-Made Jews challenges the assumption that American Jewish cinema is a cinema of impoverishment and assimilation. While it’s a truism that Jews make movies, this book brings into focus the diverse ways movies make Jews.
Author: Maggie Nelson Publisher: National Geographic Books ISBN: 0393343146 Category : History Languages : en Pages : 0
Book Description
"This is criticism at its best." —Carolyn Kellogg, Los Angeles Times Writing in the tradition of Susan Sontag and Elaine Scarry, Maggie Nelson has emerged as one of our foremost cultural critics with this landmark work about representations of cruelty and violence in art. From Sylvia Plath’s poetry to Francis Bacon’s paintings, from the Saw franchise to Yoko Ono’s performance art, Nelson’s nuanced exploration across the artistic landscape ultimately offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo, and permissibility.
Author: Joseph H. Kupfer Publisher: Routledge ISBN: 9780415785518 Category : Violence in motion pictures Languages : en Pages : 92
Book Description
Introduction -- Aestheticized violence -- Women warriors: the rise of female control -- Hyper-violence: the thrill of Kill Bill -- Surrealistic violence: no muscles, no splatter -- Surrealistic violence: women warriors unite
Author: Joseph H. Kupfer
Author: Joseph H. Kupfer
Author: Robert Appelbaum
Author: Joseph Kupfer
Author: Martha McCaughey
Author: Henry Bacon
Author: Stephen Prince
Author: Cecilia Macón
Author: Helene Meyers
Author: Maggie Nelson
Author: Joseph H. Kupfer