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Author: Andrew Bowie Publisher: Oxford University Press ISBN: 0192663399 Category : Philosophy Languages : en Pages : 296
Book Description
Much of contemporary philosophy, especially in the analytical tradition, regards aesthetics as of lesser significance than epistemology, ethics, metaphysics, and the philosophy of language. Yet, in Aesthetic Dimensions of Modern Philosophy, Andrew Bowie explores the idea that art and aesthetics have crucial implications for those areas of philosophy. In the modern period, the growth of warranted scientific knowledge is accompanied both by heightened concern with epistemological scepticism and a new philosophical attention to art and the beauty of nature. This suggests that modernity involves problems concerning how human beings make sense of the world that go beyond questions of knowledge, and are reflected in the arts. The relationship of art to philosophy is explored in Montaigne, Descartes, Hume, Kant, Schelling, the early German Romantics, and Hegel. This book also considers Cassirer's and the hermeneutic tradition's exploration of close links between meaning in language and in art. The work of Karl Polanyi, Marx, Nietzsche, Heidegger, Adorno, Dewey, and others is used to investigate how the modern sciences and the development of capitalism change both humankind's relations to nature and the nature of value, and so affect the role of art in human self-understanding. The aesthetic dimensions of modern philosophy can help to uncover often neglected historical shifts in how 'subjective' and 'objective' are conceived. Seeing art as a kind of philosophy, and philosophy as a kind of art, reveals unresolved tensions between the different cultural domains of the modern world and questions some of the orientation of contemporary philosophy.
Author: Andrew Bowie Publisher: Oxford University Press ISBN: 0192663399 Category : Philosophy Languages : en Pages : 296
Book Description
Much of contemporary philosophy, especially in the analytical tradition, regards aesthetics as of lesser significance than epistemology, ethics, metaphysics, and the philosophy of language. Yet, in Aesthetic Dimensions of Modern Philosophy, Andrew Bowie explores the idea that art and aesthetics have crucial implications for those areas of philosophy. In the modern period, the growth of warranted scientific knowledge is accompanied both by heightened concern with epistemological scepticism and a new philosophical attention to art and the beauty of nature. This suggests that modernity involves problems concerning how human beings make sense of the world that go beyond questions of knowledge, and are reflected in the arts. The relationship of art to philosophy is explored in Montaigne, Descartes, Hume, Kant, Schelling, the early German Romantics, and Hegel. This book also considers Cassirer's and the hermeneutic tradition's exploration of close links between meaning in language and in art. The work of Karl Polanyi, Marx, Nietzsche, Heidegger, Adorno, Dewey, and others is used to investigate how the modern sciences and the development of capitalism change both humankind's relations to nature and the nature of value, and so affect the role of art in human self-understanding. The aesthetic dimensions of modern philosophy can help to uncover often neglected historical shifts in how 'subjective' and 'objective' are conceived. Seeing art as a kind of philosophy, and philosophy as a kind of art, reveals unresolved tensions between the different cultural domains of the modern world and questions some of the orientation of contemporary philosophy.
Author: Bowie Andrew Publisher: ISBN: 9780192663382 Category : Aesthetics Languages : en Pages : 238
Book Description
Much of contemporary philosophy regards aesthetics as of lesser significance than epistemology, ethics, metaphysics, or the philosophy of language. Here, Andrew Bowie explores the crucial implications that art and aesthetics have for those areas of philosophy, revealing unresolved tensions between the different cultural domains of the modern world.
Author: Mihai Spariosu Publisher: Cornell University Press ISBN: 1501746286 Category : Philosophy Languages : en Pages : 337
Book Description
Mihai Spariosu here explores the significance of the closely linked concepts of play and aestheticism in philosophical and scientific discourse since the end of the eighteenth century. Spariosu points out that since its birth in archaic and classical Hellenic thought the concept of play has always been subject to the influences of various rational and prerational sets of values. Spariosu maintains that there have been not one but two major modern concepts of aestheticism: artistic aestheticism, related to a prerational mentality and introduced in modern thought by Schopenhauer and Nietzsche; and philosophicalscientific aestheticism, initiated by Kant and Schiller and shaped by rationalism. According to Spariosu, the first has often arisen in response to the attempts of philosophy and science to impose their standards on art, and the second has often been called on to deal with the epistemological crises that periodically shake these disciplines. Spariosu also looks closely at some of the play concepts that surface in modern science in connection with the Darwinian theory of evolution and the play of scientific discourse itself, as exemplified by the new physics and the contemporary philosophy of science. A penetrating and cogently argued book, Dionysus Reborn will be welcomed by readers interested in Continental philosophy, scientific discourse, and the aesthetics of play, including literary theorists, comparatists, philosophers, intellectual historians, and social scientists.
