Aelbert Cuyp PDF Download

Author: Aelbert Cuyp
Publisher:
ISBN:
Category :
Languages : en
Pages : 324

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Author: W. Th Kloek
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 52

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Aelbert Cuyp (1620-1691) has been called the greatest of the Dutch masters of the Dutch Golden Age. The Arcadian feeling of Cuyp's landscapes made them so popular among English art lovers that almost all of the master's oeuvre was exported during the eighteenth century. Wouter Kloek, head curator at the Rijksmuseum, discusses the amazing versatility apparent in the ouvre of Aelbert Cuyp, the master of the golden light.

Author: H. Perry Chapman
Publisher:
ISBN: 9780300067934
Category : Biography & Autobiography
Languages : en
Pages : 272

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This lavishly illustrated book is the catalogue for an exhibition of the works of Jan Steen, coorganized by the National Gallery of Art, Washington, and the Rijksmuseum, Amsterdam.

Author: Ariane van Suchtelen
Publisher: Waanders Publishers
ISBN: 9789040085499
Category : Art, Dutch
Languages : en
Pages : 0

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Dutch society in the Golden Age was predominantly an urban one. From 1600 onwards the cities of the

Author: National Gallery of Art (U.S.)
Publisher: Oxford University Press, USA
ISBN: 9780894682117
Category : Painting
Languages : en
Pages : 0

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Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.

Author: Walter A. Liedtke
Publisher: Metropolitan Museum of Art
ISBN: 1588392732
Category : Painters
Languages : en
Pages : 1109

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Book Description
Presents a catalog that surveys the Dutch paintings found in the Metropolitan Museum of Art.

Author: Lodewijk Petram
Publisher: Columbia University Press
ISBN: 0231537328
Category : Business & Economics
Languages : en
Pages : 305

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This account of the sophisticated financial hub that was 17th-century Amsterdam “does a fine job of bringing history to life” (Library Journal). The launch of the Dutch East India Company in 1602 initiated Amsterdam’s transformation from a regional market town into a dominant financial center. The Company introduced easily transferable shares, and within days buyers had begun to trade them. Soon the public was engaging in a variety of complex transactions, including forwards, futures, options, and bear raids, and by 1680 the techniques deployed in the Amsterdam market were as sophisticated as any we practice today. Lodewijk Petram’s award-winning history demystifies financial instruments by linking today’s products to yesterday’s innovations, tying the market’s operation to the behavior of individuals and the workings of the world around them. Traveling back in time, Petram visits the harbor and other places where merchants met to strike deals. He bears witness to the goings-on at a notary’s office and sits in on the consequential proceedings of a courtroom. He describes in detail the main players, investors, shady characters, speculators, and domestic servants and other ordinary folk, who all played a role in the development of the market and its crises. His history clarifies concerns that investors still struggle with today—such as fraud, the value of information, trust and the place of honor, managing diverging expectations, and balancing risk—and does so in a way that is vivid, relatable, and critical to understanding our contemporary world.

Author: Michael Hall
Publisher:
ISBN: 9781907372414
Category : Art
Languages : en
Pages : 0

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The Harold Samuel Art Collection is a unique collection of 17th-century paintings from the Golden Age of Holland. Bequeathed to the City of London in 1987 by Lord Harold Samuel of Wych Cross, a wealthy property developer and entrepreneur, this remarkable collection of 84 works - the best collection of Dutch a nd Flemish art in Britain - enriches the splendor of the interior of the Mansion House, the residence of the Lord Mayor of London. The Merry Lute Player by Frans Hals is perhaps the best known picture in the collection, but Samuel also gathered truly outstanding examples of genre painting, indeed several of the finest works in existence by Nicolaes Maes, Jacob Ochtervelt, Adriaen van Ostade and Jan Steen. Eleven winter landscapes include such masterpieces as Hendrick Avercamp's large copper panel depicting a frozen river, and amongst the archtypical Dutch panoramas are exceptional works by masters of the genre, Philips Koninck and Jacob von Ruisdael.

Author: Svetlana Petrova
Publisher: Penguin
ISBN: 0698195159
Category : Humor
Languages : en
Pages : 382

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“It’s official. That thing that classic art has been missing is a chubby reclining kitty.” —The Huffington Post Internet meme meets classical art in Svetlana Petrova’s brilliant Fat Cat Art. Featuring her twenty-two-pound, ginger-colored cat Zarathustra superimposed onto some of the greatest artworks of all time, Petrova’s paintings are an Internet sensation. Now fans will have the ultimate full-color collection of her work, including several never-before-seen pieces, to savor for themselves or to give as a gift to fellow cat lovers. From competing with Venus’s sexy reclining pose (and almost knocking her off her chaise lounge in the process) in Titian’s Venus of Urbino, to exhibiting complete disdain as he skirts away from God’s pointing finger in Michelangelo’s Creation of Adam, Zarathustra single-handedly rewrites art history in the way that only an adorable fat cat can.

Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892362081
Category : Art
Languages : en
Pages : 190

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Book Description
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal also contains an illustrated checklist of the Museum’s acquisitions for the previous year, a staff listing, and a statement by the Museum’s Director outlining the year’s most important activities. Volume 19 of the J. Paul Getty Museum Journal includes articles by Nicholas Penny, Ariane van Suchtelen, Thomas DaCosta Kaufmann and Virginia Roehrig Kaufmann, Frits Scholten, David Harris Cohen, and Dawson W. Carr.