Author: Amelia Opie
Publisher:
ISBN:
Category : Domestic fiction
Languages : en
Pages : 240
Book Description
Adeline Mowbray, Or The Mother and Daughter
Author: Amelia Opie
Publisher:
ISBN:
Category : Domestic fiction
Languages : en
Pages : 240
Book Description
Publisher:
ISBN:
Category : Domestic fiction
Languages : en
Pages : 240
Book Description
Adeline Mowbray
Author: Amelia Alderson Opie
Publisher: Legare Street Press
ISBN: 9781022573482
Category :
Languages : en
Pages : 0
Book Description
This moving novel tells the story of Adeline Mowbray, a young woman struggling to balance her own desires and ambitions with the expectations of her family and society. Touching on themes of love, family, and female empowerment, this book is a must-read for anyone interested in the literature of the 18th and 19th centuries. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Legare Street Press
ISBN: 9781022573482
Category :
Languages : en
Pages : 0
Book Description
This moving novel tells the story of Adeline Mowbray, a young woman struggling to balance her own desires and ambitions with the expectations of her family and society. Touching on themes of love, family, and female empowerment, this book is a must-read for anyone interested in the literature of the 18th and 19th centuries. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Memoirs of Emma Courtney
Author: Mary Hays
Publisher: Graphic Arts Books
ISBN: 1513275992
Category : Fiction
Languages : en
Pages : 173
Book Description
Memoirs of Emma Courtney (1796) is a novel by English writer and feminist Mary Hays. Inspired by events from her own life, as well as by her acquaintance with radical political philosophers William Godwin and Mary Wollstonecraft, Hays’s novel received mixed reviews and was controversial for its representation of female sexuality, adultery, infanticide, and suicide. Modern critics and readers, however, have recognized the novel as a groundbreaking work of feminist fiction. In a series of letters to her adopted son Augustus Harley, Emma Courtney reveals the tragic details of her life. Young and in love with Augustus’s father, Courtney dreamed of marrying him and starting a family. Despite their true connection, Harley is unable to marry—his continued income is only guaranteed, he claims, if he remains a bachelor. Meanwhile, a man named Mr. Montague promises Courtney a life of safety and financial stability if she will agree to marry him, which, after learning that Harley has secretly been married all along, she does. Heartbroken, Courtney settles for a life with her new husband, and raising her daughter becomes her only cause for passion. When she realizes the extent of Mr. Montague’s dishonesty, however, she struggles to reconcile her former sense of individuality with the life she has been forced to live. When Harley suddenly reappears, however, feelings from the past return that threaten to flood Courtney’s heart and overturn what stability she thought had been her own. Memoirs of Emma Courtney is an epistolary novel exploring themes of desire, inequality, and the love that transcends the values and bonds of society. With a beautifully designed cover and professionally typeset manuscript, this edition of Mary Hays’s Memoirs of Emma Courtney is a classic of English literature reimagined for modern readers.
Publisher: Graphic Arts Books
ISBN: 1513275992
Category : Fiction
Languages : en
Pages : 173
Book Description
Memoirs of Emma Courtney (1796) is a novel by English writer and feminist Mary Hays. Inspired by events from her own life, as well as by her acquaintance with radical political philosophers William Godwin and Mary Wollstonecraft, Hays’s novel received mixed reviews and was controversial for its representation of female sexuality, adultery, infanticide, and suicide. Modern critics and readers, however, have recognized the novel as a groundbreaking work of feminist fiction. In a series of letters to her adopted son Augustus Harley, Emma Courtney reveals the tragic details of her life. Young and in love with Augustus’s father, Courtney dreamed of marrying him and starting a family. Despite their true connection, Harley is unable to marry—his continued income is only guaranteed, he claims, if he remains a bachelor. Meanwhile, a man named Mr. Montague promises Courtney a life of safety and financial stability if she will agree to marry him, which, after learning that Harley has secretly been married all along, she does. Heartbroken, Courtney settles for a life with her new husband, and raising her daughter becomes her only cause for passion. When she realizes the extent of Mr. Montague’s dishonesty, however, she struggles to reconcile her former sense of individuality with the life she has been forced to live. When Harley suddenly reappears, however, feelings from the past return that threaten to flood Courtney’s heart and overturn what stability she thought had been her own. Memoirs of Emma Courtney is an epistolary novel exploring themes of desire, inequality, and the love that transcends the values and bonds of society. With a beautifully designed cover and professionally typeset manuscript, this edition of Mary Hays’s Memoirs of Emma Courtney is a classic of English literature reimagined for modern readers.
