Author: United States. Congress. House
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1982
Book Description
Report
Author: United States. Congress. House
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1982
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1982
Book Description
Drug Industry Antitrust Act
Author: United States. Congress. Senate. Committee on the Judiciary
Publisher:
ISBN:
Category : Antitrust law
Languages : en
Pages : 824
Book Description
Publisher:
ISBN:
Category : Antitrust law
Languages : en
Pages : 824
Book Description
Federal Aid for Education
Author: Julia Emily Johnsen
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 304
Book Description
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 304
Book Description
The Hellhound of Wall Street
Author: Michael Perino
Publisher: Penguin
ISBN: 1101444444
Category : Business & Economics
Languages : en
Pages : 366
Book Description
A gripping account of the underdog Senate lawyer who unmasked the financial wrongdoing that led to the Crash of 1929 and forever changed the relationship between Washington and Wall Street. In The Hellhound of Wall Street, Michael Perino recounts in riveting detail the 1933 hearings that put Wall Street on trial for the Great Crash. Never before in American history had so many financial titans been called to account before the public, and they had come within a few weeks of emerging unscathed. By the time Ferdinand Pecora, a Sicilian immigrant and former New York prosecutor, took over as chief counsel, the investigation had dragged on ineffectively for nearly a year and was universally written off as dead. The Hellhound of Wall Street provides a minute-by-minute account of the ten dramatic days when Pecora turned the hearings around, cross- examining the officers of National City Bank (today's Citigroup), particularly its chairman, Charles Mitchell, one of the best known bankers of his day. Mitchell strode into the hearing room in obvious disdain for the proceedings, but he left utterly disgraced. Pecora's rigorous questioning revealed that City Bank was guilty of shocking financial abuses, from selling worthless bonds to manipulating its stock price. Most offensive of all was the excessive compensation and bonuses awarded to its executives for peddling shoddy securities to the American public. Pecora became an unlikely hero to a beleaguered nation. The man whom the press called "the hellhound of Wall Street" was the son of a struggling factory worker. Precocious and determined, he became one of New York's few Italian American lawyers at a time when Italians were frequently stereotyped as anarchic criminals. The image of an immigrant lawyer challenging a blue-blooded Wall Street tycoon was just one more sign that a fundamental shift was taking place in America. By creating the sensational headlines needed to galvanize public opinion for reform, the Pecora hearings spurred Congress to take unprecedented steps to rein in the freewheeling banking industry and led directly to the New Deal's landmark economic reforms. A gripping courtroom drama with remarkable contemporary relevance, The Hellhound of Wall Street brings to life a crucial turning point in American financial history.
Publisher: Penguin
ISBN: 1101444444
Category : Business & Economics
Languages : en
Pages : 366
Book Description
A gripping account of the underdog Senate lawyer who unmasked the financial wrongdoing that led to the Crash of 1929 and forever changed the relationship between Washington and Wall Street. In The Hellhound of Wall Street, Michael Perino recounts in riveting detail the 1933 hearings that put Wall Street on trial for the Great Crash. Never before in American history had so many financial titans been called to account before the public, and they had come within a few weeks of emerging unscathed. By the time Ferdinand Pecora, a Sicilian immigrant and former New York prosecutor, took over as chief counsel, the investigation had dragged on ineffectively for nearly a year and was universally written off as dead. The Hellhound of Wall Street provides a minute-by-minute account of the ten dramatic days when Pecora turned the hearings around, cross- examining the officers of National City Bank (today's Citigroup), particularly its chairman, Charles Mitchell, one of the best known bankers of his day. Mitchell strode into the hearing room in obvious disdain for the proceedings, but he left utterly disgraced. Pecora's rigorous questioning revealed that City Bank was guilty of shocking financial abuses, from selling worthless bonds to manipulating its stock price. Most offensive of all was the excessive compensation and bonuses awarded to its executives for peddling shoddy securities to the American public. Pecora became an unlikely hero to a beleaguered nation. The man whom the press called "the hellhound of Wall Street" was the son of a struggling factory worker. Precocious and determined, he became one of New York's few Italian American lawyers at a time when Italians were frequently stereotyped as anarchic criminals. The image of an immigrant lawyer challenging a blue-blooded Wall Street tycoon was just one more sign that a fundamental shift was taking place in America. By creating the sensational headlines needed to galvanize public opinion for reform, the Pecora hearings spurred Congress to take unprecedented steps to rein in the freewheeling banking industry and led directly to the New Deal's landmark economic reforms. A gripping courtroom drama with remarkable contemporary relevance, The Hellhound of Wall Street brings to life a crucial turning point in American financial history.
