Aesthetic Practices in My Live Electronic Music PDF Download

Author: Adam Sheppard
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description
Live music has the ability to unite individuals and affect them on both cognitive and emotional levels. Its time-honored tradition remains the true test of a musical work2s strength and longevity. Electronic music in particular has had some difficulty in establishing well-formed performance practices in its relatively short life span. The problem may not be one of sonic, but rather visual inhibition and general discontinuities between the audience and performers. In this paper I raise three questions of aesthetic value concerning live performance. Why do we go to live musical performances? How do we perceive sound? How do we correlate physical gestures? To answer, I make observations on selected works spanning the continuum of the field.

Author: Curtis Roads
Publisher: Oxford University Press, USA
ISBN: 0195373243
Category : Music
Languages : en
Pages : 513

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Book Description
Electronic music evokes new sensations, feelings, and thoughts in both composers and listeners. Composing Electronic Music outlines a new theory based on the powerful toolkit of electronic music techniques.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 136

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Book Description

Author: Thomas Brett
Publisher: CRC Press
ISBN: 1000405427
Category : Computers
Languages : en
Pages : 291

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Book Description
The Creative Electronic Music Producer examines the creative processes of electronic music production, from idea discovery and perception to the power of improvising, editing, effects processing, and sound design. Featuring case studies from across the globe on musical systems and workflows used in the production process, this book highlights how to pursue creative breakthroughs through exploration, trial and error tinkering, recombination, and transformation. The Creative Electronic Music Producer maps production's enchanting pathways in a way that will fascinate and inspire students of electronic music production, professionals already working in the industry, and hobbyists.

Author: Deniz Peters
Publisher: Routledge
ISBN: 1136504877
Category : Music
Languages : en
Pages : 285

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Book Description
In this book, scholars and artists explore the relation between electronic music and bodily expression from perspectives including aesthetics, philosophy of mind, phenomenology, dance and interactive performance arts, sociology, computer music and sonic arts, and music theory, transgressing disciplinary boundaries and established beliefs. The historic decoupling of action and sound generation might be seen to have distorted or even effaced the expressive body, with the retention of performance qualities via recoupling not equally retaining bodily expressivity. When, where, and what is the body expressed in electronic music then? The authors of this book reveal composers’, performers’, improvisers’ and listeners’ bodies, as well as the works’ and technologies’ figurative bodies as a rich source of expressive articulation. Bringing together humanities’ scholarship and musical arts contingent upon new media, the contributors offer inspiring thought and critical reflection for all those seriously engaged with the aesthetics of electronic music, interactive performance, and the body’s role in aesthetic experience and expression. Performativity is not only seen as being reclaimed in live electronic music, interactive arts, and installations; it is also exposed as embodied in the music and the listeners themselves.

Author: Marc Battier
Publisher: Routledge
ISBN: 9789057551147
Category : Music
Languages : en
Pages : 136

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Book Description
The vast leaps being made in live and interactive technology, and the increasing availability of immensely sophisticated equipment have opened up a tremendously exciting world for today's composers working with live electronic music. This book comprises essays from working composers, who provide their own unique insight into how live electronic music impacts and audience, the performance situation and ultimately, music. Also includes 12 musical examples. Marc Battier has composed several live electronic pieces in the last twenty years. He is associate professor at the University of Sorbonne in Paris.

Author: Till Bovermann
Publisher: Springer
ISBN: 9811029512
Category : Technology & Engineering
Languages : en
Pages : 406

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Book Description
By exploring the many different types and forms of contemporary musical instruments, this book contributes to a better understanding of the conditions of instrumentality in the 21st century. Providing insights from science, humanities and the arts, authors from a wide range of disciplines discuss the following questions: · What are the conditions under which an object is recognized as a musical instrument? · What are the actions and procedures typically associated with musical instruments? · What kind of (mental and physical) knowledge do we access in order to recognize or use something as a musical instrument? · How is this knowledge being shaped by cultural conventions and temporal conditions? · How do algorithmic processes 'change the game' of musical performance, and as a result, how do they affect notions of instrumentality? · How do we address the question of instrumental identity within an instrument's design process? · What properties can be used to differentiate successful and unsuccessful instruments? Do these properties also contribute to the instrumentality of an object in general? What does success mean within an artistic, commercial, technological, or scientific context?

Author: Joanna Demers
Publisher: Oxford University Press
ISBN: 0199889058
Category : Music
Languages : en
Pages : 212

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Book Description
Contemporary electronic music has splintered into numerous genres and subgenres, all of which share a concern with whether sound, in itself, bears meaning. Listening through the Noise considers how the experience of listening to electronic music constitutes a departure from the expectations that have long governed music listening in the West.

Author: Hazel Gardiner
Publisher: Routledge
ISBN: 1317178416
Category : Language Arts & Disciplines
Languages : en
Pages : 388

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Book Description
Much as art history is in the process of being transformed by new information communication technologies, often in ways that are either disavowed or resisted, art practice is also being changed by those same technologies. One of the most obvious symptoms of this change is the increasing numbers of artists working in universities, and having their work facilitated and supported by the funding and infrastructural resources that such institutions offer. This new paradigm of art as research is likely to have a profound effect on how we understand the role of the artist and of art practice in society. In this unique book, artists, art historians, art theorists and curators of new media reflect on the idea of art as research and how it has changed practice. Intrinsic to the volume is an investigation of the advances in creative practice made possible via artists engaging directly with technology or via collaborative partnerships between practitioners and technological experts, ranging through a broad spectrum of advanced methods from robotics through rapid prototyping to the biological sciences.

Author: Johannes Regnier
Publisher:
ISBN:
Category :
Languages : en
Pages : 153

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Book Description
The dissertation delineates several notions and conceptual tools of fundamental importance in our computer music practice, and proposes concrete applications of these concepts. The first chapter is centered around the dialectic of matter and form, from the perspective of aesthetic philosophy, and afterward within the musical discourse. In particular, we discuss the dualism empiricism vs. formalism, a prevalent binary opposition in computer music aesthetics. We generalize this dualism as the opposition signs vs. concepts. While acknowledging the pertinence of this opposition, both from the perspective of the aesthetics and the composition methods, we show that, in practice, the situation is more nuanced, and most computer music pieces exist somewhere on an axis drawn between pure empiricism and strict formalism. The following section discusses three compositional strategies to organize the sound material in a musical form: the form as a result of a process, sound transformations and morphological variations as structuring processes, and articulation of space as structuring element. The second chapter is centered around the notions of performance, bodily presence and human agency in computer music. We show that the increasing use of electronics and digital technologies in musical practices has dislocated our notion of liveness and magnified the possible interactions with the sound material. We discuss the consequences of the absence of the body or of bodily gestures in computer music performances, and we establish a network of relationships between timbre, attribution of causality, inference of intention, and emergence of a virtual presence, that we consider are at the source of fruitful and creative ambiguities in computer music. The third chapter presents our answers to these questions, in the form of six electronic music studies within a performance for dance, video and live electronics. These studies are based on a combination of direct interventions, improvisation and algorithmic processes. Several tools and techniques used in these pieces are presented, notably a modal synthesis model with morphing capabilities, a fractal-based algorithm to generate material at different time scales, a virtual analog extended model of the Xpander filter with morphing capabilities, and two reverberations able to generate abstract but cohesive spaces.