Wollstonecraft's Ghost
Author: Andrew McInnes
Publisher: Taylor & Francis
ISBN: 1315523167
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
Focusing on the ways in which women writers from across the political spectrum engage with and adapt Wollstonecraft's political philosophy in order to advocate feminist reform, Andrew McInnes explores the aftermath of Wollstonecraft's death, the controversial publication of William Godwin's memoir of his wife, and Wollstonecraft's reception in the early nineteenth century. McInnes positions Wollstonecraft within the context of the eighteenth-century female philosopher figure as a literary archetype used in plays, poetry, polemic and especially novels, to represent the thinking woman and address anxieties about political, religious, and sexual heterodoxy. He provides detailed analyses of the ways in which women writers such as Mary Hays, Elizabeth Hamilton, Amelia Opie, and Maria Edgeworth negotiate Wollstonecraft's reputation as personal, political, and sexual pariah to reformulate her radical politics for a post-revolutionary Britain in urgent need of reform. Frances Burney's The Wanderer and Jane Austen's Mansfield Park, McInnes suggests, work as state-of-the-nation novels, drawing on Wollstonecraft's ideas to explore a changing England. McInnes concludes with an examination of Mary Shelley's engagement with her mother throughout her career as a novelist, arguing that Shelley gradually overcomes her anxiety over her mother's stature to address Wollstonecraft's ideas with increasing confidence.
Publisher: Taylor & Francis
ISBN: 1315523167
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
Focusing on the ways in which women writers from across the political spectrum engage with and adapt Wollstonecraft's political philosophy in order to advocate feminist reform, Andrew McInnes explores the aftermath of Wollstonecraft's death, the controversial publication of William Godwin's memoir of his wife, and Wollstonecraft's reception in the early nineteenth century. McInnes positions Wollstonecraft within the context of the eighteenth-century female philosopher figure as a literary archetype used in plays, poetry, polemic and especially novels, to represent the thinking woman and address anxieties about political, religious, and sexual heterodoxy. He provides detailed analyses of the ways in which women writers such as Mary Hays, Elizabeth Hamilton, Amelia Opie, and Maria Edgeworth negotiate Wollstonecraft's reputation as personal, political, and sexual pariah to reformulate her radical politics for a post-revolutionary Britain in urgent need of reform. Frances Burney's The Wanderer and Jane Austen's Mansfield Park, McInnes suggests, work as state-of-the-nation novels, drawing on Wollstonecraft's ideas to explore a changing England. McInnes concludes with an examination of Mary Shelley's engagement with her mother throughout her career as a novelist, arguing that Shelley gradually overcomes her anxiety over her mother's stature to address Wollstonecraft's ideas with increasing confidence.
Mothering Daughters
Author: Susan C. Greenfield
Publisher: Wayne State University Press
ISBN: 9780814332016
Category : Family & Relationships
Languages : en
Pages : 236
Book Description
The rise of the novel and of the ideal nuclear family was no mere coincidence, argues Susan C. Greenfield in this fascinating look at the construction of modern maternity. The rise of the novel and of the ideal nuclear family was no mere coincidence, argues Susan C. Greenfield in this fascinating look at the construction of modern maternity. Many historians maintain that the eighteenth century witnessed the idealization of the caring, loving mother. Here Greenfield charts how the newly emerging novels of the period, in their increasing feminization, responded to and helped shape that image, often infusing it with more nuance and flexibility. By the end of the eighteenth century, she notes, novels by women about missing mothers and their suffering daughters abounded. Even as the political implications of the novels vary, the books uniformly insist on the tenacity of the mother-daughter bond despite the mother's absence. Exploring the historically contingent assumptions about maternal care that informed writers during this period, Greenfield argues that women's novels helped construct the story of mother love and loss that psychoanalysis would soon inherit.