Author: Emily Brady Publisher: Cambridge University Press ISBN: 1107276268 Category : Philosophy Languages : en Pages : 241
Book Description
In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetics and ethics. Far from being an outmoded concept, Brady argues that the sublime is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world.
Author: Andrew Bowie Publisher: Manchester University Press ISBN: 9780719057380 Category : History Languages : en Pages : 358
Book Description
This new, completely revised and re-written edition of Aesthetics and subjectivity brings up to date the original book's account of the path of German philosophy from Kant, via Fichte and Holderlin, the early Romantis, Schelling, Hegel, Schleimacher, to Nietzsche, in view of recent historical research and contemporary arguments in philosophy and theory in the humanities.
Author: Andrew Bowie Publisher: Manchester University Press ISBN: 1847795129 Category : History Languages : en Pages : 358
Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. New, completely revised and re-written edition. Offers a detailed, but asccesible account of the vital German philosophical tradition of thinking about art and the self. Looks at recent historical research and contemporary arguments in philosophy and theory in the humanities, following the path of German philosophy from Kant, via Ficthe and Holderlin, the early Romantis, Schelling, Hegel, Scleimacher, to Nietzsche. Develops the approaches to subjectivity, aesthetics, music and language in relation to new theoretical developments bridging the divide between the continental and analytical traditions of philosophy. The huge growth of interest in German philosophy as a resource for re-thinking both literary and cultural theory, and contemporary philosophy will make this an indispensible read
Author: Robert Stecker Publisher: Rowman & Littlefield Publishers ISBN: 1442201282 Category : Philosophy Languages : en Pages : 330
Book Description
Praised in its original edition for its up-to-date, rigorous presentation of current debates and for the clarity of its presentation, Robert Stecker's new edition of Aesthetics and the Philosophy of Art preserves the major themes and conclusions of the original, while expanding its content, providing new features, and enhancing accessibility. Stecker introduces students to the history and evolution of aesthetics, and also makes an important distinction between aesthetics and philosophy of art. While aesthetics is the study of value, philosophy of art deals with a much wider array of questions including issues in metaphysics, epistemology, the philosophy of mind, as well value theory. Described as a 'remarkably unified introduction to many contemporary debates in aesthetics and the philosophy of art,' Stecker specializes in sympathetically laying bear the play of argument that emerges as competing views on a topic engage each other. This book does not simply present a controversy in its current state of play, but instead demonstrates a philosophical mind at work helping to advance the issue toward a solution.
Author: Jerrold Levinson Publisher: Oxford University Press ISBN: 9780199279456 Category : Art Languages : en Pages : 844
Book Description
'The Oxford Handbook of Aesthetics' has assembled 48 brand-new essays, making this a comprehensive guide available to the theory, application, history, and future of the field.
Author: Oswald Hanfling Publisher: Wiley-Blackwell ISBN: 9780631180357 Category : Philosophy Languages : en Pages : 528
Book Description
This volume contains surveys of the main issues in philosophical aesthetics, as discussed by thinkers from ancient Greece to modern times. It is written by members of the Open University and the intention throughout is to make the issues intelligible and interesting to as wide an audience as possible, including those readers with a general interest in the arts as well as more advanced students. The volume begins with questions about the nature of art and beauty. Are there any limitations to what may count as a work of art? Are imitations and forgeries really less valuable than original works? This is followed by discussions of aesthetic experience, truth and the 'imitation of nature' in works of art. In later chapters the emphasis is on the value and evaluation of art. Should art exist for the good of society? What justification is there for censorship in the case of pornography? The final chapters deal with Marxist theories of art, and with structuralist and post-structuralist views in recent continental writings.
Author: Simon Grote Publisher: Cambridge University Press ISBN: 1107110920 Category : History Languages : en Pages : 308
Book Description
This new study of eighteenth-century aesthetic theory situates it in theological contexts that are crucial to explaining why it arose.
Author: Andrew Bowie
Author: Andrew Bowie
Author: Bowie Andrew
Author: Mihai Spariosu
Author: Emily Brady
Author: Andrew Bowie
Author: Andrew Bowie
Author: Robert Stecker
Author: Jerrold Levinson
Author: Oswald Hanfling
Author: Simon Grote