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Author: Ashok Amritraj Publisher: Harper ISBN: 9789350293591 Category : Biography & Autobiography Languages : en Pages : 0
Book Description
An inspirational story of making it against all odds What are the chances that a shy, insecure kid from India could become one of the most successful producers in Hollywood? Ashok Amritraj arrived in Los Angelesfrom Chennai with little more than a winning personality and a dazzling tennis game, honed at the U.S. Open and Wimbledon. He had fallen in love with movies as a child and now fell in love with Hollywood. He longed to make the motion picture business his career. But how? Thirty years later, Ashok has become one of the most successful producers in Hollywood. He has made over a hundred films with global revenues in excess of $1 billion. From Chennai to Wimbledon to Hollywood, this is a gripping tale of grit and determination and of overcoming extraordinary obstacles. In the tradition of classic movie-industry tales, the people who walk through these pages include Frank Sinatra, Sidney Poitier, Sandra Bullock, Steve Martin, Dustin Hoffman, Sylvester Stallone, Angelina Jolie, Bruce Willis and many more.
Author: Ashok Amritraj Publisher: Harper ISBN: 9789350293591 Category : Biography & Autobiography Languages : en Pages : 0
Book Description
An inspirational story of making it against all odds What are the chances that a shy, insecure kid from India could become one of the most successful producers in Hollywood? Ashok Amritraj arrived in Los Angelesfrom Chennai with little more than a winning personality and a dazzling tennis game, honed at the U.S. Open and Wimbledon. He had fallen in love with movies as a child and now fell in love with Hollywood. He longed to make the motion picture business his career. But how? Thirty years later, Ashok has become one of the most successful producers in Hollywood. He has made over a hundred films with global revenues in excess of $1 billion. From Chennai to Wimbledon to Hollywood, this is a gripping tale of grit and determination and of overcoming extraordinary obstacles. In the tradition of classic movie-industry tales, the people who walk through these pages include Frank Sinatra, Sidney Poitier, Sandra Bullock, Steve Martin, Dustin Hoffman, Sylvester Stallone, Angelina Jolie, Bruce Willis and many more.
Author: Scott Robert Olson Publisher: Routledge ISBN: 1135669562 Category : Social Science Languages : en Pages : 350
Book Description
The popularity of American television programs and feature films in the international marketplace is widely recognized but scarcely understood. Existing studies have not sufficiently explained the global power of the American media nor its actual effects. In this volume, Scott Robert Olson tackles the issue head on, establishing his thesis that the United States' competitive advantage in the creation and global distribution of popular taste is due to a unique mix of cultural conditions that are conducive to the creation of "transparent" texts--narratives whose inherent polysemy encourage diverse populations to read them as though they are indigenous. Olson posits that these narratives have meaning to so many different cultures because they allow viewers in those cultures to project their own values, archetypes, and tropes into the movie or television program in a way that texts imported from other cultures do not, thus enabling the import to function as though it were an indigenous product. As an innovative volume combining postcolonial and postmodern theory with global management strategic theory, Hollywood Planet is one of the first studies that attempts to account theoretically for numerous recent ethnographic studies that suggest different interpretations of television programs and film by a variety of international audiences. Relevant to studies in media theory and other areas of the communication discipline, as well as anthropology, sociology, and related fields, Hollywood Planet contains a powerful and original argument to explain the dominance of American media in the global entertainment market.
Author: Scott Robert Olson Publisher: Routledge ISBN: 1135669570 Category : Business & Economics Languages : en Pages : 189
Book Description
An examination of US media's success around the world, advancing a theory behind the popularity of American culture and the strategy for obtaining this advantage. For scholars and students in mass media & society, and international/intercultural studies.