Publisher: Wayne State University Press
ISBN: 9780814332016
Category : Family & Relationships
Languages : en
Pages : 236
Book Description
The rise of the novel and of the ideal nuclear family was no mere coincidence, argues Susan C. Greenfield in this fascinating look at the construction of modern maternity. The rise of the novel and of the ideal nuclear family was no mere coincidence, argues Susan C. Greenfield in this fascinating look at the construction of modern maternity. Many historians maintain that the eighteenth century witnessed the idealization of the caring, loving mother. Here Greenfield charts how the newly emerging novels of the period, in their increasing feminization, responded to and helped shape that image, often infusing it with more nuance and flexibility. By the end of the eighteenth century, she notes, novels by women about missing mothers and their suffering daughters abounded. Even as the political implications of the novels vary, the books uniformly insist on the tenacity of the mother-daughter bond despite the mother's absence. Exploring the historically contingent assumptions about maternal care that informed writers during this period, Greenfield argues that women's novels helped construct the story of mother love and loss that psychoanalysis would soon inherit.
Chastity and Transgression in Women's Writing, 1792-1897
Author: R. Eberle
Publisher: Springer
ISBN: 0230509746
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
Working at the intersections of feminist literary criticism, new historicism, and narratology, Chastity and Transgression in Women's Writing revises current understandings of nineteenth-century representations of prostitution, female sexuality and the 'rights of woman' debate. Eberle's project explores the connections and disjunctures between women writing during the Romantic period and those working throughout the Victorian era. She considers a wide range of authors including Mary Wollstonecraft, Amelia Opie, Mary Hays, Elizabeth Gaskell, and Sarah Grand.
Publisher: Springer
ISBN: 0230509746
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
Working at the intersections of feminist literary criticism, new historicism, and narratology, Chastity and Transgression in Women's Writing revises current understandings of nineteenth-century representations of prostitution, female sexuality and the 'rights of woman' debate. Eberle's project explores the connections and disjunctures between women writing during the Romantic period and those working throughout the Victorian era. She considers a wide range of authors including Mary Wollstonecraft, Amelia Opie, Mary Hays, Elizabeth Gaskell, and Sarah Grand.
Written/Unwritten
Author: Patricia A. Matthew
Publisher: UNC Press Books
ISBN: 1469627728
Category : Education
Languages : en
Pages : 333
Book Description
The academy may claim to seek and value diversity in its professoriate, but reports from faculty of color around the country make clear that departments and administrators discriminate in ways that range from unintentional to malignant. Stories abound of scholars--despite impressive records of publication, excellent teaching evaluations, and exemplary service to their universities--struggling on the tenure track. These stories, however, are rarely shared for public consumption. Written/Unwritten reveals that faculty of color often face two sets of rules when applying for reappointment, tenure, and promotion: those made explicit in handbooks and faculty orientations or determined by union contracts and those that operate beneath the surface. It is this second, unwritten set of rules that disproportionally affects faculty who are hired to "diversify" academic departments and then expected to meet ever-shifting requirements set by tenured colleagues and administrators. Patricia A. Matthew and her contributors reveal how these implicit processes undermine the quality of research and teaching in American colleges and universities. They also show what is possible when universities persist in their efforts to create a diverse and more equitable professorate. These narratives hold the academy accountable while providing a pragmatic view about how it might improve itself and how that improvement can extend to academic culture at large. The contributors and interviewees are Ariana E. Alexander, Marlon M. Bailey, Houston A. Baker Jr., Dionne Bensonsmith, Leslie Bow, Angie Chabram, Andreana Clay, Jane Chin Davidson, April L. Few-Demo, Eric Anthony Grollman, Carmen V. Harris, Rashida L. Harrison, Ayanna Jackson-Fowler, Roshanak Kheshti, Patricia A. Matthew, Fred Piercy, Deepa S. Reddy, Lisa Sanchez Gonzalez, Wilson Santos, Sarita Echavez See, Andrew J. Stremmel, Cheryl A. Wall, E. Frances White, Jennifer D. Williams, and Doctoral Candidate X.