The Dignity of Commerce
Author: Nathan Oman
Publisher: University of Chicago Press
ISBN: 022641552X
Category : Business & Economics
Languages : en
Pages : 312
Book Description
The Dignity of Commerce is a rigorous and novel exploration of moral justification of contract law through how it fosters well-functioning markets. Nathan B. Oman demonstrates how contract law deals overwhelmingly with the matters of commercial exchange, and how commerce in turn breeds habits of mind, or virtues, that support a liberal society. He also shows how markets provide a framework for peaceful cooperation across the fault lines of race, culture, religion, and politics that outdo even democratic political institutions. The Dignity of Commerce is ambitious in its aims and its conclusions and the implications are powerful. It is sure to elicit a serious discussion at the very heart of one of the most central areas of legal studies, and Nathan B. Oman has provided a clear, engaging, and comprehensive vehicle to get the discussion started.
Publisher: University of Chicago Press
ISBN: 022641552X
Category : Business & Economics
Languages : en
Pages : 312
Book Description
The Dignity of Commerce is a rigorous and novel exploration of moral justification of contract law through how it fosters well-functioning markets. Nathan B. Oman demonstrates how contract law deals overwhelmingly with the matters of commercial exchange, and how commerce in turn breeds habits of mind, or virtues, that support a liberal society. He also shows how markets provide a framework for peaceful cooperation across the fault lines of race, culture, religion, and politics that outdo even democratic political institutions. The Dignity of Commerce is ambitious in its aims and its conclusions and the implications are powerful. It is sure to elicit a serious discussion at the very heart of one of the most central areas of legal studies, and Nathan B. Oman has provided a clear, engaging, and comprehensive vehicle to get the discussion started.
Hardwood Veneered Doors
And I Haven't Had a Bad Day Since
Author: Charles B. Rangel
Publisher: Macmillan
ISBN: 9780312382131
Category : Biography & Autobiography
Languages : en
Pages : 340
Book Description
"Long on sass and spirit . . . brims with brio. . . As a politician/raconteur with a hell of a tale to tell, he sure has my vote."—The New York Times Book Review In this inspiring and often humorous memoir, the outspoken Democratic congressman from Harlem—later the chairman of the powerful House Ways and Means Committee—tells about his early years on Lenox Avenue, being awarded a Bronze Star and a Purple Heart for wounds sustained in a horrific Korean War battle (the last bad day of his life, he says), and his many years in Congress. A charming, natural storyteller, Rangel recalls growing up in Harlem, where from the age of nine he always had at least one job, including selling the legendary Adam Clayton Powell's newspaper; his group of streetwise sophisticates who called themselves Les Garçons; and his time in law school—a decision made as much to win his grandfather's approval as to establish a career. He recounts as well his life in New York politics during the 1960s and the grueling civil rights march from Selma to Montgomery. With New York street smarts, Rangel is a tough liberal and an independent thinker, but also a collegial legislator respected by Democrats and Republicans alike who knows and honors the House's traditions. First elected to Congress in 1970, Rangel served on the House Judiciary Committee during the hearings on the articles of impeachment of President Nixon, helped found the Congressional Black Caucus, and led the fight in Congress to pressure U.S. corporations to divest from apartheid South Africa. Best of all, this is a political memoir with heart, the story of a life filled with friends, humor, and accomplishments. Charles Rangel is one of a kind, and this is the story of how he became the celebrated person and politician he is today. He opens his memoir with a preface about the 2006 elections and an outline of his goals as chairman of Ways and Means. From day one he wants to put the public first so that more Americans can say they haven't had a bad day since.
Publisher: Macmillan
ISBN: 9780312382131
Category : Biography & Autobiography
Languages : en
Pages : 340
Book Description
"Long on sass and spirit . . . brims with brio. . . As a politician/raconteur with a hell of a tale to tell, he sure has my vote."—The New York Times Book Review In this inspiring and often humorous memoir, the outspoken Democratic congressman from Harlem—later the chairman of the powerful House Ways and Means Committee—tells about his early years on Lenox Avenue, being awarded a Bronze Star and a Purple Heart for wounds sustained in a horrific Korean War battle (the last bad day of his life, he says), and his many years in Congress. A charming, natural storyteller, Rangel recalls growing up in Harlem, where from the age of nine he always had at least one job, including selling the legendary Adam Clayton Powell's newspaper; his group of streetwise sophisticates who called themselves Les Garçons; and his time in law school—a decision made as much to win his grandfather's approval as to establish a career. He recounts as well his life in New York politics during the 1960s and the grueling civil rights march from Selma to Montgomery. With New York street smarts, Rangel is a tough liberal and an independent thinker, but also a collegial legislator respected by Democrats and Republicans alike who knows and honors the House's traditions. First elected to Congress in 1970, Rangel served on the House Judiciary Committee during the hearings on the articles of impeachment of President Nixon, helped found the Congressional Black Caucus, and led the fight in Congress to pressure U.S. corporations to divest from apartheid South Africa. Best of all, this is a political memoir with heart, the story of a life filled with friends, humor, and accomplishments. Charles Rangel is one of a kind, and this is the story of how he became the celebrated person and politician he is today. He opens his memoir with a preface about the 2006 elections and an outline of his goals as chairman of Ways and Means. From day one he wants to put the public first so that more Americans can say they haven't had a bad day since.