Author: Peter Decherney Publisher: Oxford University Press ISBN: 0199943540 Category : Social Science Languages : en Pages : 161
Book Description
"Peter Decherney tells the story of Hollywood, from its nineteenth-century origins to the emergence of internet media empires. Using well-known movies, stars, and directors, the book shows that the elements we take to be a natural part of the Hollywood experience--stars, genre-driven storytelling, blockbuster franchises, etc.--are the product of cultural, political, and commercial forces"--
Author: David Waterman Publisher: Harvard University Press ISBN: 0674044924 Category : Business & Economics Languages : en Pages : 412
Book Description
Out-of-control costs. Box office bombs that should have been foreseen. A mania for sequels at the expense of innovation. Blockbusters of ever-diminishing merit. What other industry could continue like this--and succeed as spectacularly as Hollywood has? The American movie industry's extraordinary success at home and abroad--in the face of dire threats from broadcast television and a wealth of other entertainment media that have followed--is David Waterman's focus in this book, the first full-length economic study of the movie industry in over forty years. Combining historical and economic analysis, Hollywood's Road to Riches shows how, beginning in the 1950s, a largely predictable business has been transformed into a volatile and complex multimedia enterprise now commanding over 80 percent of the world's film business. At the same time, the book asks how the economic forces leading to this success--the forces of audience demand, technology, and high risk--have combined to change the kinds of movies Hollywood produces. Waterman argues that the movie studios have multiplied their revenues by effectively using pay television and home video media to extract the maximum amounts that individual consumers are willing to pay to watch the same movies in different venues. Along the way, the Hollywood studios have masterfully handled piracy and other economic challenges to the multimedia system they use to distribute movies. The author also looks ahead to what Internet file sharing and digital production and distribution technologies might mean for Hollywood's prosperity, as well as for the quality and variety of the movies it makes.
Author: Allen J. Scott Publisher: Princeton University Press ISBN: 0691187843 Category : Business & Economics Languages : en Pages : 217
Book Description
Why is the U.S. motion picture industry concentrated in Hollywood and why does it remain there in the age of globalization? Allen Scott uses the tools of economic geography to explore these questions and to provide a number of highly original answers. The conceptual roots of his analysis go back to Alfred Marshall's theory of industrial districts and pick up on modern ideas about business clusters as sites of efficient and innovative production. On Hollywood builds on this work by adding major new empirical elements. By examining the history of motion-picture production from the early twentieth century to the present through this analytic lens, Scott is able to show why the industry (which was initially focused on New York) had shifted the majority of its production to Southern California by 1919. He also addresses in detail the bases of Hollywood's long-standing creative energies and competitive advantages. At the same time, the book explores the steady globalization of Hollywood's market reach as well as the cultural and political dilemmas posed by this phenomenon. On Hollywood will appeal not only to general readers with an interest in the motion-picture industry, but also to economic geographers, business professionals, regional development practitioners, and cultural theorists as well.
Author: Aneek Chaudhuri Publisher: BookCountry ISBN: 1463007590 Category : Performing Arts Languages : en Pages :
Book Description
The book Bazin: who is he? is all about Andre Bazin as a theorist and his contribution to Film Studies. Here, in this book, the subject's objectivity has also been presented that too in the layman's approach. André Bazin (French: [baz?~]; 18 April 1918 – 11 November 1958) was an eminent and persuasive French film faultfinder and film scholar. Bazin began to expound on film in 1943 and was a prime supporter of the famous film magazine Cahiers du cinéma in 1951, alongside Jacques Doniol-Valcroze and Joseph-Marie Lo Duca. Bazin's call for target reality, profound center, and absence of montage are connected to his conviction that the understanding of a film or scene ought to be left to the onlooker. This put him contrary to film hypothesis of the 1920s and 1930s, which underscored how the silver screen could control reality. He is also the co-fonder of Cahiers du Cinema which is indeed the pathbreaking journal till date.
Author: Ian Charles Jarvie Publisher: Cambridge University Press ISBN: 9780521415668 Category : History Languages : en Pages : 508
Book Description
Hollywood's Overseas Campaign: The North Atlantic Movie Trade, 1920-1950 examines how Hollywood movies became one of the most successful U.S. exports, a phenomenon that began during World War I. Focusing on Canada, the market closest to the United States, on Great Britain, the biggest market, and on the U.S. movie industry itself, Ian Jarvie documents how fear of this mass medium's impact and covetousness toward its profits motivated many nations to resist the cultural invasion and economic drain that Hollywood movies represented.