Publisher: UNC Press Books
ISBN: 1469627728
Category : Education
Languages : en
Pages : 333
Book Description
The academy may claim to seek and value diversity in its professoriate, but reports from faculty of color around the country make clear that departments and administrators discriminate in ways that range from unintentional to malignant. Stories abound of scholars--despite impressive records of publication, excellent teaching evaluations, and exemplary service to their universities--struggling on the tenure track. These stories, however, are rarely shared for public consumption. Written/Unwritten reveals that faculty of color often face two sets of rules when applying for reappointment, tenure, and promotion: those made explicit in handbooks and faculty orientations or determined by union contracts and those that operate beneath the surface. It is this second, unwritten set of rules that disproportionally affects faculty who are hired to "diversify" academic departments and then expected to meet ever-shifting requirements set by tenured colleagues and administrators. Patricia A. Matthew and her contributors reveal how these implicit processes undermine the quality of research and teaching in American colleges and universities. They also show what is possible when universities persist in their efforts to create a diverse and more equitable professorate. These narratives hold the academy accountable while providing a pragmatic view about how it might improve itself and how that improvement can extend to academic culture at large. The contributors and interviewees are Ariana E. Alexander, Marlon M. Bailey, Houston A. Baker Jr., Dionne Bensonsmith, Leslie Bow, Angie Chabram, Andreana Clay, Jane Chin Davidson, April L. Few-Demo, Eric Anthony Grollman, Carmen V. Harris, Rashida L. Harrison, Ayanna Jackson-Fowler, Roshanak Kheshti, Patricia A. Matthew, Fred Piercy, Deepa S. Reddy, Lisa Sanchez Gonzalez, Wilson Santos, Sarita Echavez See, Andrew J. Stremmel, Cheryl A. Wall, E. Frances White, Jennifer D. Williams, and Doctoral Candidate X.
Imoinda's Shade
Author: Lyndon Janson Dominique
Publisher:
ISBN: 9780814211854
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
As the eighteenth century is entirely bereft of narratives written by African women, one might assume that these women had little to no impact on British literature and the national psyche of the period. Yet these kinds of assumptions are belied by the influence of one prominent African woman featured in the period's literary texts. Imoinda's Shade examines the ways in which British writers utilize the most popular African female figure in eighteenth-century fiction and drama to foreground the African woman's concerns and interests as well as those of a British nation grappling with the problems of slavery and abolition. Imoinda, the fictional phenomenon initially conceived by Aphra Behn and subsequently popularized by Thomas Southerne, has an influence that extends well beyond the Oroonoko novella and drama that established her as a formidable presence during the late Restoration period. This influence is palpably discerned in the characterizations of African women drawn up in novels and dramas written by late-eighteenth-century British writers. Through its examinations of the textual instances from 1759-1808 when Imoinda and her involvement in the Oroonoko marriage plot are being transformed and embellished for politicized ends, Imoinda's Shade demonstrates how this period's fictional African women were deliberately constructed by progressive eighteenth-century writers to popularize issues of rape, gynecological rebellion, and miscegenation. Moreover, it shows how these specific African female concerns influence British antislavery, abolitionist, and post-slavery discourse in heretofore unheralded, unusual, and sometimes radical ways.