Raphael to Renoir
Author: Stijn Alsteens
Publisher: Metropolitan Museum of Art
ISBN: 1588393070
Category : Drawing
Languages : en
Pages : 326
Book Description
"The works from the Bonna Collection are illustrated in color, and whenever possible, at their actual sizes. They are arranged chronologically by the artist's date of birth and are grouped according to the main artistic schools. This volume is introduced by an interview with Jean Bonna by George Goldner. Each drawing is then described in an entry, many of which have comparative illustrations that shed further light on individual works."--BOOK JACKET.
Publisher: Metropolitan Museum of Art
ISBN: 1588393070
Category : Drawing
Languages : en
Pages : 326
Book Description
"The works from the Bonna Collection are illustrated in color, and whenever possible, at their actual sizes. They are arranged chronologically by the artist's date of birth and are grouped according to the main artistic schools. This volume is introduced by an interview with Jean Bonna by George Goldner. Each drawing is then described in an entry, many of which have comparative illustrations that shed further light on individual works."--BOOK JACKET.
Landscapes Clear and Radiant
Author: Wen Fong
Publisher: Metropolitan Museum of Art
ISBN: 1588392910
Category : Landscape in art
Languages : en
Pages : 250
Book Description
"Wang Hui, the most celebrated painter of late-seventeenth-century China, played a key role both in reinvigorating past traditions of landscape painting and in establishing the stylistic foundations for the imperially sponsored art of the Qing court. Drawing upon his protean talent and immense ambition, Wang developed an all-embracing synthesis of historical landscape styles that constituted one of the greatest artistic innovations of late imperial China." "This comprehensive study of the painter, the first published in English, features three essays that together consider his life and career, his artistic achievements, and his masterwork - the series of twelve monumental scrolls depicting the Kangxi emperor's Southern Inspection Tour of 1689. The first essay, by Wen C. Fong, closely examines Wang Hui's genius for "repossessing the past," his ability to engage in an inventive dialogue with previous masters and to absorb their stylistic personae while making works that were distinctly his own. Chin-Sung Chang next traces the entire trajectory of Wang's development as an artist, from his precocious youth in the village of Yushan, through growing local and national fame - first as a copyist, then as the creator of groundbreaking panoramic landscapes - to the ultimate confirmation of his stature with the commission to direct the Southern Inspection Tour project. Focusing on this extraordinary eight-year-long effort, Maxwell K. Hearn's essay discusses the contemporary sources for the scrolls, the working methods of Wang and his assistants (comparing drafts with finished versions), and the artistic innovations reflected in these imposing works, the extant examples of which measure more than two feet high and from forty-six to eighty-six feet long." "This publication accompanies the exhibition "Landscapes Clear and Radiant: The Art of Wang Hui (1632-1717)," held at The Metropolitan Museum of Art, New York, from September 9, 2008, through January 4, 2009."--BOOK JACKET.
Publisher: Metropolitan Museum of Art
ISBN: 1588392910
Category : Landscape in art
Languages : en
Pages : 250
Book Description
"Wang Hui, the most celebrated painter of late-seventeenth-century China, played a key role both in reinvigorating past traditions of landscape painting and in establishing the stylistic foundations for the imperially sponsored art of the Qing court. Drawing upon his protean talent and immense ambition, Wang developed an all-embracing synthesis of historical landscape styles that constituted one of the greatest artistic innovations of late imperial China." "This comprehensive study of the painter, the first published in English, features three essays that together consider his life and career, his artistic achievements, and his masterwork - the series of twelve monumental scrolls depicting the Kangxi emperor's Southern Inspection Tour of 1689. The first essay, by Wen C. Fong, closely examines Wang Hui's genius for "repossessing the past," his ability to engage in an inventive dialogue with previous masters and to absorb their stylistic personae while making works that were distinctly his own. Chin-Sung Chang next traces the entire trajectory of Wang's development as an artist, from his precocious youth in the village of Yushan, through growing local and national fame - first as a copyist, then as the creator of groundbreaking panoramic landscapes - to the ultimate confirmation of his stature with the commission to direct the Southern Inspection Tour project. Focusing on this extraordinary eight-year-long effort, Maxwell K. Hearn's essay discusses the contemporary sources for the scrolls, the working methods of Wang and his assistants (comparing drafts with finished versions), and the artistic innovations reflected in these imposing works, the extant examples of which measure more than two feet high and from forty-six to eighty-six feet long." "This publication accompanies the exhibition "Landscapes Clear and Radiant: The Art of Wang Hui (1632-1717)," held at The Metropolitan Museum of Art, New York, from September 9, 2008, through January 4, 2009."--BOOK JACKET.
Hollywood Highbrow
Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.