Author: Andrew Gelwicks Publisher: Hachette UK ISBN: 030687461X Category : Self-Help Languages : en Pages : 334
Book Description
Meet the LGBTQ+ dealmakers, trailblazers, and glass-ceiling breakers in business, politics, and beyond. The people who are creating national public policy, running billion-dollar tech enterprises, and winning Olympic medals. Andrew Gelwicks interviews the leaders who have forged their own paths and changed the world. From Troye Sivan to Margaret Cho, George Takei to Billie Jean King, Shangela to Adam Rippon, each person credits their queer identity with giving them an edge in their paths to success. Their stories brim with the hard-won lessons gained over their careers. With variances in age, background, careers, and races, key themes shine through: Channeling anger in a positive way -- using it as rocket fuel to succeed Leveraging your difference to beget new ideas and strategies Bridging generational gaps Accessing resources to conquer crippling denial, internalized homophobia, and doubt The power of the Internet as a tool of self-discovery Using your sensitivity and attunement to read the room, deciding when to fit in and when to stand out Finding a queer tribe and learning to help and lean on one another Collecting incisive, deeply personal conversations with LGBTQ+ trailblazers about how they leveraged the challenges and insights they had as relative outsiders to succeed in the worlds of business, tech, politics, Hollywood, sports and beyond, The Queer Advantage celebrates the unique, supercharged power of queerness.
Author: John Fawell Publisher: Bloomsbury Publishing USA ISBN: 0313356939 Category : Social Science Languages : en Pages : 240
Book Description
Although we tend to accord our highest praise to films with strong messages, Hollywood is resolutely unserious in its goals, and closer perhaps to music than to literature in this regard. Thus, in order to appreciate Hollywood's classic movies, we have to understand them as the result of a style of filmmaking that justifies itself through the grace and beauty of its form. This beauty, when seen, challenges our notion of film as the poorer cousin of the high arts, or as worthwhile only when it serves a social purpose. The Hidden Art of Hollywood draws from a huge fund of recorded interviews with the directors, writers, cinematographers, set designers, producers, and actors who were a part of the studio process, in order to give the filmmakers themselves the chance to explain a very elusive phenomenon: the glancing beauty of the Hollywood film. While the greatness of the classic Hollywood film is, for many of us, settled business, there are also a great number who have difficulty understanding why these films—which can often seem dated and unrealistic compared to modern fare—are taken as seriously as they are. Although we tend to accord our highest praise to films with strong and often didactic messages, Hollywood is resolutely unserious in its goals, and closer perhaps to music than to literature in this regard. Thus, in order to appreciate classic American movies, we have to understand them as the result of a style of filmmaking that justifies itself not through ideas or social relevance, but through the grace and beauty of its form. The beauty of the Hollywood film challenges our notion of film as the poorer cousin of the high arts, or as worthwhile only when it serves a social purpose. In his effort to answer the many questions that classic American cinema suggests, author John Fawell considers previous criticism of Hollywood, but also draws from a huge fund of recorded interviews with the directors, writers, cinematographers, set designers, producers, and actors who were a part of the studio process, in order to give the filmmakers themselves the chance to explain a very elusive phenomenon: the glancing beauty of the Hollywood film. The films of certain great auteurs, including Charlie Chaplin, Ernst Lubitsch, Preston Sturges, Alfred Hitchcock, Billy Wilder, John Ford, and Orson Welles, receive particular attention here, but this book is organized by ideas rather than films or artists, and it draws from a wide array of Hollywood films, both successes and failures, to make its points.
Author: Ashok Amritraj
Author: Ashok Amritraj
Author: Scott Robert Olson
Author: Scott Robert Olson
Author: Peter Decherney
Author: David Waterman
Author: Allen J. Scott
Author: Aneek Chaudhuri
Author: Ian Charles Jarvie
Author: Andrew Gelwicks
Author: John Fawell