Publisher:
ISBN: 9780814211854
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
As the eighteenth century is entirely bereft of narratives written by African women, one might assume that these women had little to no impact on British literature and the national psyche of the period. Yet these kinds of assumptions are belied by the influence of one prominent African woman featured in the period's literary texts. Imoinda's Shade examines the ways in which British writers utilize the most popular African female figure in eighteenth-century fiction and drama to foreground the African woman's concerns and interests as well as those of a British nation grappling with the problems of slavery and abolition. Imoinda, the fictional phenomenon initially conceived by Aphra Behn and subsequently popularized by Thomas Southerne, has an influence that extends well beyond the Oroonoko novella and drama that established her as a formidable presence during the late Restoration period. This influence is palpably discerned in the characterizations of African women drawn up in novels and dramas written by late-eighteenth-century British writers. Through its examinations of the textual instances from 1759-1808 when Imoinda and her involvement in the Oroonoko marriage plot are being transformed and embellished for politicized ends, Imoinda's Shade demonstrates how this period's fictional African women were deliberately constructed by progressive eighteenth-century writers to popularize issues of rape, gynecological rebellion, and miscegenation. Moreover, it shows how these specific African female concerns influence British antislavery, abolitionist, and post-slavery discourse in heretofore unheralded, unusual, and sometimes radical ways.
Madeline
Blessed Events
Author: Pamela E. Klassen
Publisher: Princeton University Press
ISBN: 9780691087986
Category : Health & Fitness
Languages : en
Pages : 338
Book Description
Blessed Events explores how women who give birth at home use religion to make sense of their births and in turn draw on their birthing experiences to bring meaning to their lives and families. Pamela Klassen introduces a surprisingly diverse group of women, in their own words, while also setting their birth stories within wider social, political, and economic contexts. In doing so, she emerges with a study that disrupts conventional views of both childbirth and religion by blurring assumed divisions between conservative and feminist women and by taking childbirth seriously as a religious act. Most American women who have a choice give birth in a hospital and request pain medication. Yet enough women choose and advocate unmedicated home birth--and do so for carefully articulated reasons, social resistance among them--to constitute a movement. Klassen investigates why women whose religious affiliations range from Old Order Amish to Reform Judaism to goddess-centered spirituality defy majority opinion, the medical establishment, and sometimes the law to have their babies at home. In considering their interpretations--including their critiques of the dominant medical model of childbirth and their views on labor pain--she examines the kinds of agency afforded to or denied women as they derive religious meanings from childbirth. Throughout, she identifies tensions and affinities between feminist and traditionalist appraisals of the symbolic meaning of birth and the power of women. What does home birth--a woman-centered movement working to return birth to women's control--mean in practice for women's gender and religious identities? Is this supreme valuing of procreation and motherhood constraining, or does it open up new realms of cultural and social power for women? By asking these questions while remaining cognizant of religion's significance, Blessed Events challenges both feminist and traditionalist accounts of childbearing while broadening our understanding of how religion is ''lived'' in contemporary America.
Publisher: Princeton University Press
ISBN: 9780691087986
Category : Health & Fitness
Languages : en
Pages : 338
Book Description
Blessed Events explores how women who give birth at home use religion to make sense of their births and in turn draw on their birthing experiences to bring meaning to their lives and families. Pamela Klassen introduces a surprisingly diverse group of women, in their own words, while also setting their birth stories within wider social, political, and economic contexts. In doing so, she emerges with a study that disrupts conventional views of both childbirth and religion by blurring assumed divisions between conservative and feminist women and by taking childbirth seriously as a religious act. Most American women who have a choice give birth in a hospital and request pain medication. Yet enough women choose and advocate unmedicated home birth--and do so for carefully articulated reasons, social resistance among them--to constitute a movement. Klassen investigates why women whose religious affiliations range from Old Order Amish to Reform Judaism to goddess-centered spirituality defy majority opinion, the medical establishment, and sometimes the law to have their babies at home. In considering their interpretations--including their critiques of the dominant medical model of childbirth and their views on labor pain--she examines the kinds of agency afforded to or denied women as they derive religious meanings from childbirth. Throughout, she identifies tensions and affinities between feminist and traditionalist appraisals of the symbolic meaning of birth and the power of women. What does home birth--a woman-centered movement working to return birth to women's control--mean in practice for women's gender and religious identities? Is this supreme valuing of procreation and motherhood constraining, or does it open up new realms of cultural and social power for women? By asking these questions while remaining cognizant of religion's significance, Blessed Events challenges both feminist and traditionalist accounts of childbearing while broadening our understanding of how religion is ''lived'' in contemporary America.